* Ani DiFranco at Rolling Stone

Daria is not featured in the newer episodes, but she will make a cameo, according to an August 2011 Rolling Stone interview with Mike Judge.

The mother later claimed that her son had watched one of the fire-related segments shortly before he burned down the home, although, according to an article in the March 24, 1994 issue of Rolling Stone, neighbors claimed that the family did not have cable television.

Later, in a Rolling Stone interview, Mike Judge was asked if Daria is coming back and he said, " No. There's sort of a cameo in one episode.

John Altschuler, formerly a writer for King of the Hill, told a Rolling Stone reporter that he saw signs that Mike Judge was thinking of reviving Beavis and Butt-Head.

Judge told Rolling Stone that at least 24 episodes ( 12 half-hour programs ) will definitely air.

* Belle and Sebastian on Rolling Stone

In 2004, Rolling Stone ranked Holly # 13 among " The 100 Greatest Artists of All Time ".

" In an August 24, 1978, Rolling Stone interview, Bruce Springsteen told Dave Marsh, " I play Buddy Holly every night before I go on ; that keeps me honest.

Their most famous hit is the song " Fish Heads ", which was named as one of the top 100 videos of all time by Rolling Stone magazine.

In 2004, Rolling Stone ranked him # 20 on their list of the 100 Greatest Artists of All Time.

Throughout her career, Love's wild stage antics and subversive feminist attitude have polarized audiences and critics, with Rolling Stone once calling her " the most controversial woman in the history of rock.

It went on to be declared one of the best albums of all time by Rolling Stone magazine in their 500 Greatest Albums of All Time issue in 2003.

Rolling Stone called the album " accessible, fiery and intimate — often at the same time [...] a basic guitar record that's anything but basic.

Spin called it a " jaw-dropping act of artistic will and a fiery, proper follow-up to 1994 ’ s Live Through This " and awarded it eight out of ten stars, while Rolling Stone suggested that, " for people who enjoy watching celebrities fall apart, America's Sweetheart should be more fun than an Osbournes marathon.

Rolling Stone gave the album three out of five stars, saying that Love " worked hard on these songs, instead of just babbling a bunch of druggy bullshit and assuming people would buy it, the way she did on her 2004 flop, America's Sweetheart.

Once labelled by Rolling Stone as " the most controversial woman in the history of rock ", Love's sometimes outrageous behavior has given her a lasting place in pop culture, as well as a polarizing reputation in the media.

Salinger, Upton Sinclair, and the journalist Hunter S. Thompson, who was primarily known for his works in the American magazine Rolling Stone.

* " Rolling Away the Stone: Mary Baker Eddy's Challenge to Materialism ( Religion in North America ) Stephen Gottschalk ( 2011 )

The first article about disco was written in September 1973 by Vince Aletti for Rolling Stone magazine.

However, in the original article on Young from the first edition of the Rolling Stone Illustrated History of Rock and Roll and a subsequent article in the 1983 Rolling Stone Record Guide, critic Dave Marsh used this album to accuse Young of deliberately manufacturing a self-mythology, arguing that while his highlights could be seen to place him on a level with other artists from his generation like Bob Dylan or The Beatles, the particulars of his catalogue did not bear this out.

In 2004, Rolling Stone ranked him 39th on their list of the " 100 Greatest Artists of All Time ", and 23rd on their list of the best singers of all-time.

At the end of the year Lindsay-Hogg again collaborated with the Stones on their most ambitious project to date, the feature-length performance film The Rolling Stones Rock and Roll Circus, which also featured John Lennon, Yoko Ono, Eric Clapton and rising UK band Jethro Tull, but unfortunately the film was not released until 1996 because the group at the time felt that their own performances had been below par.

I don't think he ever introduced himself to us, nor we to him ... And he seemed very shy ..." Drummer Connie Kay later told Rolling Stone that he approached Morrison and asked " what he wanted me to play, and he said to play whatever I felt like playing.

Rolling Stone magazine's review felt that " Juggling mirth, romance and murder requires a deft touch-think of Hitchcock's Trouble with Harry.

