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Punch and magazine
Punch ( magazine ) | Punch cartoon commenting on the 1867 visit of the Sultan to Britain.
This usage dates from 1843 when Punch magazine applied the term to satirical drawings in its pages, particularly sketches by John Leech.
Category: Punch ( magazine ) cartoonists
He was one of the two founders ( 1841 ) of the satirical and humorous magazine Punch, and the magazine's joint-editor, with Mark Lemon, in its early days.
Punch ( magazine ) | Punch magazine was co founded by Mayhew in 1841.
On 17 July 1841 Mayhew cofounded Punch magazine.
Tenniel is most noted for two major accomplishments: he was the principal political cartoonist for England ’ s Punch magazine for over 50 years, and he was the artist who illustrated Lewis Carroll ’ s Alice ’ s Adventures in Wonderland and Through the Looking-Glass.
The Gap in the Bridge the sign reads " This League of Nations Bridge was designed by the President of the U. S. A ." ---- Cartoon from Punch ( magazine ) | Punch magazine, 10 December 1920, satirizing the gap left by the USA not joining the League.
* Punch, the former British humour magazine, was named after Mr. Punch.
Cover of the first Punch, or the London Charivari depicts Punch hanging a caricatured Devil, 1841 ( see Punch ( magazine )# Gallery of selected early covers | gallery below for enlarged detail )
Punch, or the London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and engraver Ebenezer Landells.
Punch authors and artists also contributed to another Bradbury and Evans literary magazine called Once A Week ( est. 1859 ), created in response to Dickens ' departure from Household Words.
The Times and the Sunday paper News of the World used small pieces from Punch as column fillers, giving the magazine free publicity and indirectly granting a degree of respectability, a privilege not enjoyed by any other comic publication.
* University of Pennsylvania humor magazine the Pennsylvania Punch Bowl derived its name from this magazine.

Punch and |
1867 edition of Punch ( magazine ) | Punch, a ground-breaking United Kingdom of Great Britain and Ireland | British magazine of popular humour, including a great deal of satire of the contemporary social and political scene.
British weekly magazine Punch ( magazine ) | Punch August 1891 article disparaging British physician Sir Morell Mackenzie efforts to assert England as the originating country of the Tom Collins cocktail.
Punch ( magazine ) | Punch cartoon from June 17.
Punch ( magazine ) | Punch cartoon depicting the end of Sardou's La Tosca, 1888
A Punch ( magazine ) | Punch cartoon, by Leonard Raven-Hill depicting the perceived aggression between Taft and Roosevelt.
Punch ( magazine ) | Punch cartoon, 1877, portraying Lords Commissioners of the Admiralty | First Lord of the Admiralty William Henry Smith ( 1825 – 1891 ) | W. H. Smith as a Glossary of nautical terms # L | land-lubber, saying: " I think I'll now go below.

Punch and cartoon
As the influential result of his position as the chief cartoon artist for Punch ( published 1841 – 1992, 1996 – 2002 ), John Tenniel, through satirical, often radical and at times vitriolic images of the world, for five decades was and remained Great Britain ’ s steadfast social witness to the sweeping national changes in that nation ’ s moment of political and social reform.
By 1866 he was " able to command ten to fifteen guineas for the reworking of a single Punch cartoon as a pencil sketch ", alongside his " comfortable " Punch salary " of about £ 800 a year ".
On 27 February 1914, two days after his death, the Daily Graphic recalled Tenniel: " He had an influence on the political feeling of this time which is hardly measurable … While Tenniel was drawing them ( his subjects ), we always looked to the Punch cartoon to crystallize the national and international situation, and the popular feeling about it — and never looked in vain.
Bismarck was discarded (" dropping the pilot " in the words of the famous Punch cartoon ), promoted to the rank of " Colonel-General with the Dignity of Field Marshal " ( so-called because the German Army did not appoint full Field Marshals in peacetime ) and given a new title, Duke of Lauenburg, which he joked would be useful when travelling incognito.
Punch was responsible for the word sense " cartoon " as a comic drawing.
Punch gave several phrases to the English language, including The Crystal Palace, and the " Curate's egg " ( first seen in an 1895 cartoon ).
* Dropping the Pilot – 1890 Punch cartoon
* Punch cartoon library, including a history of the magazine
A " Punch " cartoon of the time showed him as " The New Conductor " conducting the orchestra in the " Opening of the 1917 Overture ".
* The IGY was featured in a cartoon by Russell Brockbank in Punch magazine in November 1956.
File: Wh russell cartoon. png | Punch: war reporter, W H Russell, Crimean War
In 1908, he had four plays running simultaneously in London, and Punch published a cartoon of Shakespeare biting his fingernails nervously as he looked at the billboards.
* " Memorials of the Great Exhibition " ( cartoon ) Cartoon series from Punch Magazine
Following General Sir Charles James Napier's 1843 conquest of Sindh, the satirical magazine Punch published a cartoon in which Napier dispatched to his commanders, " Peccavi ," Latin for " I have sinned " ( and a pun of " I have Sindh ").

