Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.

After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.

Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.

He ended his public career as a two-term governor of New York.

Talleyrand passed his New York law office one night on the way to a party.

No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.

But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.

Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.

In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.

At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.

While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.

Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.

The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --

`` It wasn't necessarily all here in New York.

When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.

the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.

City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.

The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.

Hearst took a brief respite to hurry home to New York to become a father.

Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.

If it is not enough that all of our internationalist One Worlders are advocating that we join this market, I refer you to an article in the New York Times' magazine section ( Nov. 12, 1961 ), by Mr. Eric Johnston, entitled `` We Must Join The Common Market ''.

Best known for his novels including Brave New World and a wide-ranging output of essays, Huxley also edited the magazine Oxford Poetry, and published short stories, poetry, travel writing, film stories and scripts.

The band has been mentioned or featured in various newspapers and magazines: the Vancouver Sun, Northshore News ( Vancouver, Canada newspaper ), New Times ( Los Angeles weekly entertainment newspaper ), BLU Magazine ( underground hip hop magazine ), BAM Magazine ( Southern California ), La Banda Elastica Magazine, and the Los Angeles Times Calendar section.

People magazine ran a substantial feature, and even the comics-free New York Times devoted nearly a full page to the event ," wrote publisher Denis Kitchen.

The original team was christened the Blue Angels in 1946, when one of the pilots came across the name of New York City's Blue Angel Nightclub in The New Yorker magazine ; the team introduced themselves as the " Blue Angels " to the public for the first time on 21 July 1946, in Omaha, Nebraska.

Russell Patterson and Carolyn Wells ' New Adventures of Flossy Frills was a continuing strip series seen on Sunday magazine covers.

Russell Patterson and Carolyn Wells ' New Adventures of Flossy Frills ( January 26, 1941 ), an example of comic strips on Sunday magazine s.

On 2 November 1957, the New Statesman magazine published an article by J.

This article uses the term " content control ", a term also used on occasion by CNN, Playboy magazine the San Francisco Chronicle and the New York Times.

In 2010, the British magazine New Statesman listed Craig Venter at 14th in the list of " The World's 50 Most Influential Figures 2010 ".

The magazine also was essential to the creation of the Nouvelle Vague, or New Wave, of French cinema, which centered on films directed by Cahiers authors such as Godard and Truffaut.

As a guest photographer for a magazine series called " They Shoot New York ," she appeared on the cover holding a Pentax K1000 film camera.

zoologia ), and seeër ( now more commonly see-er ), but this practice has become far less common ; The New Yorker magazine is one of the few major publications that still uses it.

He is the founder of the software companies Living Videotext and Userland Software, a former contributing editor for the Web magazine HotWired, the author of the Scripting News weblog, a former research fellow at Harvard Law School, and current visiting scholar at New York University's Arthur L. Carter Journalism Institute.

Bellamy himself came to actively participate in the political movement which emerged around his book, particularly after 1891 when he founded his own magazine, The New Nation, and began to promote united action between the various Nationalist Clubs and the emerging People's Party.

He was a contributor to The New Yorker magazine and a co-author of the English language style guide, The Elements of Style, which is commonly known as " Strunk & White.

He published his first article in The New Yorker magazine in 1925, then joined the staff in 1927 and continued to contribute for around six decades.

Best recognized for his essays and unsigned " Notes and Comment " pieces, he gradually became the most important contributor to The New Yorker at a time when it was arguably the most important American literary magazine.

From the beginning to the end of his career at the New Yorker, he frequently provided what the magazine calls " Newsbreaks " ( short, witty comments on oddly worded printed items from many sources ) under various categories such as " Block That Metaphor.

In 1949, White published Here Is New York, a short book based upon a Holiday magazine article that he had been asked to write.

Empire magazine praised the film saying " the gaudily gory, virtuoso, hyper-kinetic horror sequel / remake uses every trick in the cinematic book " and confirms that " Bruce Campbell and Raimi are gods " and Caryn James of The New York Times called it " genuine, if bizarre, proof of Sam Raimi's talent and developing skill.

Although much of his legal reform proposals were not established in his life time, his legal legacy was considered by the magazine New Scientist, in a publication of 1961, as having influenced the drafting of the Code Napoleon, and the law reforms introduced by Sir Robert Peel.

In August 1929, he sent a copy of The Spike to New Adelphi magazine in London.

However, he did give him some praise saying in an article in the left-leaning New Statesman magazine, " I have never met a man more fair, candid, and honest " and making it clear that he felt the " sinister " image of Stalin was unfair or simply false.