For others, such as U. S. film critic Andrew Sarris, it takes on mystical meanings related to the emotional tone of a film: " Dare I come out and say what I

In praising the film, Andrew Sarris writing for the New York Observer said, " A surging undercurrent of black comedy drives us out to sea without ever breaking to the surface with glib psychological or sociological explanations.

Singled out for praise by critic Andrew Sarris during the 1970s, Sarno's work has been acknowledged in recent years by tributes at the New York Underground Film Festival, the Torino Film Festival in Turin, Italy, the Cinémathèque Française in Paris and the Andy Warhol Museum.

The film was highly acclaimed with critics, such as Jay Cocks in Time, Andrew Sarris in the Village Voice, and Archer Winsten in the New York Post all praising the film, as well as Eastwood's directorial skills and performance.

" Critics such as Jay Cocks in Time, Andrew Sarris in the Village Voice, and Archer Winsten in the New York Post all praised Eastwood's directorial skills and the film, including his performance in the scenes with Walter.

In his book The American Cinema, Andrew Sarris wrote, " is probably the first reasonably talented and sensibly adaptable directorial talent to emerge from a university curriculum in film-making ... may be heard from more decisively in the future.

Andrew Sarris has called it " a tender love story in its silent passages ... crude, clumsy and tediously tongue-tied in its talkie passages.

Due to his complete independence as a filmmaker, Chaplin has been identified by Andrew Sarris as one of the first auteur filmmakers.

Jason, believing Sarris is the one to surrender, asks his co-stars to join him, and they agree, believing that the mission is just an acting job.

" Andrew Sarris, in his review for The New York Observer, wrote, " Ultimately Unfaithful is escapism in its purest form, and I am willing to experience it on that level, even though with all the unalloyed joy on display, there's almost no humor ," and concluded that it was " one of the very few mainstream movies currently directed exclusively to grown-ups.

In his review for The New York Observer, Andrew Sarris wrote, " We get the best of independent cinema and the best of mainstream cinema all in one package.

Evangelos Sarris (; 1881-1917 ) was an officer of the Cretan gendarmerie and one of the leaders of the National Defence movement in Greece.

Corliss was one of Sarris's students at NYU and remains good friends with Sarris.

* Robin Sachs as Gen. Roth ' h ' ar Sarris, a warlike humanoid insectoid-reptilian who destroyed the Thermian home planet and most of their race, being bent on their destruction.

In his review for The New York Observer, Andrew Sarris wrote, " here is the ironic twist in my acceptance of Pearl Harbor-the parts I liked most are the parts before and after the digital destruction of Pearl Harbor by the Japanese carrier planes " and felt that " Pearl Harbor is not so much about World War II as it is about movies about World War II.

Sarris discusses Film in the context of his section on the film career of Buster Keaton, writing that: " Even Samuel Beckett contributed to the desecration of the Keaton mask by involving the actor of absurdity before its time in a dreary exercise called Film, the most pretentious title in all cinema.

Andrew Sarris in the New York Observer wrote, " the main incentive to see this movie is its witty, pungent and idiomatic dialogue, such as you never hear on the screen anymore in this age of special-effects illiteracy ".

Film critic Andrew Sarris said the movie was " a mod masterpiece ".

In his review for The New York Observer, Andrew Sarris wrote, " The film's greatest achievement, however, is in keeping a dizzying variety of characters at odds with each other without any breach of good manners, and without descending to facile stereotypes and caricatures ".

Although in recent years the film's standing has not improved ( Christopher Durang called it " a soggy love story " in 1996 ), the film critic Andrew Sarris has notably defended the film.

* Awake in the Dark: The Best of Roger Ebert ( ISBN 0-226-18200-2 ) – a collection of essays from his 40 years as a film critic, featuring interviews, profiles, essays, his initial reviews upon a film's release, as well as critical exchanges between the film critics Richard Corliss and Andrew Sarris

* 1928 – Andrew Sarris, American film critic ( d. 2012 )

Sarris demands the Omega 13, a device used at the very end of Galaxy Quests final episode.

