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Raï and has
Raï (), which is the Arabic word for " opinion ", is a form of folk music, originated in Oran, Algeria from Bedouin shepherds, mixed with Spanish, French, African and Arabic musical forms, which dates back to the 1930s and has been primarily evolved by women in the culture.
The region's art music has for centuries followed the outline of Arabic and Andalusian classical music: its popular contemporary genres include the Algerian Raï.
Outside pornography, she has worked as a presenter on SkyRock Radio in France, and starred in the mainstream movie, Raï, playing the central female character, a young Algerian woman.

Raï and music
Raï (; ) is a form of folk music that originated in Oran, Algeria from Bedouin shepherds, mixed with Spanish, French, African and Arabic musical forms, which dates back to the 1930s.
Raï is a music style that originated in Algeria in the 1930s.
Raï is a genre of music which developed in Algeria during the 1920s as rural < ref name =" qantara. de ">
* Rai ( also Raï ), a form of folk music that originated in Oran, Algeria, from Bedouin shepherds ( evolved into a popular genre )
He played guitar on a range of projects including an Algerian Raï music album for Cheikha Rimitti called Sidi Mansour, which also featured Red Hot Chili Peppers bassist Flea and Robert Fripp, to garage-pop with Pearl Harbor, retro-jungle-surf with Johnny Feelings, and exotica lounge music with Frenchy.
Popular styles of music such as Raï and chaabi originate in the Maghreb.
Then, the young star of Raï music decided to take a new turn towards acting and accepted a part in the French film, Battement d ’ ailes du papillon.
Cheb Hasni ( Arabic: الشاب حسني ) born Hasni Chakroun ( February 1, 1968 – September 29, 1994 ) was a performer of Algerian Raï music.
Although their music is more vocal-based than Raï music, they can be considered among Raï influences.

Raï and Algeria
Like many other Raï artists based in Algeria, Cheb Hasni spent more time performing abroad ( giving concerts everywhere from Paris, Marseilles, and Boston to Washington DC, Tunis, Casablanca, and Tokyo, to name a few cities ) than at home, due to curfews and musical restrictions in Algeria at the time.

Raï and point
The second major launching point in Hasni's career came shortly afterwards when a producer asked him to record with Raï performer Chaba Zahouania.

Raï and one
Hasni became one of the most prolific artists on the Raï scene, recording around 100 cassettes during his career.

Raï and popular
Faudel started to cover the popular tracks by Cheb Khaled and Cheb Mami at 12, after which he soon fronted the popular band Les Etoiles du Raï ( The Rai Stars ).

Raï and singer
Khaled, a prominent Raï singer, began his career performing Nass El Ghiwane songs at weddings and parties.

Raï and assassinated
The following year, on February 15, 1995, Raï producer Rachid Baba-Ahmed was assassinated in Oran.

Raï and success
The success of " Beraka " made Hasni famous, and a controversial subject with both critics and Islamic fundamentalists already concerned over the popularity of the Raï genre.

Raï and .
* Khaled, former king of Raï.
The commune is famous for its lăutari or gypsy musicians, especially the group Taraful Haiducilor ( a. k. a. Taraf de Haïdouks ) and members of the group Mahala Raï Banda.
During the tour, Farmer sang a Raï version of Michel Polnareff's La Poupée qui fait non with Khaled, which was released as a promotional single from the live album and became a Top 10 hit in France.
It was Faudel's grandmother who was largely responsible for putting the young boy in touch with his Algerian roots and teaching him traditional Raï rhythms during the summer holidays.

has and been
Besides I heard her old uncle that stays there has been doin' it ''.
Southern resentment has been over the method of its ending, the invasion, and Reconstruction ; ;
The situation of the South since 1865 has been unique in the western world.
The North should thank its stars that such has been the case ; ;
As it is, they consider that the North is now reaping the fruits of excess egalitarianism, that in spite of its high standard of living the `` American way '' has been proved inferior to the English and Scandinavian ways, although they disapprove of the socialistic features of the latter.
In what has aptly been called a `` constitutional revolution '', the basic nature of government was transformed from one essentially negative in nature ( the `` night-watchman state '' ) to one with affirmative duties to perform.
For lawyers, reflecting perhaps their parochial preferences, there has been a special fascination since then in the role played by the Supreme Court in that transformation -- the manner in which its decisions altered in `` the switch in time that saved nine '', President Roosevelt's ill-starred but in effect victorious `` Court-packing plan '', the imprimatur of judicial approval that was finally placed upon social legislation.
Labor relations have been transformed, income security has become a standardized feature of political platforms, and all the many facets of the American version of the welfare state have become part of the conventional wisdom.
Historically, however, the concept is one that has been of marked benefit to the people of the Western civilizational group.
In recent weeks, as a result of a sweeping defense policy reappraisal by the Kennedy Administration, basic United States strategy has been modified -- and large new sums allocated -- to meet the accidental-war danger and to reduce it as quickly as possible.
The malignancy of such a landscape has been beautifully described by the Australian Charles Bean.
There has probably always been a bridge of some sort at the southeastern corner of the city.
Even though in most cases the completion of the definitive editions of their writings is still years off, enough documentation has already been assembled to warrant drawing a new composite profile of the leadership which performed the heroic dual feats of winning American independence and founding a new nation.
Madison once remarked: `` My life has been so much a public one '', a comment which fits the careers of the other six.
Thus we are compelled to face the urbanization of the South -- an urbanization which, despite its dramatic and overwhelming effects upon the Southern culture, has been utterly ignored by the bulk of Southern writers.
But the South is, and has been for the past century, engaged in a wide-sweeping urbanization which, oddly enough, is not reflected in its literature.
An example of the changes which have crept over the Southern region may be seen in the Southern Negro's quest for a position in the white-dominated society, a problem that has been reflected in regional fiction especially since 1865.
In the meantime, while the South has been undergoing this phenomenal modernization that is so disappointing to the curious Yankee, Southern writers have certainly done little to reflect and promote their region's progress.
Faulkner culminates the Southern legend perhaps more masterfully than it has ever been, or could ever be, done.
The `` approximate '' is important, because even after the order of the work has been established by the chance method, the result is not inviolable.
But it has been during the last two centuries, during the scientific revolution, that our independence from the physical environment has made the most rapid strides.
In the life sciences, there has been an enormous increase in our understanding of disease, in the mechanisms of heredity, and in bio- and physiological chemistry.
Even in domains where detailed and predictive understanding is still lacking, but where some explanations are possible, as with lightning and weather and earthquakes, the appropriate kind of human action has been more adequately indicated.
The persistent horror of having a malformed child has, I believe, been reduced, not because we have gained any control over this misfortune, but precisely because we have learned that we have so little control over it.

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