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Paramount and Pictures
He returned to New York to work for The New Yorker, to edit a Western pulp, to `` duck the war in the OWI '', to write publicity for Paramount Pictures and commentary for a newsreel, then he began his career as critic for various magazines.
Paramount Pictures only agreed to American and Canadian distribution of Braveheart after 20th Century Fox partnered for international rights.
He directed dozens of silent films, including Paramount Pictures ' first production, The Squaw Man ( 1914 ), which was co-directed by Oscar Apfel, before coming into huge popularity during the late 1910s and early 1920s, when he reached the apex of his popularity with such films as Don't Change Your Husband ( 1919 ), The Ten Commandments ( 1923 ), and The King of Kings ( 1927 ).
A majority of the DeMille motion picture library now resides with EMKA, Ltd. through the television division of NBC Universal, due to Paramount Pictures ' losing the rights to the DeMille films in 1958 to EMKA, so technically it is Universal Pictures that now oversees a vast part of DeMille's motion picture career as well as its related archival material.
Paramount Pictures tried to repeat the success of Flaherty's Nanook and Moana with two romanticized documentaries, Grass ( 1925 ) and Chang ( 1927 ), both directed by Merian Cooper and Ernest Schoedsack.
She worked with Paramount Pictures for the comedy Teacher's Pet ( 1958 ), alongside Clark Gable and Mamie Van Doren.
Digital Cinema Initiatives ( DCI ) was formed in March 2002 as a joint project of many motion picture studios ( Disney, Fox, MGM, Paramount, Sony Pictures Entertainment, Universal, and Warner Bros. Studios ) to develop a system specification for digital cinema.
* Paramount Pictures ( some properties licensed 1949 to 1971, 1984 to 1996, and 2000 to 2001 )
Category: Paramount Pictures films
First National was the brainchild of Thomas L. Tally, who was reacting to the overwhelming influence of Paramount Pictures, which dominated the market.
Adolph Zukor of Paramount Pictures was threatened by First National's financial power and its control over the lucrative first run theaters and decided to enter the cinema business as well.
* United States v. Paramount Pictures, Inc.
According to Robert Evans, head of Paramount Pictures at the time, Coppola also did not initially want to direct the film because he feared it would glorify the Mafia and violence, and thus reflect poorly on his Sicilian and Italian heritage ; on the other hand, Evans specifically wanted an Italian-American to direct the film because his research had shown that previous films about the Mafia that were directed by non-Italians had fared dismally at the box office, and he wanted to, in his own words, " smell the spaghetti ".
In 1914 the Lasky company and Famous Players were amalgamated into Famous Players-Lasky, with distribution of their films handled by the new Paramount Pictures Corporation.
This led to Wray being contracted to Paramount Pictures as a teenager, where she made more than a dozen movies.
The following year in 1927, Wray was signed to a contract with Paramount Pictures In 1928, director Erich von Stroheim cast Wray as the main female lead in his film The Wedding March, released under Paramount, a film noted for its high budget and production values.
Capra directed two films at Paramount Pictures starring Bing Crosby, Riding High ( 1950 ) and Here Comes the Groom ( 1951 ).
In 1999 Brooks and his production company Red Strokes Entertainment, with Paramount Pictures, began to develop a movie in which Brooks would star.
It was released by the studio where the Marx Brothers began their film career, Paramount Pictures.
In December 1928, Paramount Pictures signed him to a contract that reimbursed him for his airfare and initially paid him $ 600 per week with no screen credit during a six-month apprenticeship.
Hawks was the Story Editor at Famous Players ( later Paramount Pictures ) almost two years, and occasionally edited such films as Heritage of the Desert.
Harold and Maude is a 1971 American dark comedy film directed by Hal Ashby and released by Paramount Pictures.
* 1939 – Shooting begins on Paramount Pictures ' Dr. Cyclops, the first horror film photographed in three-strip Technicolor.

