Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.

After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.

Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.

He ended his public career as a two-term governor of New York.

Talleyrand passed his New York law office one night on the way to a party.

No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.

But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.

Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.

In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.

At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.

While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.

Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.

The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --

`` It wasn't necessarily all here in New York.

When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.

the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.

City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.

The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.

Hearst took a brief respite to hurry home to New York to become a father.

Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.

* 1942 – Jerry Garcia, American singer-songwriter and guitarist ( Grateful Dead, Legion of Mary, Reconstruction, Old and in the Way, and New Riders of the Purple Sage ) ( d. 1995 )

* 1938 – Spencer Dryden, American drummer ( Jefferson Airplane, New Riders of the Purple Sage, The Dinosaurs, and The Peanut Butter Conspiracy ) ( d. 2005 )

* Slater, Don 2002, ' Social Relationships and Identity Online and Offline ', in L. Lievrouw and S. Livingston ( eds ), The Handbook of New Media, Sage, London, pp533 – 46.

London, New York ( NY ): Sage 1993, pp. 1 – 5 & 17 – 25

New Delhi: Sage Publications, 1999.

Dylan's lead was also followed by The Byrds, joined by Gram Parsons to record Sweetheart of the Rodeo ( 1968 ), helping to define the genre of country rock, which became a particularly popular style in the California music scene of the late 1960s, and was adopted by former folk rock artists including Hearts and Flowers, Poco and New Riders of the Purple Sage.

The mill was also the namesake and inspiration for a song by singer-songwriter Dan Fogelberg. The mill was also the namesake for a song by the New Riders of the Purple Sage

by Michael Hechter and Karl-Dieter Opp, New York, NY: Russell Sage Foundation

* Hechter, Michael and Karl-Dieter Opp, eds, 2001, Social Norms, New York: Russell Sage Foundation

by Michael Hechter and Karl-Dieter Opp, New York, NY: Russell Sage Foundation

* Zhou, Min and Carl L. Bankston III Growing Up American: How Vietnamese Children Adapt to Life in the United States New York: Russell Sage Foundation, 1998.

New York: Russell Sage Foundation Publications.

New Delhi and Thousand Oaks, CA: Sage.

" He took time off and later returned to music in 1972 as a drummer for New Riders of the Purple Sage.

Country rock was a particularly popular style in the California music scene of the late 1960s, and was adopted by bands including Hearts and Flowers, Poco ( formed by Richie Furay and Jim Messina, formerly of the Buffalo Springfield ) and New Riders of the Purple Sage.

The city's name is used on Veneta, Oregon, 8 / 27 / 72, a 2004 release by New Riders of the Purple Sage, which is a live recording of the group's opening performance at the 1972 Field Trip.

Among the artists and collectors who arrived in New York during the war ( some with help from Varian Fry ) were Hans Namuth, Yves Tanguy, Kay Sage, Max Ernst, Jimmy Ernst, Peggy Guggenheim, Leo Castelli, Marcel Duchamp, André Masson, Roberto Matta, André Breton, Marc Chagall, Jacques Lipchitz, Fernand Léger and Piet Mondrian.

* Zhou, Min and Carl L. Bankston III Growing Up American: How Vietnamese Children Adapt to Life in the United States New York: Russell Sage Foundation, 1998.

* September 3 – nearly 110, 000 fans pack Englishtown Raceway in Old Bridge, New Jersey for an eleven hour concert by Grateful Dead, Marshall Tucker Band and New Riders of the Purple Sage.

New York: Russell Sage Foundation.

Perry ’ s Neighbourhood unit concept was well-formulated by the time Radburn was planned, being informed by Forest Hills Gardens, Queens, New York ( 1909-1914 ), a garden-city development of the Russell Sage Foundation.

* Russell Sage Memorial Church, Far Rockaway, New York, 1908-1910

( 1955 ) " Health, Culture and Community: Case Studies of Public Reactions to Health Programs " New York: Russell Sage Foundation.