Both Farid al-din ' Attar's Pand-nama and his Manteq al-tayr appeared in print in 1929, his Tazkerat al-awlia in four volumes in 1931-43, and the Masnawi of Jalal al-Din Rumi in six volumes in 1933-39.

::" Aquinas, Augustine, St. Bernard, Bhagavad-Gita, Buddha, Jean Pierre Camus, St. Catherine, Christ, Chuang Tzu, “ Cloud of Unknowing ,” Contemplation, Deliverance, Desire, Eckhart ( five lines, the most quoted person ), Eternity, Fénelon, François de Sales, Godhead, Humility, Idolatry, St. John of the Cross, Knowledge, Lankavatara Sutra, William Law ( another four lines ), Logos, Love, Mahayana, Mind, Mortification, Nirvana, Perennial Philosophy ( six lines, a total of 40 entries in all ), Prayer, Rumi, Ruysbroeck, Self, Shankara, Soul, Spirit, “ Theologia Germanica ,” Truth, Upanishads ( six different ones are quoted ), Will, Words.

One day Rumi was reading next to a large stack of books.

Rumi hastily rescued the books and to his surprise they were all dry.

" At that moment, the books suddenly catch fire and Rumi asks Shams to explain what happened.

Of course, many of their books were glosses and super-glosses on the classical texts they taught, but there were also works on mysticism and collections of poetry ; there were biographies like Maylana ‘ Inyat Allah ’ s Tazkira-i -’ Ulema-i-Farangi Mahall which is the major source of family history ; and then there was a variety of work from versatile scholars like Wali Allah ( 1768-1853 ) who ranged from a commentary on the Quran in five volumes to treatise on government, Adab-al-Slatin. 11 Works which should be noted in particular are: Mulla Hasan ’ s text on logic which has been popular for nearly 200 years amongst those teaching the Dars-i-Nizamiyya, Bahr-al ’ Ulum ’ s study of Rumi ’ s mathnawi, and Mulla Nizam al Din ’ s work on the life and the deeds of this friend and Sayyed ‘ Abd al-Razaq of Bansa, Manaqib-i-Razzaqiyya.

His books in English include two collections of his poems (" Shadows of Love ", published in Canada, and " A Last Lullaby ", published in the United States ), Contemporary Turkish Literature, Modern Turkish Drama, Living Poets of Turkey, three books of the 13th century Anatolian mystic folk poet Yunus Emre, Rumi and the Whirling Dervishes ( with Metin And ), Suleiman the Magnificent-Poet, Turkish Legends and Folk poems, Tales of Nasreddin Hodja, and others.

His books on Rumi, Nasrettin Hoca, and Turkish Legends books are widely available throughout Turkey.

Mevlana Celaleddin Rumi and the Whirling Dervishes ( Istanbul: Dost Yayinlari, 1983, 1992, ) ISBN 975-7499-09-9 ( The back cover of this book was printed as the front cover of one of the earliest books by Coleman Barks, the prodigious Rumi translator, popularizer and performer of Rumi's poems.

Jalāl ad-Dīn Muhammad Balkhī (), also known as Jalāl ad-Dīn Muhammad Rūmī (), and more popularly in the English-speaking world simply as Rumi ( 30 September 1207 – 17 December 1273 ), was a 13th-century after whose death in 1284 Rumi's younger and only surviving son, Sultan Walad ( died 1312 ), favorably known as author of the mystical Maṭnawī Rabābnāma, or the Book of the Rabab was installed as grand master of the order.

According to Edward G. Browne, the three most prominent mystical Persian poets Rumi, Sana ' i and Attar were all Sunni Muslims and their poetry abounds with praise for the first two caliphs Abu Bakr and Umar ibn al-Khattāb.

According to Annemarie Schimmel, the tendency among Shia authors to include leading mystical poets such as Rumi and Attar among their own ranks, became stronger after the introduction of Twelver Shia as the state religion in the Safavid Empire in 1501.

* The quatrains of Rumi: Complete translation with Persian text, Islamic mystical commentary, manual of terms, and concordance, translated by Ibrahim W. Gamard and A. G. Rawan Farhadi, 2008.

The teachings of Jalal ad-Din Muhammad Rumi, who migrated from Khorasan to Anatolia, are good examples to the mystical aspect of Sufism.

Many other poets can also be named e. g. Hafez, Rumi and other mystical poets have used imageries of Shahnameh heroes in their poetry.