Paramount and which
In 1927, when Williams moved to OKeh Records, he took Jefferson with him, and OKeh quickly recorded and released Jefferson's " Matchbox Blues " backed with " Black Snake Moan ," which was to be his only OKeh recording, probably because of contractual obligations with Paramount.
Both Desilu, Too and Lucille Ball Productions work hand-in-hand with MPI Home Video in the home video re-issues of the Ball / Arnaz material not currently owned by CBS ( successor-in-interest to Paramount Television, which in turn succeeded the original Desilu company ).
The Motion Picture Theatre Owners of America and the Independent Producers ' Association declared war in 1925 on what they termed a common enemy — the " film trust " of Metro-Goldwyn-Mayer, Paramount, and First National, which they claimed dominated the industry by not only producing and distributing motion pictures, but by entering into exhibition as well.
Coppola chose Brando over Ernest Borgnine on the basis of Brando's screen test, which also won over the Paramount leadership.
Despite the talents involved, it only lasted from 1915 to 1917, after which its separate producers took their films to Paramount for distribution.
Paramount was the first successful nation-wide distributor ; until this time, films were sold on a state-wide or regional basis which had proved costly to film producers.
With so many important players, Paramount was able to introduce " block booking ", which meant that an exhibitor who wanted a particular star's films had to buy a year's worth of other Paramount productions.
It was this system that gave Paramount a leading position in the 1920s and 1930s, but which led the government to pursue it on antitrust grounds for more than twenty years.
After an unsuccessful expansion into feature films, as well as the fact that Max and Dave Fleischer were no longer speaking to one another, Fleischer Studios was acquired by Paramount, which renamed the operation Famous Studios.
In 1951, Paramount bought a stake in International Telemeter, an experimental pay TV service which operated with a coin inserted into a box.
The Paramount name was used for soundtrack albums and some pop re-issues from the Dot Records catalog which Paramount had acquired in 1958.
By 1970, Dot had become an all-country label and in 1974, Paramount sold all of its record holdings to ABC Records, which in turn was sold to MCA ( now Universal Music Group ) in 1979.
In 1999, Viacom bought out United Television's interests, and handed responsibility for the start-up network to the newly acquired CBS unit, which Viacom bought in 1999 – an ironic confluence of events as Paramount had once invested in CBS, and Viacom had once been the syndication arm of CBS as well.
The decision was made to split Viacom into two companies, which in turn led to a dismantling of the Paramount Studio / Paramount TV infrastructure, with the current Paramount, consisting only of the movie studio, retaining only about one-quarter its former size under Dolgen and Lansing.
On December 11, 2005, The Paramount Motion Pictures Group announced that it had purchased DreamWorks SKG ( which was co-founded by former Paramount executive Jeffrey Katzenberg ) in a deal worth $ 1. 6 billion.
* All the Harold Lloyd features ( silents and talkies ) released by Paramount are owned by the Harold Lloyd Trust except for The Milky Way ( 1936 ), acquired by Samuel Goldwyn Productions for a remake and now in the public domain ; and Professor Beware ( 1938 ), which is owned by EMKA / Universal Television.
* Warner Bros. also owns the rights to several films originally distributed by Paramount that were produced by Lorimar Productions, which was purchased by Warner in 1989.

Paramount and was
The stage musical, with music and lyrics by Gene de Paul and Johnny Mercer, was adapted into a Technicolor motion picture at Paramount in 1959 by producer Norman Panama and director Melvin Frank, with a score by Nelson Riddle.
One of the most unusual buses ever built was a prop for Paramount Productions in 1935 for a movie set.
It was largely due to the popularity of artists such as Blind Lemon Jefferson and contemporaries such as Blind Blake and Ma Rainey that Paramount became the leading recording company for the blues in the 1920s.
A Paramount employee told biographer Orrin Keepnews that Jefferson was a womanizing sloppy drunk ; on the other hand, Jefferson's neighbor in Chicago, Romeo Nelson, reports him as being " warm and cordial ," and singer Rube Lacy states that Jefferson always refused to play on a Sunday, " even if you give me two hundred.
Deng Xiaoping was the Paramount Leader of China from 1978 to 1992, although he never became the head of the party or state, and his influence within the Party led the country to significant economic reforms.
It was produced by Charles / Burrows / Charles Productions, in association with Paramount Network Television for NBC, and was created by the team of James Burrows, Glen Charles, and Les Charles.
A single screening of the film was presented at the Hollywood Paramount.
There was disagreement between Paramount and Coppola on the issue of casting ; Coppola stuck to his plan of casting Marlon Brando as Vito Corleone, though Paramount wanted either Ernest Borgnine or Danny Thomas.
At one point, Coppola was told by the then-president of Paramount that " Marlon Brando will never appear in this motion picture ".
Paramount was initially opposed to his decision to name the movie The Godfather Part II.
The program was created and produced by David Angell, Peter Casey, and David Lee ( as Grub Street Productions ) in association with Grammnet ( 2004 ) and Paramount Network Television.
In 1930, he co-directed three films at Paramount, and his weekly salary was increased to $ 1500.
Following basic training at Fort Monmouth, he was assigned to the old Paramount studios in Astoria, Queens ( where he had directed three films in the early 1930s ), although he was permitted to lodge at the St. Regis Hotel in Manhattan.

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