Punch and 1905
Clerihew published three volumes of his own clerihews: Biography for Beginners ( 1905 ), published as " edited by E. Clerihew "; More Biography ( 1929 ); and Baseless Biography ( 1939 ), a compilation of clerihews originally published in Punch illustrated by the author's son Nicolas Bentley.

Punch and by
His son was born in August 1920 and in 1924 Milne produced a collection of children's poems When We Were Very Young, which were illustrated by Punch staff cartoonist E. H. Shepard.
The success of his children's books was to become a source of considerable annoyance to Milne, whose self-avowed aim was to write whatever he pleased and who had, until then, found a ready audience for each change of direction: he had freed pre-war Punch from its ponderous facetiousness ; he had made a considerable reputation as a playwright ( like his idol J. M. Barrie ) on both sides of the Atlantic ; he had produced a witty piece of detective writing in The Red House Mystery ( although this was severely criticised by Raymond Chandler for the implausibility of its plot ).
Shepard was recommended to Milne by another Punch staffer, E. V. Lucas in 1923.
Punch cards were preceded by punch bands, as in the machine proposed by Basile Bouchon.
At Christmas 1850 he was invited by Mark Lemon to fill the position of joint cartoonist ( with John Leech ) on Punch.
Drafted by a treaty and a bill of sale, and constituted between 1820 and 1858, the Princely State of Kashmir and Jammu ( as it was first called ) combined disparate regions, religions, and ethnicities: to the east, Ladakh was ethnically and culturally Tibetan and its inhabitants practised Buddhism ; to the south, Jammu had a mixed population of Hindus, Muslims and Sikhs ; in the heavily populated central Kashmir valley, the population was overwhelmingly Sunni Muslim, however, there was also a small but influential Hindu minority, the Kashmiri brahmins or pandits ; to the northeast, sparsely populated Baltistan had a population ethnically related to Ladakh, but which practised Shi ' a Islam ; to the north, also sparsely populated, Gilgit Agency, was an area of diverse, mostly Shi ' a groups ; and, to the west, Punch was Muslim, but of different ethnicity than the Kashmir valley.
Punch was extremely popular in Paris, and, by the end of the 18th century, he was also playing in Britain's American colonies, where even George Washington bought tickets for a show.
As expressed by Peter Fraser in Punch & Judy ( 1970 ), " the drama developed as a succession of incidents which the audience could join or leave at any time, and much of the show was impromptu.
" This was elaborated by George Speaight in his Punch & Judy: A History ( 1970 ), who explained that the plotline " is like a story compiled in a parlour game of Consequences ... the show should, indeed, not be regarded as a story at all but a succession of encounters.
" The most recent academic work, Punch & Judy: History, Tradition and Meaning by Robert Leach ( 1985 ), makes it clear that " the story is a conceptual entity, not a set text: the means of telling it, therefore, are always variable.
As performed currently in the UK a typical show will start with the arrival of Mr. Punch followed by the introduction of Judy.
Punch's subsequent comic struggle with the crocodile might then leave him in need of a Doctor who will arrive and attempt to treat Punch by walloping him with a stick until Punch turns the tables on him.
Punch may next pause to count his " victims " by laying puppets on the stage only for Joey the Clown to move them about behind his back in order to frustrate him.
It is these set piece encounters or " routines " which are used by performers to construct their own Punch and Judy shows.

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