In 1885, Mascagni composed Il Re a Napoli in Cremona, romance for tenor and orchestra, on a text by Andrea Maffei.

In 1920 Mascagni composed Il piccolo Marat, which was premiered in Rome on May 2, 1921, following by a premiere in Buenos Aires in September.

Ancona also undertook roles composed by Leoncavallo ( Silvio and Tonio ), Puccini ( Lescaut and Marcello ), Mascagni ( Alfio and David in L ' amico Fritz ), Giordano ( Gerard in Andrea Chénier ), Mozart ( Don Giovanni and Figaro ) and Wagner ( Wolfram, Telramund and even, on occasion, Hans Sachs ).

In addition to Tosca and Romeo et Juliette, Eames ' repertoire featured a comparatively small but stylistically diverse group of operas, ranging from works composed by Mozart, through Verdi and Wagner, to Mascagni.

Pietro Mascagni Iris ( Iris ) – opera composed for her voice and interpreted in prima assoluta at Teatro dell ’ Opera of Rome, on 22 January 1898, in première for Teatro alla Scala di Milano on 19 January 1899 and in première for Bucharest National Theatre in 1908 ;

Pietro Mascagni I Rantzau ( Luisa ) – opera composed for her voice and interpreted in prima assoluta at Teatro Delle Pergole of Florence on 10 November 1892 and in première for Teatro dell ’ Opera of Rome on 26 November 1892 ;

Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, as well as songs and piano music.

Helped by the mayor Giuseppe Cannone, Mascagni soon left the company of Maresca, not without problems, and became master of music and singing of the new philharmonia of Cerignola, where he earned a lot of esteem.

In 1915 Mascagni wrote music for Nino Oxilia's movie Rapsodia Satanica ; the custom was for silent films to be accompanied live in a theater by organ, piano, or an orchestra, often using a prepared score ( sometimes with original music ) with cues for the conductor or musician.

Some composers, such as Mikhail Glinka, Alexander Serov, Rimsky-Korsakov, Puccini, and Mascagni wrote passages of music without text and subsequently had the librettist add words to the vocal melody lines.

Italy retained a Romantic operatic musical tradition in the early 20th century, exemplified by composers of the so-called Giovane Scuola, whose music was anchored in the previous century, including Arrigo Boito, Ruggiero Leoncavallo, Pietro Mascagni, and Francesco Cilea.

His music choices were Wolfgang Amadeus Mozart — Queen of the Night ; Ian Dury and The Blockheads — Hit Me with Your Rhythm Stick ; Genesis — In the Cage ; Samuel Barber — Adagio for Strings ; Pink Floyd — Us and Them, Dark Side of the Moon ; The Stranglers — Always the Sun ; Green Day — Jesus of Suburbia ; Pietro Mascagni — The Intermezzo from Cavalleria Rusticana.

The group all had close connections with the Milan Conservatory and included Puccini, Mascagni, Leoncavallo, Giordano, Cilea, Catalani and Franchetti as well as non-operatic composers, such as Don Lorenzo Perosi, who wrote almost exclusively sacred music.

Pietro Antonio Stefano Mascagni (; December 7, 1863 – August 2, 1945 ) was an Italian composer most noted for his operas.

On May 6, Mascagni left Livorno for Milan.

The tour was mostly a fiasco, except for the visit to San Francisco where Mascagni was extremely well received.

Mascagni was director of the Costanzi for the season beginning in August 1909.

The subject was retained by Mascagni for Lodoletta.

In 1940, celebrations for the fiftieth anniversary of his most popular opera, Cavalleria rusticana, took place all over Italy, often with Mascagni conducting.

The opera was recorded for La Voce del padrone (" His Master's Voice ") at La Scala under the direction of Mascagni, who recorded a special spoken introduction.

In April 1943, Mascagni appeared for the last time at La Scala to conduct L ' amico Fritz.

The libretto for Edipo Re was written by Giovacchino Forzano, who also wrote Il piccolo Marat for Pietro Mascagni and two of the one-act operas for Puccini's Il trittico.

