[permalink] [id link]
Peckinpah handed in a revised screenplay on 6 May 1959.
from
Wikipedia
Some Related Sentences
Peckinpah and screenplay
Sam Peckinpah's nephew is David Peckinpah, who was a television producer and director, as well as a screenplay writer.
Peckinpah claimed to have done an extensive rewrite on the film's screenplay, a statement which remains controversial.
By most accounts, the low-budget film shot on location in Arizona was a learning process for Peckinpah, who feuded with Fitzsimons ( brother of the film's star Maureen O ' Hara ) over the screenplay and staging of the scenes.
Unable to rewrite the screenplay or edit the picture, Peckinpah vowed to never again direct a film unless he had script control.
Peckinpah did an extensive rewrite of the screenplay, including personal references from his own childhood growing up on Denver Church's ranch, and even naming one of the mining towns " Coarsegold.
Filming began without a completed screenplay, and Peckinpah chose several remote locations in Mexico, causing the film to go heavily over budget.
In addition, Peckinpah decided to shoot in black and white and was hoping to transform the screenplay into a social realist saga about a kid surviving the tough streets of the Great Depression.
By the fall of 1967, Peckinpah was rewriting the screenplay into what became The Wild Bunch.
Produced by Daniel Melnick, who had previously worked with Peckinpah on Noon Wine, the screenplay was based on the novel The Siege of Trencher's Farm by Gordon Williams.
Peckinpah entirely rewrote the existing screenplay, inspired by the books African Genesis and The Territorial Imperative by Robert Ardrey, which argued that man was essentially a carnivore who instinctively battled over control of territory.
Eager to work with Peckinpah again, Steve McQueen presented him Walter Hill's screenplay to The Getaway.
Based on the screenplay by Rudolph Wurlitzer ( who had previously penned Two-Lane Blacktop, a film admired by Peckinpah ), the director was convinced that he was about to make his definitive statement on the Western genre.
Peckinpah rewrote the screenplay, establishing Pat Garrett and Billy the Kid as friends, and attempted to weave an epic tragedy from the historical legend.
A project in development for many years and based on an idea by Frank Kowalski, Peckinpah wrote the screenplay with the assistance of Kowalski, Walter Kelley and Gordon Dawson.
Producers also refused to allow Peckinpah to rewrite the screenplay ( for the first time since his debut film The Deadly Companions ).
Working with James Hamilton and Walter Kelley, Peckinpah rewrote the screenplay and screened numerous Nazi documentaries in preparation.
Peckinpah accepted the job but reportedly hated the convoluted screenplay based upon Robert Ludlum's novel ( which he also disliked ).
The screenplay was by Peckinpah and Walon Green.
By the fall of 1967, Peckinpah was rewriting the screenplay and preparing for production.
It was originally planned to be directed by Stanley Kubrick from a screenplay by Sam Peckinpah but studio disputes led to their replacement by Brando and Guy Trosper.
It has been suggested that Slow Fade was influenced by Wurlitzer's time with director Sam Peckinpah on the set of Pat Garrett & Billy the Kid, for which he wrote the screenplay.
With the screenplay completed they went looking for a director, and an offhand comment led them to Sam Peckinpah, the controversial and troubled man who had helmed The Wild Bunch ( 1969 ) and Straw Dogs ( 1971 ).
According to the commentators on the film's special edition DVD, Peckinpah hated Ludlum's novel and he did not like the screenplay either.
" Stinging from the failure of Junior Bonner but eager to work with Peckinpah again, McQueen presented him Walter Hill's screenplay to The Getaway, which they would film months after completing Junior Bonner.
Peckinpah and on
" Peckinpah Meadow and Peckinpah Creek, where the family ran a lumber mill on a mountain in the High Sierra north of Coarsegold, California, have been officially named on U. S. geographical maps.
He was asked to stay on another year, but Peckinpah began working as a stagehand at KLAC-TV in the belief that television experience would eventually lead to work in films.
Siegel's location work and his use of actual prisoners as extras in the film made a lasting impression on Peckinpah.
" He based the character of Steve Judd, a once-famous lawman fallen on hard times, on his own father David Peckinpah.
Shooting ended 15 days over schedule and $ 1. 5 million more than budgeted with Peckinpah and producer Bresler no longer on speaking terms.
Peckinpah was next signed to direct The Cincinnati Kid, a gambling drama about a young prodigy who takes on an old master during a big New Orleans poker match.
Much of the criticism centered around Amy's complicated and lengthy rape scene, which Peckinpah reportedly attempted to base on his own personal fears rooted in past failed marriages.
Both Peckinpah and McQueen needed a hit, and they immediately began working on the film in February 1972.
Critics complained that the film was incoherent, and the experience soured Peckinpah forever on Hollywood.
It also led a film critic to paraphrase the film's title in an attack on the director, saying, " Bring me the head of Sam Peckinpah ".
His career now suffering from back-to-back box office failures, Peckinpah once again was in need of a hit on the level of The Getaway.
Filmed on location in San Francisco, Peckinpah allegedly discovered cocaine for the first time thanks to Caan and his entourage.
Almost immediately, Peckinpah realized he was working on a low-budget production, as he had to sink $ 90, 000 of his own money to hire experienced crew members.
Peckinpah and May
In May 1971, weeks after completing Straw Dogs in England, Sam Peckinpah returned to the United States to begin immediate work on Junior Bonner.
Peckinpah and 1959
Peckinpah wrote and directed a pilot called Trouble at Tres Cruzes, which was aired in March 1959 before the actual series was made in 1960.
Peckinpah and .
Although not complete or refined to his satisfaction, director Sam Peckinpah still preferred the director's cut, as it was more inclusive and thorough than the 105-minute cut.
* 1925 – Sam Peckinpah, American director ( d. 1984 )
Lennon promoted the album with music videos for the two hits made by movie director Sam Peckinpah and producer Martin Lewis.
Lennon's first-ever tour in the spring of 1985 was documented as part of the film Stand By Me: A Portrait Of Julian Lennon — a film profile started by Sam Peckinpah, but completed by Martin Lewis after Peckinpah's death.
Marvin was originally cast as Pike Bishop ( later played by William Holden ) in The Wild Bunch ( 1969 ), but fell out with director Sam Peckinpah and pulled out in order to star in the Western musical Paint Your Wagon ( 1969 ), in which he was top-billed over a singing Clint Eastwood.
Peckinpah and several relatives often claimed Native American ancestry, but this has been denied by surviving family members.
Peckinpah's great-grandfather, Rice Peckinpaugh, a merchant and farmer in Indiana, moved to Humboldt County California in the 1850s, working in the logging business, and changed the spelling of the family name to " Peckinpah.
Peckinpah's parents were David Edward Peckinpah and Fern Louise Church, and he is a cousin of former New York Yankees shortstop Roger Peckinpaugh.
David Samuel " Sam " Peckinpah was born February 21, 1925, in Fresno, California, where he attended both grammar school and high school.
Peckinpah also claimed he was shot during an attack by Communist forces.
His experiences in China reportedly deeply affected Peckinpah, and may have influenced his depictions of violence in his films.
A drama major, Selland introduced Peckinpah to the theater department and he became interested in directing for the first time.
After graduation in 1948, Peckinpah enrolled in graduate studies in drama at University of Southern California.
Even during this early stage of his career, Peckinpah was developing a combative streak.
In 1954, Peckinpah was hired as a dialogue coach for the film Riot in Cell Block 11.
Reportedly, the warden was reluctant to allow the filmmakers to work at the prison until he was introduced to Peckinpah.
0.239 seconds.