Overall, Rohmer stated that he wanted the " Six Moral Tales " " to portray in film what seemed most alien to the medium, to express feelings buried deep in our consciousness.

Rohmer stated that " It wasn't simply the action I was drawn to, but the text itself.

Rohmer stated that " what interests me is to show how someone's imagination works.

Rohmer often made films that he had been working on his many years and stated " I can't say ' I make one film, then after that film I look for a subject and write on that subject ... then I shoot.

Alain Bergala and Alain Philippon have stated that " all the art of Eric Rohmer consists of creating on the set avertable osmosis among himself, the actors and the technicians.

Rohmer stated that " Cinema here will survive only because of television.

Rohmer stated that " I even wonder if I could work in the usual conditions of filmmaking.

The Peterborough Examiner's lead editorial of 14 January 2009 says this: " Rohmer, one of Canada's most colourful figures of the past half-century, was a World War II fighter pilot, later a major-general in the armed forces reserve, a high-profile lawyer and a successful novelist and biographer.

For her performance in the Éric Rohmer film, Full Moon in Paris, Ogier was nominated for a César Award for Best Actress and won the best actress award at the 1984 Venice Film Festival.

" Rohmer even encouraged actress Pascale Ogier to design sets for the film since her character is an interior decorator.

Béatrice Romand ( born 1952, Birkadem, French Algeria ) is a French actress best known for her work with director Éric Rohmer in such films as Claire's Knee, Chloe in the Afternoon, A Good Marriage, Le Rayon vert and Autumn Tale.

He was portrayed by Joseph Schildkraut in the 1938 film Marie Antoinette, and by Jean-Claude Dreyfus in the 2001 Éric Rohmer film The Lady and the Duke.

* TCM Remembers 2010: director Arthur Penn, editor Dede Allen, Jean Simmons, director Roy Ward Baker, Lynn Redgrave, producer David Brown, editor Sally Menke, Harold Gould, director Dino De Laurentiis, Dennis Hopper, Jill Clayburgh, Robert Culp, James Mitchell, James MacArthur, Johnny Sheffield, Corey Haim, director Clive Donner, Kevin McCarthy, Cammie King, Eddie Fisher, director Éric Rohmer, John Forsythe, producer Irving Ravetch, art director Robert F. Boyle, Robert Ellenstein, producer Tom Mankiewicz, editor Suso Cecchi d ' Amico, Fess Parker, Baby Marie Osborne, Lena Horne, Lionel Jeffries, Kathryn Grayson, Tony Curtis, Doris Eaton Travis, writer Joseph Stein, director Ronald Neame, Claude Chabrol, Gloria Stuart, June Havoc, Glenn Shadix, Peter Graves, Barbara Billingsley, Leslie Nielsen, director Blake Edwards, Zelda Rubinstein, cinematographer William A. Fraker, producer David L. Wolper, Meinhardt Raabe, director Irvin Kershner and Patricia Neal.

Maurice Henri Joseph Schérer or Jean Marie Maurice Schérer, known as Éric Rohmer ( ( 20 March 1920 – 11 January 2010 ), was a French film director, film critic, journalist, novelist, screenwriter and teacher.

Dr. Fu Manchu is a fictional character introduced in a series of novels by British author Sax Rohmer during the first half of the 20th century.

When Rohmer revived the series in the early 1930s, Smith ( who has been knighted ) is Assistant Commissioner of Scotland Yard.

* Fu Manchu is portrayed in a manner mostly consistent with the Sax Rohmer novels.

Dr. Fu Manchu, the antagonist of several popular novels of Sax Rohmer, is credited with popularizing many of the typical characteristics of the modern supervillain, including his sadistic personality, his desire for world domination, and his use of sinister lairs and themed crimes and henchmen.

Malle is sometimes associated with the nouvelle vague-though his work does not directly fit in or correspond to the auteurist theories that apply to the work of Godard, Truffaut, Chabrol, Rohmer, and others, and he had nothing whatsoever to do with Cahiers du cinéma, he did exemplify many of the characteristics of the movement, including using natural light, and shooting on location.

Yellow Peril: The Adventures of Sir John Weymouth-Smythe, by Richard Jaccoma ( 1978 ) is both a pastiche and a benign parody of the Sax Rohmer novels.

" It is clearly in the same line as the contemporaneous works of Philip José Farmer, " updating " Rohmer the way Farmer updated Edgar Rice Burroughs, Lester Dent and Walter B. Gibson.

