He returned to New York to work for The New Yorker, to edit a Western pulp, to `` duck the war in the OWI '', to write publicity for Paramount Pictures and commentary for a newsreel, then he began his career as critic for various magazines.

Paramount Pictures only agreed to American and Canadian distribution of Braveheart after 20th Century Fox partnered for international rights.

He directed dozens of silent films, including Paramount Pictures ' first production, The Squaw Man ( 1914 ), which was co-directed by Oscar Apfel, before coming into huge popularity during the late 1910s and early 1920s, when he reached the apex of his popularity with such films as Don't Change Your Husband ( 1919 ), The Ten Commandments ( 1923 ), and The King of Kings ( 1927 ).

A majority of the DeMille motion picture library now resides with EMKA, Ltd. through the television division of NBC Universal, due to Paramount Pictures ' losing the rights to the DeMille films in 1958 to EMKA, so technically it is Universal Pictures that now oversees a vast part of DeMille's motion picture career as well as its related archival material.

Paramount Pictures tried to repeat the success of Flaherty's Nanook and Moana with two romanticized documentaries, Grass ( 1925 ) and Chang ( 1927 ), both directed by Merian Cooper and Ernest Schoedsack.

She worked with Paramount Pictures for the comedy Teacher's Pet ( 1958 ), alongside Clark Gable and Mamie Van Doren.

Digital Cinema Initiatives ( DCI ) was formed in March 2002 as a joint project of many motion picture studios ( Disney, Fox, MGM, Paramount, Sony Pictures Entertainment, Universal, and Warner Bros. Studios ) to develop a system specification for digital cinema.

* Paramount Pictures ( some properties licensed 1949 to 1971, 1984 to 1996, and 2000 to 2001 )

Category: Paramount Pictures films

First National was the brainchild of Thomas L. Tally, who was reacting to the overwhelming influence of Paramount Pictures, which dominated the market.

Adolph Zukor of Paramount Pictures was threatened by First National's financial power and its control over the lucrative first run theaters and decided to enter the cinema business as well.

* United States v. Paramount Pictures, Inc.

According to Robert Evans, head of Paramount Pictures at the time, Coppola also did not initially want to direct the film because he feared it would glorify the Mafia and violence, and thus reflect poorly on his Sicilian and Italian heritage ; on the other hand, Evans specifically wanted an Italian-American to direct the film because his research had shown that previous films about the Mafia that were directed by non-Italians had fared dismally at the box office, and he wanted to, in his own words, " smell the spaghetti ".

In 1914 the Lasky company and Famous Players were amalgamated into Famous Players-Lasky, with distribution of their films handled by the new Paramount Pictures Corporation.

This led to Wray being contracted to Paramount Pictures as a teenager, where she made more than a dozen movies.

The following year in 1927, Wray was signed to a contract with Paramount Pictures In 1928, director Erich von Stroheim cast Wray as the main female lead in his film The Wedding March, released under Paramount, a film noted for its high budget and production values.

Capra directed two films at Paramount Pictures starring Bing Crosby, Riding High ( 1950 ) and Here Comes the Groom ( 1951 ).

In 1999 Brooks and his production company Red Strokes Entertainment, with Paramount Pictures, began to develop a movie in which Brooks would star.

It was released by the studio where the Marx Brothers began their film career, Paramount Pictures.

In December 1928, Paramount Pictures signed him to a contract that reimbursed him for his airfare and initially paid him $ 600 per week with no screen credit during a six-month apprenticeship.

Hawks was the Story Editor at Famous Players ( later Paramount Pictures ) almost two years, and occasionally edited such films as Heritage of the Desert.

Harold and Maude is a 1971 American dark comedy film directed by Hal Ashby and released by Paramount Pictures.

* 1939 – Shooting begins on Paramount Pictures ' Dr. Cyclops, the first horror film photographed in three-strip Technicolor.

In this period Paramount can truly be described as a movie factory, turning out sixty to seventy pictures a year.

Those wishing to visit Paramount can take daily studio tours.

Individuals can hold multiple top leadership titles but also be unable to claim to be the de facto ruler as was the case with Chairman Hua Guofeng, when " Paramount leader " Deng Xiaoping was present.

The full, vocal version of the song can also be heard on a radio in the beginning of the Paramount film Four Brothers.

More information can be found at the Paramount Center website.

He presents a podcast for Paramount Comedy, Show & Tell ( which is now called Utter Shambles ), but can be heard more often on BBC Radio 4 Extra's Serious About Comedy.

Despite the talents involved, it only lasted from 1915 to 1917, after which its separate producers took their films to Paramount for distribution.

Rouben Mamoulian's Dr. Jekyll and Mr. Hyde ( Paramount, 1931 ), remembered for its use of color filters to create Jekyll's transformation before the camera, Michael Curtiz's Mystery of the Wax Museum ( Warner Brothers, 1933 ), and Island of Lost Souls ( Paramount, 1932 ) were all important horror films.

Cinderfella was postponed for a Christmas 1960 release, and Paramount, needing a quickie feature film for its summer 1960 schedule, held Lewis to his contract to produce one.

In 1933, Pickford underwent a Technicolor screen test for an animated / live action film version of Alice in Wonderland, but Walt Disney discarded the project when Paramount released its own version of the book.

However, Paramount studio heads wanted to give the role to Danny Thomas in the hope that Thomas would have his own production company throw in its lot with Paramount.

Paramount Pictures considered this film the outstanding comedy of the year, but when the producers left Paramount for another studio, Paramount withdrew its support for the movie.

With only the exhibitor-owned First National as a rival, Famous Players-Lasky and its " Paramount Pictures " soon dominated the business.

Also Paramount launched its own network, Paramount Television Network, in 1948 through its television unit, Television Productions, Inc.

Paramount was hampered by its minority stake in the DuMont Television Network.

The FCC requested that Paramount relinquish its stake in DuMont, but Paramount refused.

With the loss of the theater chain, Paramount Pictures went into a decline, cutting studio-backed production, releasing its contract players, and making production deals with independents.

Like some other studios, Paramount saw little value in its film library ( see below for more info on the early Paramount library ).