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Ptah and was
* As the Egyptian Herodotus was given to understand, the craftsman-god Ptah was a dwarf.
Conversely, since Imhotep was known as the " Son of Ptah ," his mother was sometimes claimed to be Sekhmet, the patron of Upper Egypt whose consort was Ptah.
Ptah-Seker ( who resulted from the identification of Ptah as Seker ), who was god of re-incarnation, thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris.
Thus Osiris was identified explicitly with Apis, really an aspect of Ptah, who had already been identified as Osiris by this point, and a syncretism of the two was created, known as Serapis, and depicted as a standard Greek god.
This can be assumed because the pyramidion was inscribed with dedications to the god Ptah whose cult was based at Memphis, not Avaris.
Memphis was believed to be under the protection of the god Ptah, the patron of craftsmen.
Its great temple, Hut-ka-Ptah ( meaning " Enclosure of the ka of Ptah "), was one of the most prominent structures in the city.
Some scholars maintain that this name was actually that of the western district of the city that lay between the great Temple of Ptah and the necropolis at Saqqara, an area that contained a sacred tree.
It was also during this period that developed the clergy of the temple of Ptah.
The greatest work of this pharaoh in Memphis, however, was a temple called " Nebmaatra united with Ptah ", which is cited by many sources from the period of his reign, including artefacts listing the works of Huy, the High Steward of Memphis.
In light of some remains found at the site, it is known that a temple of Ptah was based there.
It included a chapel dedicated to Ptah by a prince Shoshenq, son of Osorkon II, whose tomb was found in Saqqara in 1942.
In Memphis, a powerful new wall was rebuilt for the Temple of Ptah, and developments were made to temples and chapels inside the complex.
In 332 BCE, Alexander the Great was crowned pharaoh in the Temple of Ptah, ushering in the Hellenistic period.
The Hout-ka-Ptah, dedicated to the worship of the creator god Ptah, was the largest and most important temple in ancient Memphis.
This small temple, adjoining the southwest corner of the larger Temple of Ptah, was dedicated to the deified Rameses II, along with the three state gods: Horus, Ptah and Amun.

Ptah and referred
The Egyptian historian Manetho referred to Memphis as Hut-ka-Ptah ( meaning " Enclosure of the ka of Ptah "), which he approximated in Greek as Aί γυ πτoς ( Ai-gy-ptos ), from which derives the Latin AEGYPTVS and the modern English name of Egypt.

Ptah and djed
Stucco relief of Ptah with staff and ankh and djed.
The djed came to be associated with Seker, the falcon god of the Memphite necropolis, then with Ptah, the Memphite patron god of craftsmen.

Ptah and ",
She is called " Mistress of All the Gods ", " Lady of the Stars of Heaven ", " Beloved of Ptah ", " Great of magic, mistress of the stars ", and " Eye of Ra, without her equal ".
On inscriptions from Memphis of 15th to 12th centuries, Anat is called " Bin-Ptah ", Daughter of Ptah.

Ptah and carried
Claiming that the king himself had officially expressed a desire to be buried in Egypt, he then carried the body of Alexander to the heart of the temple of Ptah, and had him embalmed by the priests.

Ptah and symbol
As a manifestation of Ptah, Apis also was considered to be a symbol of the pharaoh, embodying the qualities of kingship.

Ptah and life
It was first conceived by Thought, and realized by the Word: Ptah conceives the world by the thought of his heart and gives life through the magic of his Word.
He was entitled " the renewal of the life " of the Memphite god Ptah: but after death he became Osorapis, i. e. the Osiris Apis, just as dead humans were assimilated to Osiris, the king of the underworld.

