Guernica quickly became a world-renowned symbol of civilian suffering resulting from conflict and inspired Pablo Picasso to adapt one of his existing paintings into Guernica.

He began by working in a conventional pulp paperback style, but quickly evolved a personal Surrealist idiom influenced by the cubists and surrealists, especially Picasso and Yves Tanguy.

He described it as ' full of little cubes ', after which the term quickly gained wide use although the two creators of the new style, Braque and Picasso, did not initially adopt it.

The harlequin, a comedic character usually depicted in checkered patterned clothing, became a personal symbol for Picasso.

Devoting his full energies to his work, Picasso became more daring, his works more colorful and expressive, and from 1968 through 1971 he produced a torrent of paintings and hundreds of copperplate etchings.

Picasso became recognized by 1911 as the inventor of Cubism, while Braque ’ s importance and precedence was argued later, with respect to his treatment of space, volume and mass in the L ’ Estaque landscapes.

They became friendly rivals and competed with each other throughout their careers, perhaps leading to Picasso entering a new period in his work by 1907, marked by the influence of Greek, Iberian and African art.

The two became lifelong friends as well as rivals and are often compared ; one key difference between them is that Matisse drew and painted from nature, while Picasso was much more inclined to work from imagination.

In addition Gertrude Stein's two American friends from Baltimore, the Cone sisters Claribel and Etta, became major patrons of Matisse and Picasso, collecting hundreds of their paintings.

Contemporaries of Leo and Gertrude Stein, Matisse and Picasso became part of their social circle and routinely joined the gatherings that took place on Saturday evenings at 27 Rue de Fleurus.

Contemporaries of Leo and Gertrude, Matisse and Picasso became part of their social circle and were a part of the early Saturday evenings at 27 Rue de Fleurus.

When Tsuguharu Foujita arrived from Japan in 1913 not knowing a soul, he met Soutine, Modigliani, Pascin and Leger virtually the same night and within a week became friends with Juan Gris, Pablo Picasso and Henri Matisse.

When he arrived there, knowing nobody, he met Amedeo Modigliani, Pascin, Chaim Soutine, and Fernand Léger and became friends with Juan Gris, Pablo Picasso and Henri Matisse.

According to Gauguin biographer David Sweetman, Picasso as early as 1902 became a fan of Gauguin's work when he met and befriended the expatriate Spanish sculptor and ceramist Paco Durrio ( 1875 – 1940 ), in Paris.

During the 1950s and 1960s, Farley Farm became a sort of artistic Mecca for visiting artists such as Picasso, Man Ray, Henry Moore, Eileen Agar, Jean Dubuffet, Dorothea Tanning, and Max Ernst.

He became prominent as an art gallery owner in Paris beginning in 1907 and he was among the first champions of Pablo Picasso, Georges Braque and Cubism.

It was popularized by Pablo Picasso in 1949 and became widely used in the post-war peace movement.

As Carpentier became acquainted with those among the arts community he had several encounters to meet other famous authors such as Pablo Neruda, who had sent him a draft of his book “ Residencia el la Tierra ” to review ; Guatemalan author Miguel Ángel Asturias, whose work on pre-Columbian mythology influenced his writing ; and Pablo Picasso, an introduction made possible through Carpentier's connection with friends in the arts.

While Pablo Picasso and Georges Braque are generally acknowledged as the founders of the twentieth-century movement that became known as Cubism, it was Jean Metzinger, together with Albert Gleizes, that created the first major treatise on the new art-form, Du " Cubisme ", in preparation for the Salon de la Section d ' Or held in October 2012.

For the artistic content of the building, Sert called on his Spanish artist friends Picasso, Miró, and Calder ; Picasso's contribution was Guernica and became the focal attraction of Sert's design.

During that time, he became friends with Picasso, Hemingway, Artaud and John Dos Passos ; published many critical reviews on jazz and cinema ; and became increasingly involved in politics.

Hikmet's imprisonment in the 1940s became a cause célèbre among intellectuals worldwide ; a 1949 committee that included Pablo Picasso, Paul Robeson, and Jean Paul Sartre campaigned for Hikmet's release.

They also became part of the famed coterie of Riviera hosts Gerald and Sarah Murphy, which included Hemingway, Zelda and F. Scott Fitzgerald, John Dos Passos, Fernand Léger, Jean Cocteau, Pablo Picasso, John O ' Hara, Cole Porter, Dorothy Parker and Robert Benchley.

He associated himself with the Modernist set, befriending Picasso, Max Jacob, Jean Hugo, Juan Gris and especially Jean Cocteau, who became his mentor.

During these years she became a friend of Picasso, who drew her many times.

In 1946, this became a prominent and traditional part of the vineyard's image, with labels created by great painters and sculptors such as Jean Cocteau, Leonor Fini, Henry Moore, Marie Laurencin, Georges Braque, Salvador Dalí, Jacques Villon, Pierre Alechinsky, Joan Miró, Marc Chagall, Pablo Picasso, César, Jean-Paul Riopelle, Andy Warhol, and other notables.

* He was a big fan of comedian Robin Williams, artist Picasso, writer Norman Mailer, consumer advocate Ralph Nader, boxer Jerry Quarry, cellist Yo-Yo Ma, Chaos Theory, Harry Houdini and the Beatles.

He committed suicide at the age of 61 and is said to have written in his suicide note that " the world was not big enough " for him and a Picasso.