In a review for Rolling Stone magazine, rock critic Lester Bangs felt Sabbath was " just like Cream!

Peter Travers, writing in Rolling Stone magazine, felt that " Edward Scissorhands isn't perfect.

During the Rolling Stones American tour 1969, many ( including journalists ) felt that the ticket prices were far too high.

Shortly after the album's release, Stewart reported to New Musical Express that he felt that Ooh La La was a " stinking rotten album ", later making things worse by telling Rolling Stone that what he had actually said was that the group was capable of " doing a better album than we've done " ( Five Guys, p. 32 ).

Parke Puterbaugh in a 1982 review in Rolling Stone felt that Costello had written " his masterpiece " after spending some years trying out various approaches on previous albums.

The album was well received by critics ; Robert Christgau felt that her voice, raw and imperfect, free of " technical decorum ", would liberate female singers while Jon Landau in Rolling Stone felt that King was one of the most creative pop music figures and had created an album of " surpassing personal-intimacy and musical accomplishment ".

Peter Travers of Rolling Stone felt the film " suffers from lulls and lapses and one lulu of a casting gaffe, but this keenly observant spoof of the fame game is hardly the work of a burnout.

Rolling Stone Magazine felt that Presley's song was the first rock and roll recording.

Peter Travers of Rolling Stone felt Fry was " clever " for adapting Waugh's novel " into a movie that would make Paris Hilton feel at home ," although " By the time lets darkness encroach on these bright young things … the fizz is gone, and so is any reason to make us give a damn ".

" Debby Miller from Rolling Stone, felt that the song portrayed Madonna as a more practical girl than previous female singers.

" Bud Scoppa of Rolling Stone on the other hand felt that they had " distinguished " country-rock backgrounds, and that after Jackson Browne's debut album, it was the best debut of 1972.

Rolling Stone magazine felt that Koda was best known for writing the song " Smokin ' in the Boys ' Room ", which reached # 3 on the 1974 Billboard charts as performed by Brownsville Station, and was later covered by Mötley Crüe.

James Hunter, writing for Rolling Stone magazine, felt that the album delivered " a varied midtempo dependability that turns richer and more resonant upon re-listenings ," and that it was " looser, warmer and more live-sounding than Browne's recent work — yet still as passionately crafted and sung ... he is the sound of unfrantic L. A. cool engaged with the long view.

Demo tapes were sent out to several London clubs after the group felt energized by their efforts ; Gavurin stated in a Rolling Stone interview that "... by the end of the year we were thinking, ' Hang on a minute, some of this is good!

While the album was received with mild praise from more mainstream publications like Rolling Stone, many smaller publications felt that the band had abandoned their roots as second-wave emo group.

Tom Moon of Rolling Stone felt the song " revealed new dimensions.

However, Vic Garbarini, for Rolling Stone, was less positive and felt " this is music that attracts but hasn't the gravity or resonance to hold your attention ... Hutchence seems dissociated from his material, dispassionately competent ... the wealth of musical gifts on the album makes the one-dimensional delivery stand out all the more dramatically ".

Katy Kroll of Rolling Stone lambasted their cover for being " pitchy " and " almost unlistenable ", while Amy Sciarretto of PopCrush felt their cover was disappointing.

Caryn Ganz of Rolling Stone felt that Alanis ' influence was evident on the chorus of " Behind These Hazel Eyes " which was performed acoustically in the event.

In a review for the group's second studio album Actually, Rob Hoerburger from Rolling Stone magazine commented that " West End Girls " was " as catchy as anything on the radio in 1986 ", praising " its enticing bass line and foreboding synth riffs ", but felt that it was almost " nullified by peevish spoken asides and the cryptic posturing of the duo's lyrics ".

Rolling Stone felt the song recreated the 80s New Wave sound better than efforts from bands like Kasabian and Bloc Party: " Surrounded by a black forest of power-chord distortion, Manson pleads and prays like Deborah Harry atop a bouncing, throaty guitar riff that New Order would envy.