To illustrate this principle, he created what has come to be known as the Kuleshov Experiment.

Kuleshov believed this, along with montage, had to be the basis of cinema as an independent art form.

Lev Kuleshov was among the very first to theorize about the relatively young medium of the cinema in the 1920s.

The Moscow Film School was founded in 1919 with Russian filmmakers including Sergei Eisenstein, Vsevolod Pudovkin, and Lev Kuleshov serving as faculty to disseminate their very distinct viewpoints on the purpose of film.

Lev Vladimirovich Kuleshov (; – 29 March 1970 ) was a Soviet filmmaker and film theorist who taught at and helped establish the world's first film school, the Moscow Film School.

After the war, he abandoned his professional activity and joined the world of cinema, first as a screenwriter, actor and art director, and then as an assistant director to Lev Kuleshov.

In 1918, the first full year of the Russian Revolution, Kuleshov assembled his revolutionary illustration of the application of the principles of film editing out of footage from one of Mozzhukhin's Tsarist-era films which had been left behind when he, along with his entire film production company, departed for the relative safety of Crimea in 1917.

( See Kuleshov Experiment ) He took an old film clip of a head shot of a noted Russian actor and intercut the shot with a shot of a bowl of soup, then with a child playing with a teddy bear, then with a shot an elderly woman in a casket.

His often-cited Kuleshov Experiment established that montage can lead the viewer to reach certain conclusions about the action in a film.

It largely evolved from the works of directors like Germaine Dulac, Louis Delluc, Jean Epstein, Sergei Eisenstein, Lev Kuleshov, and Dziga Vertov and film theorists like Rudolf Arnheim, Béla Balázs and Siegfried Kracauer.

* Lev Kuleshov ( 1899 – 1970 ), a Soviet filmmaker and film theorist

In fact, the Hegelian dialectic was considered best displayed in film editing through the Kuleshov Experiment and the development of montage.

He and his contemporary, Lev Kuleshov, two of the earliest film theorists, argued that montage was the essence of the cinema.

The revolutionary Soviet filmmakers of the Kuleshov school of filmmaking were experimenting with the effect of film editing on audiences, and Eisenstein attempted to edit the film in such a way as to produce the greatest emotional response, so that the viewer would feel sympathy for the rebellious sailors of the Battleship Potemkin and hatred for their cruel overlords.

* Lev Kuleshov, film director and student of the cinema

Creative geography, or artificial landscape, is a film making technique invented by the early Russian filmmaker Lev Kuleshov sometime around the 1920s.

* 2008-Caribbean Kuleshov Effect / Effecto Kuleshov Caribe ( Short film. Cinema Barlovento.

Mozzhukhin's most lasting contribution to the theoretical concept of film as image is the legacy of his own face in recurring representation of illusory reactions seen in Lev Kuleshov's psychological montage experiment which demonstrated the Kuleshov Effect.

The Kuleshov Effect is a film editing ( montage ) effect demonstrated by Russian filmmaker Lev Kuleshov in the 1910s and 1920s.

Kuleshov edited together a short film in which a shot of the expressionless face of Tsarist matinee idol Ivan Mosjoukine was alternated with various other shots ( a plate of soup, a girl, a little girl's coffin ).

Kuleshov used the experiment to indicate the usefulness and effectiveness of film editing.

Griffith's work in the teens was highly regarded by Kuleshov and other Soviet filmmakers and greatly influenced their understanding of editing.

For Kuleshov, the essence of the cinema was editing, the juxtaposition of one shot with another.

In addition to his theoretical work, Kuleshov was an active director of feature-length films until 1943.

Since 1943 Kuleshov was serving as the academic rector of Gerasimov Institute of Cinematography.

She helped many aspiring talents and was acquainted with many leading figures of Russian and international culture, such as Sergei Eisenstein, Lev Kuleshov, Boris Pasternak, Vsevolod Meyerhold, Kazimir Malevich, Sergei Paradjanov, Maya Plisetskaya, Rodion Shchedrin, Andrei Voznesensky, Yves St. Laurent and Pablo Picasso.

The montage experiments carried out by Kuleshov in the late 1910s and early 1920s formed the theoretical basis of Soviet montage cinema, culminating in the famous films of the late 1920s by directors such as Sergei Eisenstein, Vsevolod Pudovkin and Dziga Vertov, among others.

Kuleshov demonstrated the necessity of considering montage as the basic tool of cinema art.

* Anatoly Kuleshov — Minister of Internal Affairs of the Republic of Belarus ( 2009 ).

Early Russian filmmakers such as Lev Kuleshov further explored and theorized about editing and its ideological nature.