* CP24 Live at Noon-hosted by Ann Rohmer and Stephen LeDrew on weekdays ; airs weekdays at noon, this title is also used during the noon-hour newsflow on the weekends

A prominent example occurs within the first volume of The League of Extraordinary Gentlemen, wherein a character who is clearly intended in appearance and description by other characters to be Dr. Fu Manchu appears as a significant villain ; however, as this character was not in the public domain at the time of writing and the rights still held by the estate of his creator Sax Rohmer, he is not directly named as such in the work and is only referred to as ' the Devil Doctor '.

In 1996 Éric Rohmer filmed parts of Conte d ' été in Dinard the Creperie de Clare de Lune is on the waterfront.

" For Kirsch, Fleming's style was a combination of Sax Rohmer and James Fitzpatrick, although he also considered that " Fleming's wit is provincial ".

If it isn't clear within Maud who actually is making the wager and whether or not they win or lose, that only enlarges the idea of " le pari " (" the bet ") into the encompassing metaphor that Rohmer wants for the entire series.

" It was Rohmer's first film shot in color, with Rohmer explaining " the presence of the lake and the mountains is stronger in color than in black and white.

" In his review of the film, film critic Claude Baignéres said that " Eric Rohmer is a virtuoso of the pen sketch ... had not been at ease with the paint tubes that Persival required, in this film he created a tiny figurine whose every feature, every curl, every tone is aimed at revealing to us a state of soul and of heart.

Alain Philippon called the film " one of the most accomplished films that Rohmer has given us ... and that if the film moves it is because of its own risk-taking.

" Rohmer considered filmmaking to be " closer to the novel — to a certain classical style of novel which the cinema is now taking over — than the other forms of entertainment, like the theater.

Rohmer said he wanted to look at " thoughts rather than actions ", dealing " less with what people do than what is going on in their minds while they are doing it.

The grave of Eric Rohmer ( Maurice Scherer ) is located at the 13 district of Montparnasse Cemetery in Paris.

Rohmer is a tremendous international star.

In 1952 Rohmer began collaborating with Pierre Guilbaud on a one hour short feature called Les Petites Filles modéles, but the film was never finished.

The film's proverb was invented by Rohmer himself: " The one who has two wives loses his soul, the one who has two houses loses his mind.

When the film was finally shot, Rohmer often used between two and three takes for each shot, and sometimes only one take.

Rohmer chose to premiere the film on Canal Plus TV, a pay-TV station that paid $ 130, 000 for the film, which was only one fifth of its budget.

Gulacy was a film buff, and modeled many characters after film stars: Juliette on Marlene Dietrich, James Larner on Marlon Brando, Clive Reston ( often broadly hinted at as being the son of James Bond as well as the grand nephew of Sherlock Holmes ) occasionally looking like Basil Rathbone and Sean Connery, and a minor character Ward Sarsfield ( after the real-life name of Sax Rohmer ) who looked like David Niven.

In 1968, following the example of Cahiers du Cinéma critics Truffaut, Jean-Luc Godard, Claude Chabrol, and Éric Rohmer who had created the Nouvelle Vague (" New Wave ") by making their own films, Bogdanovich decided to become a director.

* Richard Rohmer, who served as a Civitan district governor and international treasurer.

A Summer's Tale ( 1996 ) has most of the elements of a typical Rohmer film: no soundtrack music, no closeups, a seaside resort, long conversations between beautiful young people ( who are middle class and educated ) and discussions involving the characters ' interests from songwriting to ethnology.

The Fu Manchu moustache derives its name from Fu Manchu, the fictional character who wears such a moustache in film versions of the stories written by the British / Irish author Sax Rohmer.

* Sax Rohmer, author of the Fu Manchu thrillers, was the pseudonym of Arthur Henry Ward, who was born in Birmingham but pursued his writing career in London and then New York.

Fascinated by the metaphysical views of the philosopher Friedrich Rohmer ( 1814-1856 ), a man who attracted little other attention, he endeavoured in Psychologische Studien der Staat und Kirche ( 1844 ) to apply them to political science generally, and in particular as a panacea for the constitutional troubles of Switzerland.

Rohmer reported the car's location to Group Control Centre, which sent in a Spitfire flown by a pilot ( Rohmer knows he was not a Canadian ) who strafed the target and wounded Rommel.