* Selected modern painters or sculptors: Pierre Alechinsky, Aloïse Corbaz, Braulio Arenas, Arman, Jean Arp, Enrico Baj, Ben, A Benquet, Alexandre Boileau, Bona Pieyre de Mandiargue, Micheline Bounoure, André Bourdil, Francis Bouvet, Victor Brauner, Elisa Breton, Jorge Caceres, Jacques Callot, Jorge Camacho, Paul Colinet, Pierre Courthion, Fleury-Joseph Crépin, Salvador Dalí, André Demonchy, Ferdinand Desnos, Deyema, Óscar Domínguez, Enrico Donati, Mirabelle Dors, Marcel Duchamp, Baudet Dulary, René Duvilliers, Yves Elléouët, Nusch Eluard, Paul Éluard, Colette Enard, Jimmy Ernst, Max Ernst, Henri Espinoza, Fahr el Nissa Zeid, Jean Fautrier, Luis Fernandez, Charles Filiger, Alexandre Evariste, Johann Henrich Füssli, Paul Gauguin, Alberto Gironella, Arshile Gorky, Max Walter Svanberg, Eugenio Granell, Henri de Groux, Jacques Hérold, René Iché, Wifredo Lam, René Magritte, Joan Miró, Pablo Picasso, Man Ray, Diego Rivera, Yves Tanguy, Adolf Wölfli, etc.

Manolo gave Lam the letter of introduction that sparked his friendship with Picasso, whose artwork had impressed and inspired Lam a year before when he saw an exhibition in Madrid.

Picasso also introduced him to Pierre Loeb, a Parisian art dealer ; Loeb gave Lam his first exhibition at the Galerie Pierre Loeb in 1939, which received an enthusiastic response from critics.

Picasso and Lam also exhibited their work together at the Perls Galleries in New York in the same year.

Mainly working with gouache, Lam began producing stylized figures that appear to be influenced by Picasso.

While Lam began simplifying his forms before he came into contact with Picasso's work, it is apparent that Picasso had a significant impact on him.

" Lam gained the approval of Picasso, whose encouragement has been said to have led Lam to search for his own interpretation of modernism.

*" Drawings by Picasso and Gouaches by Wifredo Lam.

* " Césaire, Lam, Picasso, Nous nous sommes trouvés ", Galerie nationales du Grand Palais, Paris, France, March 16 – June 6, 2011.

One of the most famous of these is the Chinese-Afro-Cuban artist Wifredo Lam, known as the Cuban Picasso.

But even before that, Picasso had glimpsed and entered, for a moment, a certain revolutionary path in which no one had preceded him.

After his death, Pablo Picasso, fascinated with Jarry, acquired his pistol and wore it on his nocturnal expeditions in Paris, and later bought many of his manuscripts as well as executing a fine drawing of him.

In 2003, relatives of Picasso inaugurated a museum dedicated to him in his birthplace, Málaga, Spain, the Museo Picasso Málaga.

In the 20th century, Picasso and Matisse were among those who acknowledged a debt to the great classicist ; Matisse described him as the first painter " to use pure colours, outlining them without distorting them.

" Pierre Barousse, the Keeper of the Musée Ingres, has written: The case of Ingres is certainly disturbing when one realizes in how many ways a variety of artists claim him as their master, from the most plainly conventional of the nineteenth century such as Cabanel or Bouguereau, to the most revolutionary of our century from Matisse to Picasso.

Artists and movements in the early 20th century inspired by him include Vincent van Gogh, Henri Matisse, Pablo Picasso, Georges Braque, André Derain, Fauvism, Cubism and Orphism, among others.

Hill's varied subjects and styles over this period seem to have anticipated many modern movements and artists unknown to him, Henri Matisse and Pablo Picasso among them.

At the 1950 World Peace Congress in Sheffield, Picasso said that his father had taught him to paint doves, concluding, " I stand for life against death ; I stand for peace against war.

It was too Metzinger's role as a mediator between the general public, Picasso, Braque and other aspiring artists ( such as Gleizes, Delaunay, Le Fauconnier and Léger ) that places him directly at the center of Cubism.

On visits to Paris he met Mondrian, whose work in the neoplastic style was to influence him in an abstract direction, and Picasso, whose cubism would also find its way into his work.

She was also the subject of several cubist portraits and sketches by Pablo Picasso in the late 1930s, and is said to have had an affair with him.

His love of painting also led him to collect paintings and frequently visit the studios of Picasso, Miró, de Chirico and André Masson.

His comeback was at Las Palmas, the Canary Islands, when he wore the costume known as the " suit of lights ," which had been designed for him by Picasso.

His passion for fly-fishing never dwindled and in later life he sold several important paintings ( by Magritte and Picasso ) to enable him to buy a mile of the River Usk.

In the 1960s he exhibited at the David Herbert Gallery, when the NY Times compared him to Picasso.

But give him a ball and a yard of grass, and he was an artist, the Picasso of our game.

Serota's first Board meeting as Director was in September 1988, and one of his first activities — acknowledging the importance of artists ' involvement for the success of the gallery — was an artists ' party with a private viewing of the Late Picasso exhibition, which some artists had told him they had not had a chance to view properly.

It was commissioned in 1955 by Nelson Rockefeller, since Picasso refused to sell him the original.

Picasso sculpture in Chicago, Illinois-the sculptor refused to be paid the $ 100, 000 fee due him and donated it to the people of Chicago

Picasso is reported to have taken credit for the modern camouflage experiments which seemed to him a quintessentially Cubist technique.