The films of Dziga Vertov, Sergei Eisenstein, Lev Kuleshov, Alexander Dovzhenko, and Vsevolod Pudovkin were instrumental in providing an alternate model from that offered by classical Hollywood.

Italian Futurism influenced Russian Futurist cinema ( Lev Kuleshov, Dziga Vertov, Sergei Eisenstein, Vsevolod Pudovkin, Aleksandr Dovzhenko ) and German Expressionism.

Sometime around 1918, Russian director Lev Kuleshov did an experiment that proves this point.

Kuleshov () and Kuleshova (; feminine ) is a common Russian surname.

* Aleksey Kuleshov ( b. 1979 ), a Russian volleyball player

* Arkadi Kuleshov ( b. 1914 ), a Belorussian poet and translator

* Mikhail Kuleshov ( b. 1981 ), a Russian ice hockey player

* Oleg Kuleshov ( b. 1974 ), a Russian handball player

* Vladimir Kuleshov ( b. 1986 ), a Russian footballer

-- liberal considers that the need for a national economy with controls that will assure his conception of social justice is so great that individual and local liberties as well as democratic processes may have to yield before it.

Yet he presents a realm of source material which may well serve other writers if not himself: the problems with which a New South must grapple in groping through a blind adolescence into the maturity of urbanization.

Or, clad from head to toe in fabric stretched over a series of hoops, the performer may well lose his sense of self in being a `` finial ''.

It must be granted that the flouting of convention, no matter how well intentioned one may be, is sure to lead to trouble, or at least to the discomfort that goes with social disapproval.

Probably the most important thing to focus on is not the development of conscience, which may well be almost beyond the reach of literature, but the contents of conscience, the code which is imparted to the developed or immature conscience available.

`` It would be a disgrace, and, as I have already said to the people of Tennessee, if Hearst is nominated, we may as well pen a dispatch, and send it back from the field of battle: ' All is lost, including our honor ' ''.

You may do well to take notice, that besides the title to land between the English and the Indians there, there are twelve of the English that have subscribed their names to horrible and detestable blasphemies, who are rather to be judged as blasphemous than they should delude us by winning time under pretence of arbitration ''.

In addition, his definition of a tragedy invites our attention, because a serious and important action may very well be one that tests the moral fiber of the author or of the characters.

And it may be well to recall that to say `` conformity '' is, in part, another way of saying `` orderly human society ''.

Since the great flood of these dystopias has appeared only in the last twelve years, it seems fairly reasonable to assume that the chief impetus was the 1949 publication of Nineteen Eighty-Four, an assumption which is supported by the frequent echoes of such details as Room 101, along with education by conditioning from Brave New World, a book to which science-fiction writers may well have returned with new interest after reading the more powerful Orwell dystopia.

Nevertheless, with all these qualifications and exceptions, the current dystopian phenomenon remains impressive for its criticism that science and technology, instead of bringing utopia, may well enslave, dehumanize, and even destroy men.

The reason is, I think, my awareness that my remarks last quarter on pacifism may well have served to confirm the opinion of some that my tendency to skepticism and dissent gets us nowhere, and that I am simply too old to hope.

It may well be that the unification of Europe will prove inadequate, that the survival of free society will require nothing less than the confederation of the entire Western world.

`` It might well start a craze like swallowing goldfish or pee-wee golf '', wrote Kenneth Rexroth in an explanatory note in the Evergreen Review, and he may have been right.

but he may well be doing his greatest service with his straightforward report on the state of the public schools.

The appeal is going to be to the pocketbook and may be very convincing to those who do not see its relation to political and legal, as well as economic, self-rule.

In the more primitive areas, where the capacity to absorb and utilize external assistance is limited, some activities may be of such obvious priority that we may decide to support them before a well worked out program is available.

and now, therefore, do I, John A. Notte, Jr., governor of the State of Rhode Island and Providence Plantations, proclaim the week of april 29th to may 7th, 1961, as Rhode Island Heritage Week, advising our citizens that throughout this week many historic houses and beautiful gardens will be open to visitors as well as industrial plants, craft shops, museums and libraries and I earnestly urge all to take advantage of these opportunities to see as many of these places as they can during this outstanding week.

While this may well be true in general, I believe it is also important to keep in mind that some recent developments suggest that over the next year or so military electronics may be one of the most strongly growing areas in an economy which is not expanding rapidly in other directions.

Your ear takes you into the ensemble, and you may well become aware of instrumental details which previously were apparent only in the score.

Yachtel, a relatively new word, indicates a waterfront type of hotel where a yachtsman may dock and find overnight accommodations on the premises as well as other services.

A brief course in hydraulics from the pool builders may well be appreciated in a future crisis.

A 1-hp conditioner, for example, may vary in effectiveness from under 8,000 BTU to well over 10,000 Aj.