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Postmodern and music
Because of this, Postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both.
Postmodern Classical music as well is not a musical style, but rather refers to music of the postmodern era.
Postmodern music, on the other hand, shares characteristics with postmodernist art — that is, art that comes after and reacts against modernism ( see Modernism in Music ).
# REDIRECT Postmodern music
Postmodern music is either simply music of the postmodern era, or music that follows aesthetical and philosophical trends of postmodernism.
Postmodern music is not a distinct musical style, but rather refers to music of the postmodern era.
In some respects, Postmodern music could be categorized as simply the music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism, but with Jameson in mind, it is clear these definitions are inadequate.
# REDIRECT Postmodern music
# REDIRECT Postmodern music
* Postmodern music
# REDIRECT Postmodern music
* Postmodern music

Postmodern and is
Postmodern critical research is also characterized by what is called, the crisis of representation, which rejects the idea that a researcher ’ s work is considered an “ objective depiction of a stable other ” ( Lindlof & Taylor, 2002, p. 53 ).
Postmodern theory asserts that the attempt to canonise modernism " after the fact " is doomed to undisambiguable contradictions.
Postmodern philosophy is a philosophical direction which is critical of the foundational assumptions and structures of philosophy.
Postmodern philosophy is skeptical or nihilistic toward many of the values and assumptions of philosophy that derive from modernity, such as humanity having an essence which distinguishes humans from animals, or the assumption that one form of government is demonstrably better than another.
Postmodern philosophy is often particularly skeptical about simple binary oppositions characteristic of structuralism, emphasizing the problem of the philosopher cleanly distinguishing knowledge from ignorance, social progress from reversion, dominance from submission, and presence from absence.
This period is known as the Postmodern era ; though there's no widely agreed upon central definition of Postmodernism, many themes and techniques commonly identified as Postmodern are nearly identical to Surrealism.
The 1990s is often considered the end of Modernity and the dawn of the current Postmodern age, even though the first traces of postmodernity takes place as far back as the 1940s.
Myths of the Self: Narrative Identity and Postmodern Metaphysics, Lanham, MD: Lexington Books, 0-7391-0843-3, contains a section called ' Alfred North Whitehead: Toward a More Fundamental Ontology ' that is an overview of Whitehead's metaphysics.
John Burgee is an American architect noted for his contributions to Postmodern architecture.
Throughout the 20th century and into the 21st century, with the advent of Modern and Postmodern art forms, distinctions between what is generally regarded as the fine arts and the low arts have started to fade, as contemporary high art continues to challenge these concepts by mixing with popular culture.
Noting this important conceptual shift, major contemporary theorists such as Matei Calinescu in Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism ( 1987 ), and Hans Bertens in The Idea of the Postmodern: A History ( 1995 ), have suggested that this is a sign our culture has entered a new post-modern age, when the former modernist ways of thinking and behaving have been rendered redundant.
The architecture is defined by a combination of Gothic Revival, Brutalist and Postmodern buildings spread across campus, most of them dated between 1905 and 1980.
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or to have emerged or developed in its aftermath.

Postmodern and postmodern
Postmodern theorist Jean Baudrillard wrote briefly of nihilism from the postmodern viewpoint in Simulacra and Simulation.
When it becomes possible for a people to describe as ‘ postmodernthe décor of a room, the design of a building, the diegesis of a film, the construction of a record, or a ‘ scratch ’ video, a television commercial, or an arts documentary, or the ‘ intertextual ’ relations between them, the layout of a page in a fashion magazine or critical journal, an anti-teleological tendency within epistemology, the attack on the ‘ metaphysics of presence ’, a general attenuation of feeling, the collective chagrin and morbid projections of a post-War generation of baby boomers confronting disillusioned middle-age, the ‘ predicament ’ of reflexivity, a group of rhetorical tropes, a proliferation of surfaces, a new phase in commodity fetishism, a fascination for images, codes and styles, a process of cultural, political or existential fragmentation and / or crisis, the ‘ de-centring ’ of the subject, an ‘ incredulity towards metanarratives ’, the replacement of unitary power axes by a plurality of power / discourse formations, the ‘ implosion of meaning ’, the collapse of cultural hierarchies, the dread engendered by the threat of nuclear self-destruction, the decline of the university, the functioning and effects of the new miniaturised technologies, broad societal and economic shifts into a ‘ media ’, ‘ consumer ’ or ‘ multinational ’ phase, a sense ( depending on who you read ) of ‘ placelessness ’ or the abandonment of placelessness (‘ critical regionalism ’) or ( even ) a generalised substitution of spatial for temporal coordinates-when it becomes possible to describe all these things as ‘ Postmodern ’ ( or more simply using a current abbreviation as ‘ post ’ or ‘ very post ’) then it ’ s clear we are in the presence of a buzzword.
In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls " literature of silence " through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman.
* Postmodern theatre – originated in Europe in the middle of the twentieth century out of the postmodern philosophy as a reaction against modernist theatre.
Pop art and minimalism are considered to be art movements that precede postmodern art, or are some of the earliest examples of Postmodern Art themselves.
For convenient access to many of Ritzer ’ s substantive contributions to modern and postmodern social theorizing, see Explorations in Social Theory: From Metatheorizing to Rationalization ( 2001 ) as well as more recent work often co-authored with his many students, such as ( with J. Michael Ryan ) “ Postmodern Social Theory and Sociology: On Symbolic Exchange with a ‘ Dead ’ Theory ,” in Reconstructing Postmodernism: Critical Debates ( 2007 ).
Most famously, in La Condition postmoderne: Rapport sur le savoir ( The Postmodern Condition: A Report on Knowledge ) ( 1979 ), he proposes what he calls an extreme simplification of the " postmodern " as an ' incredulity towards meta-narratives '.
In The Postmodern Condition: A Report on Knowledge ( 1979 ), Lyotard highlights the increasing skepticism of the postmodern condition toward the totalizing nature of metanarratives and their reliance on some form of " transcendent and universal truth ":
Postmodern art, for instance, places a strong emphasis on irony, parody and humour in general ; modern art started to develop a more ironic approach to art which would later advance in a postmodern context.
Whereas Postmodern dance was a direct and opposite response to Modern dance, Contemporary dance draws on both modern and postmodern dance as a source of inspiration.
Alan Sokal and Jean Bricmont, in their book critiquing postmodern thought ( Fashionable Nonsense: Postmodern Intellectuals ' Abuse of Science, 1997 ), criticize Luce Irigaray on several grounds.
Postmodern literature, like postmodernism as a whole, is hard to define and there is little agreement on the exact characteristics, scope, and importance of postmodern literature.
Postmodern theatre is a recent phenomenon in world theatre, coming as it does out of the postmodern philosophy that originated in Europe in the middle of the twentieth century.
In his final book, Theories of Culture in Postmodern Times, Harris argued that the political consequences of postmodern theory were harmful, a critique similar to those later developed by philosopher Richard Wolin and others.
Postmodern Christianity is any form of Christianity which has been influenced by postmodern philosophy.
Postmodern feminism is an approach to feminist theory that incorporates postmodern and post-structuralist theory, and thus sees itself as moving beyond the modernist polarities of liberal feminism and radical feminism.

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