According to Annemarie Schimmel, the tendency among Shia authors to include leading mystical poets such as Rumi and Attar among their own ranks, became stronger after the introduction of Twelver Shia as the state religion in the Safavid Empire in 1501.

; English translators of Rumi poetry

Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz and Rumi may think of it as written in lines based on rhyme and regular meter ; however, there are traditions, such as Biblical poetry, that use other means to create rhythm and euphony.

* Shams ad-Din disappears, resulting in Jalal Uddin Rumi writing 30, 000 verses of poetry about his disappearance.

According to Edward G. Browne, Attar as well as Rumi and Sana ' i were all Sunni Muslims and their poetry abound with praise for the first two caliphs Abu Bakr and Umar ibn al-Khattāb.

Rumi has mentioned both of them with the highest esteem several times in his poetry.

Thus, Rumi began creating a work in the didactic style of Sana ’ i and ‘ Attar to complement his other poetry.

Junoon aimed to combine loud guitar riffs with the tranquility of sufi poetry by the likes of Maulana Rumi, Shah Hussain, Bulleh Shah and Allama Iqbal.

“ In the land of poetry, the immortals-Hafez, Saadi, Rumi, Ferdowsi, and Khayyam-always top the list of most frequently reprinted titles, but the modernists are not in this league, except perhaps for Sepehri ( 1 ).”

' Iraqi often listened to Rumi teach and recite poetry, and later attended Rumi's funeral.

Musical and dance performance, Rumi poetry, foods and libations, Persian New Year and holiday displays, an art exhibit, and puppet shows provide a glimpse into this rich and diverse culture.

As the years passed, Rumi attributed more and more of his own poetry to Shams as a sign of love for his departed friend and master.

In Rumi's poetry Shams becomes a symbol of God's love for mankind ; Shams was a sun (" Shams " means " Sun " in Persian ) shining the Light of God on Rumi.

It is mostly based on the poetry of famous sufi poets like Rumi, Hafez, Faiz Ahmed Faiz, Shah Abdul Latif Bhittai, Bulleh Shah, Waris Shah and even Kabir and is mostly sung in languages like Urdu, Punjabi, Sindhi, Persian and Turkish.

See The Conference of the Birds and the poetry of Rumi.

* 1207 – 1273 poetry ; spirituality Jalal al-Din Muhammad Rumi, one of the best known Persian passion poets, famous for poignant poetry on the theme of spiritual enlightenment and passion.

He plays and sings poetry of the Sufi poets, mainly Jalaleddin Rumi ; Davlatmand ’ s outlook is close to Rumi ’ s poetry and philosophy.

It includes popular stories from the local bazaar to fables and tales from Rumi ’ s time.

Malay is now written using the Latin script ( Rumi ), although an Arabic alphabet called Jawi also exists.

Usage wise, it was the standard script for the Malay language but has since been replaced by a Latin alphabet called Rumi, and Jawi has since been relegated to a script used for religious and cultural purposes.

The Malaysian language is normally written using a Latin alphabet called Rumi, though an Arabic alphabet called Jawi also exists.

In 1958, Rumi also produced a sports version called the " Tipo Sport " which had a 22 mm carburettor, larger exhaust pipes and a higher compression ratio.

The story could have arrived in Europe through the One Thousand and One Nights, or perhaps the version in book VI of the Masnavi by Rumi.

: This article is about the Masnavi-i Ma ' navi of Rumi ; for the masnavi poetic form, see Masnavi ( poetic form ).

The Masnavi, or Masnavi-I Ma ' navi () or Mesnevi ( Turkish ), also written Mathnawi, Ma ' navi, or Mathnavi, is an extensive poem written in Persian by Jalal al-Din Muhammad Rumi, the celebrated Persian Sufi saint and poet.

The Masnavi was a Sufi masterpiece started during the final years of Rumi ’ s life.

It is documented that Rumi began dictating the verses of the Masnavi at the request of his treasured disciple, Husam al-Din Chalabi, who observed that many of Rumi ’ s followers dutifully read the works of Sana ’ i and ‘ Attar.

During the final years of Rumi ’ s life, the Masnavi was being created.

Rumi ’ s Masnavi is filled with analogies.

Rumi writes in Book 1 of his Masnavi:

It could have arrived in Europe through the One Thousand and One Nights, or perhaps the version in book VI of the Masnavi by Rumi.

Book IV of the The Masnavi of Rumi contains another pear tree story.

The alternative version of the fable is given a different reading by the 13th century Persian poet, Rumi in his Masnavi.