In May 2011, base civilian employee George Sarris successfully settled with the government over claims that he was subjected to retaliation for talking to the media in 2008 about poor maintenance of RC-135 aircraft at the base.

File: SarrisCanonsburgPA. jpg | Sarris Candies Inc. store located at 511 Adams Avenue.

By means of criticism and editorialization, they laid the groundwork for a set of concepts, revolutionary at the time, which the American film critic Andrew Sarris called auteur theory.

Since he could speak many languages as well as his native Greek, ( including English, French, Italian, and Turkish ), Sarris became an interpreter at the headquarters of the gendarmerie in Chania.

The school has also nurtured a long list of historians including Lord Renfrew of Kaimsthorn, archaeological historian and former Disney Professor of Archaeology at the University of Cambridge, Ernest Gellner, an anthropological historian, Professor Malcolm Schofield of St John's College, Cambridge, and more recently Justin Pollard, a TV historian, and Peter Sarris, a specialist on the Byzantine Empire and a fellow of Trinity College, Cambridge.

His interest in journalism and film criticism began as a student at Detroit ’ s Central High School, when he first read film critic Pauline Kael's book, Kiss Kiss Bang Bang whom he cites for " her willingness to go against the hype ", along with Andrew Sarris, for his " sophisticated love of cinema ", as being a major inspiration on his choice of professional career.

* In Galaxy Quest ( a spoof of Star Trek ) the NSEA Protector flies at Sarris ' ship dragging space mines, feigning a suicidal attack.

Both Richard Schickel and Andrew Sarris have also written that many of the gags in his silent films needed the " intimacy of the camera " to work and could not have been performed on the stage to the same effect.

Sarris sneaks aboard the Protector and starts killing the crew, but Jason activates the Omega 13, is sent back in time 13 seconds, and thwarts his attack.

Math has received very negative reception ; Nintendo spokesman Tom Sarris commented that it was not well received, resulting in Nintendo ceasing development of educational games for the time.

A 1954 article by Truffaut attacked La qualité française (" the French Quality ") and was the manifesto for ' la politique des Auteurs ' which Andrew Sarris later termed the auteur theory — resulting in the re-evaluation of Hollywood films and directors such as Alfred Hitchcock, Howard Hawks, Robert Aldrich, Nicholas Ray, Fritz Lang and Anthony Mann.

The Thermians transport Jason onto the Protector to negotiate with Sarris ( named after respected film critic Andrew Sarris ), a reptilian humanoid warlord waging a genocidal war against the Thermian people.

The Thermians then come back to Earth and ask for more help negotiating a surrender with Sarris.

Once the actors are onboard the Protector, they finally realize the truth, but Sarris prevents them from leaving, so they assume their television roles in order to save the Thermians, who have very little concept of deception, or the art of acting / theater.

Sarris chases the Protector into a space minefield, which damages the beryllium sphere that powers the ship's reactor.

The actors acquire a new sphere from a nearby planet after battling various alien creatures, but when they return to the ship, Sarris has boarded it and taken control.

Sarris interrogates Jason about the Omega 13 and forces him to admit the truth about Galaxy Quest to Mathesar, who is heartbroken after learning that Jason and his crew are make-believe.

With Jason in command of the Protector, the actors and Thermians destroy Sarris ' ship and set course back to Earth.

They emerge from the wreck to enthusiastic applause from the audience, who assume the crash is part of the entertainment, and when Sarris attacks again, Jason kills him with an Ion Nebulizer ( blaster pistol ) and receives even greater applause.

As Sarris explains to Jason, Mathesar is incredibly naïve to the truth, as are the others of his crew ; however, he remains loyal to Nesmith and the other actors and sees them as heroes.

In these early films, Hawks established the prototypical " Hawksian Man ", which film critic Andrew Sarris described as " upheld by an instinctive professionalism.

The film starred Cary Grant and Katharine Hepburn and has been called " the screwiest of the screwball comedies " by film critic Andrew Sarris.

Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929-1968 included Hawks in the " pantheon " of the 14 greatest film directors who had worked in the United States.

* Sarris, Peter.

The film critic Andrew Sarris has defined the screwball comedy as " a sex comedy without the sex.