The only Italian Pratella could praise was his teacher Pietro Mascagni, because he had rebelled against the publishers and attempted innovation in opera, but even Mascagni was too traditional for Pratella's tastes.

It was named for Italian anatomist Paolo Mascagni ( 1752-1815 ) who first described the mineral.

" Gianandrea Gavazzeni made the same comparison: " The sudden clamors of applause, at the end of the century, were just like those a decade earlier for Mascagni.

Pietro Mascagni Cavalleria rusticana ( Santuzza ) – oper interpreted in première for Romania at Bucharest National Theatre in 1891 ;

Pietro Mascagni L ’ amico Fritz ( Suzel ) – opera interpreted in première for Teatro Della Pergole of Florence in 1891 and for Bucharest National Theatre in 1910 ;

* August 2 – Pietro Mascagni, Italian composer ( b. 1863 )

Mascagni died on August 2, 1945 in his apartment at the Hotel Plaza di Roma.

* Mascagni ; Cavalleria rusticana ; Levine ; RCA

General print media, such as the Enciclopedia Moderna Italiana, tended to treat traditionally favored composers such as Giacomo Puccini and Pietro Mascagni with the same brevity as composers and musicians that were not as favored — modernists such as Alfredo Casella and Ferruccio Busoni ; that is, encyclopedia entries of the era were mere lists of career milestones such as compositions and teaching positions held.

* Mascagni: Cavalleria rusticana ( Souliotis, del Monaco ; Varviso, 1966 ) Decca Records

Plastic arts ; Arsenius Mascagni and Gabriel Mattei, painters ; Giovanni Angelo Montorsoli ( Angelus Montursius ) ( 1563 ), architect and sculptor, among whose works are the Neptune of Messina, the arm of Laocoon in the Vatican, and the Angels on the Ponte Sant ' Angelo.

On March 2, 1896, Mascagni conducted the première of Zanetto at the Liceo.

On June 29, 1898 in Recanati, Mascagni conducted the première of a symphonic poem, A Giacomo Leopardi.

The Italian première of Isabeau was held simultaneously at La Scala in Milan ( conductor Tullio Serafin ) and at La Fenice in Venice ( conductor Mascagni ) in 1912.

That December, Mascagni arrived in Cerignola with Maresca's company.

In 1903, Mascagni left Pesaro after problems with the authorities.

On April 4, 1910, Mascagni began a relationship with Anna Lolli.

In 1942, after an audience with Pope Pius XII, newspapers quoted Mascagni, a Roman Catholic, as saying that his tuberculosis-stricken niece was cured after receiving a rosary and silver medal blessed by the pope.

In spite of their rich musical invention, neither of these operas met with the same success but both exerted great influence on the composers of the rising generation, like Giacomo Puccini, Pietro Mascagni and Umberto Giordano.

Verismo is also employed by musicologists to refer to a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano and Giacomo Puccini.

The most famous composers of Verismo opera, discounting Puccini, were Mascagni, Ruggero Leoncavallo ( whose Pagliacci is often coupled with Cavalleria ), Umberto Giordano, and Francesco Cilea.

Fogel: " Alfano's reputation has also suffered with Mascagni, understandably, because of his willingness to associate himself closely with Mussolini's Fascist government.

She studied at the Istituto Musicale Pietro Mascagni in Livorno, and subsequently took part in master classes at the Accademia Musicale Chigiana, Siena, with Carlo Bergonzi and Shirley Verrett.

A 19 March 1899 New York Times article entitled " The Genius of Don Perosi " began: " The great and ever-increasing success which has greeted the four new oratorios of Don Lorenzo Perosi has placed this young priest-composer on a pedestal of fame which can only be compared with that which has been accorded of late years to the idolized Pietro Mascagni by his fellow-countrymen.

François discovered the piano early – at the age of two – and his first studies were in Italy, with Pietro Mascagni, who encouraged him to give his first concert at the age of six.