One of the early humorists already mentioned, Thomas Bangs Thorpe, can be used to illustrate another point where Faulkner touches authentic Southern materials and also earlier literary treatment of those materials.

One of the most salient features of literary value has been deemed to be its influence upon and organization of emotion.

One might argue that the ultimate purpose of literary scholarship is to correct this spontaneous provincialism that is likely to obscure the horizons of the general public, of the newspaper critic, and of the creative artist himself.

One might, indeed, argue that the history of ideas, in so far as it includes the literatures, must center on characterizations of human nature and that the great periods of literary achievement may be distinguished from one another by reference to the images of human nature that they succeed in fashioning.

One of the Arabic translations, ‘ Kitab ila Aglooqan fi Shifa al Amraz ’, which is extant in the Library of Ibn Sina Academy of Medieval Medicine & Sciences, is regarded as a masterpiece of Galen's literary works.

One common location for these was the endpapers and title pages of his own diaries, and they covered a wide variety of topics, from political commentary to his feelings toward his literary contemporaries and his current romantic interests.

One can find dozens of books of literary theory bogged down in signifiers and signifieds, but only a handful that refer to Chomsky.

< div style =" text-align: center ; border: none "> Bob Holman </ div > One of the goals of a poetry slam is to challenge the authority of anyone who claims absolute authority over literary value.

One of the earliest literary references to trams occurs on the second page of Henry James's novel The Europeans: </ br >

The One Thousand and One Nights and various tales within it make use of many innovative literary techniques, which the storytellers of the tales rely on for increased drama, suspense, or other emotions.

Several tales in the One Thousand and One Nights use this device to foreshadow what is going to happen, as a special form of literary prolepsis.

The literary device of the unreliable narrator was used in several fictional medieval Arabic tales of the One Thousand and One Nights.

One of them, John Caryll ( the future dedicatee of The Rape of the Lock ), was twenty years older than the poet and had made many acquaintances in the London literary world.

One of the most learned men of his age, he has earned his fame due to his part in ecclesiastical conflicts, and also for his intellect and literary works Analyzing his intellectual work, Tatakes regards Photios as " mind turned more to practice than to theory ".

One of the greatest literary critics of this was the official and famous poet Su Shi.

One example of this is his schema of the container as suggested by critic Donald Freeman in his article, “ The rack dislimns .” In his article, Freeman suggests that the container is representative of the body and the overall theme of the play that “ knowing is seeing .” In literary terms a schema refers to a plan throughout the work, which means that Shakespeare had a set path for unveiling the meaning of the “ container ” to the audience within the play.

One of Patchen's biggest literary supporters was the novelist Henry Miller who wrote a long essay on Patchen, entitled Patchen: Man of Anger and Light in 1946.

One literary tradition claims that Decius was betrayed by his successor Trebonianus Gallus, who was involved in a secret alliance with the Goths but this cannot be substantiated and was most likely a later invention since Gallus felt compelled to adopt Decius ' younger son, Gaius Valens Hostilianus, as joint emperor even though the latter was too young to rule in his own right.

* Robert Magliola, Phenomenology and Literature ( Purdue University Press, 1977 ; 1978 ) systematically describes, in Part One, the influence of Husserl, Heidegger, and the French Existentialists on the Geneva School and other forms of what becomes known as " phenomenological literary criticism "; and in Part Two describes phenomenological literary theory in Roman Ingarden and Mikel Dufrenne.

One of Symbolism's most colourful promoters in Paris was art and literary critic ( and occultist ) Joséphin Péladan, who established the Salon de la Rose + Croix.

One critic noted, " That slammed door reverberated across the roof of the world.

One critic, the poet Armand Silvestre, credited Pissarro with being “ basically the inventor of this painting ”.

Joachim Pissarro notes that virtually every reviewer who commented on Pissarro ’ s work noted “ his extraordinary capacity to change his art, revise his position and take on new challenges .” One critic writes:

One critic states of psychologists that " Instead of replacing ' metaphysical ' terms such as ' desire ' and ' purpose ', they used it to legitimize them by giving them operational definitions ... the initial, quite radical operationalist ideas eventually came to serve as little more than a ' reassurance fetish ' ( Koch 1992 ) for mainstream methodological practice.

One critic called it a " gigantic, ruinous gadget "; another charged Mitterrand with " despotism " for inflicting Paris with the " atrocity ".

One critic described the show as " a hyped-up, violent Dragnet ... with a hard-as-nails Marvin " playing a tough police lieutenant.

One prominent French media critic is the sociologist Pierre Bourdieu who wrote among other books On Television ( New Press, 1999 ).

One notable critic of the Bridgewater Treatises was Edgar Allan Poe, who wrote Criticism.

One critic charged that presidents could appoint a " virtual army of ' czars ' – each wholly unaccountable to Congress yet tasked with spearheading major policy efforts for the White House.

One critic described the presidency as " propagandized leadership " which has a " mesmerizing power surrounding the office.

One critic wrote the image of John F. Kennedy was described as carefully framed " in rich detail " which " drew on the power of myth " regarding the incident of PT 109 and wrote that Kennedy understood how to use images to further his presidential ambitions.

One critic referred to the Rolling Stone list of the " 99 Greatest Songs " as an example of " unrepentant rockist fogeyism ".

One critic remarked, " too many villains spoiled the Batman ", highlighting Burton's decision to focus the storyline more on the villains instead of Batman.

One critic said that it was " just another front group for the TM movement ".

One prominent critic of the ALA's stance was the Manhattan Institute's Heather Mac Donald, who argued in an article for the New York City Journal that " he furor over section 215 is a case study in Patriot Act fear-mongering.

One critic explained that " there is a center and a circumference to Balzac's world.

One critic wrote, " Miss Crawford sings appealingly and dances thrillingly as usual ; her voice is alluring and her dramatic efforts in the difficult role she portrays are at all times convincing.

One critic has seen Paulhan's essay as consistent with other themes in his work, including Paulhan's interest in erotica, his " mystification " of love and sexual relationships, and a view of women that is arguably sexist.

One London critic stated " His baton is not the magician's wand of a virtuoso conductor.

One critic ( Welsh's personal friend Kevin Williamson ) went so far as to say that Trainspotting " deserves to sell more copies than The Bible ".

One critic wrote that he was " A gifted technician who has made a sort of composite facsimile of the Renaissance school, he has every virtue except originality.

Howard had long been a critic of multiculturalism, releasing his One Australia policy in the late 1980s.

One critic has claimed that " the painterly brilliance of his early work degenerated into flashiness and bombast, and the second half of his long career added little to his achievement.

One critic described the original lay-out of the magazine as owing much to “ Neo-Brechtian Nihilism ” although Rushton thought it resembled a betting shop floor.