Ptah and .
The headgear identifies Imhotep with Ptah, and his priestly linen garment symbolizes his religious purity.
Several temples found were dedicated to Ptah and Nekhbet.
This narrative associates the kingship that Osiris and Horus represent with Ptah, the creator deity of Memphis.
The city reached a peak of prestige under the 6th dynasty as a centre for the worship of Ptah, the god of creation and artworks.
The alabaster sphinx that guards the Temple of Ptah serves as a memorial of the city's former power and prestige.
The Memphis triad, consisting of the creator god Ptah, his consort Sekhmet, and their son Nefertem, formed the main focus of worship in the city.
Rameses II flanked by Ptah and Sekhmet.
Coronations and jubilees such as the Sed festival were celebrated in the temple of Ptah.
Its centre remained around the temple complex of Ptah.
Although the seat of political power had been shifted, however, Memphis remained perhaps the most important commercial and artistic centre, as evidenced by the discovery of handicrafts districts and cemeteries, located west of the temple of Ptah.
A large granite offering table on behalf of Amenemhat I mentioned the erection by the king of a shrine to the god Ptah, master of Truth.
In the ruins of the Temple of Ptah, a block in the name of Senusret II bears an inscription indicating an architectural commission as a gift to the gods of Memphis.
Finally, according to the tradition recorded by Herodotus and Diodorus, Amenemhet III built the northern gate of the Temple of Ptah.
It is also worth noting that, during this time, mastabas of the high priests of Ptah were constructed near the royal pyramids at Saqqara, showing that the royalty and the clergy of Memphis at that time were closely linked.

was and often
But it was not easy for him and he often slipped.
One thing was certain -- his method was effective, so effective that after a time even the warning notices were often unnecessary.
He said, lapsing into the profanity he often used when away from his parents and especially when he was with Charles.
After the collapse of that desperate and ill-fated campaign the character of the king degenerated for a time into a futility that was not merely pitiable but often ridiculous.
This was the Greek word most often translated as `` baptism ''.
this was the form in which their private feud most often appeared in the Tory press, especially the Examiner.
Among the dolls was one that meant very much to the First Lady, who would pick it up and look at it often.
His coat trimmed in sable, diamond stars of the Orders of Saints Andrew or George agleam, he was often prone to sit sulkily, eye downcast, in a Scheherazade trance.
His neighbors celebrated his return, even if it was only temporary, and Morgan was especially gratified by the quaint expression of an elderly friend, Isaac Lane, who told him, `` A man that has so often left all that is dear to him, as thou hast, to serve thy country, must create a sympathetic feeling in every patriotic heart ''.
Without a precise knowledge of Germanic philology, however, it is debatable whether their use was not more often a source of confusion and error than anything else.
Quiney was in London again in June, 1601, and in November, when he rode up, as Shakespeare must often have done, by way of Oxford, High Wycombe, and Uxbridge, and home through Aylesbury and Banbury.
With facts mainly in his mind, he was often acute in the matter of style, and he said, `` The young who have as yet nothing to say will try larks with initial letters and broken lines.
But his greatest achievement, in his own eyes and in the eyes of his colleagues and teachers, was his amazing ability to produce literary Latin pieces, and he was often called on to do so.
Until the last year or so the profession of friendship with the United States had been an article of faith with Trujillo, and altogether too often this profession was accepted here as evidence of his good character.
The doctor, since Scotty was no longer allowed to make his regular trips into town to see him, came often and informally to the house.
It spread to most of the audience and was often viewed by visiting whites who snickered behind handkerchief and afterward discussed Negro religion.
It was often re-enacted in less wild form at the Wednesday night prayer meeting.
When Papa went out to do God's work, Stevie often accompanied him in the buggy, which was drawn by Violet, the new black mare.
Rector was often curious ; ;
At that time it was a series of sophisticated social dances whose steps were often combined with other steps devised by the choreographer.
He was early exposed to the mechanical world, and in his youth often helped his father, David Brown, master clock and watchmaker, as he plied his trade.
Except for a rich friendship with the painter, Chauncey Ryder who gave him the only professional instruction he ever had -- and this was limited to a few lessons, though the two artists often went on painting trips together -- Roy developed his art by himself.

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