In 1976, Richard Schickel cited his performance in Pitfall ( 1948 ) as a prototype of film noir in contrast with the appealing television characters for which Burr later became famous.

Time magazine's Richard Schickel wrote, " The result is a hard-striving, convoluted movie, which never quite becomes the smoothly reciprocating engine Anderson ( who did Boogie Nights ) would like it to be ".

" TIME's Richard Schickel praised the film, saying " The Scout is the best comedy-fantasy about baseball ever made, which goes to show that if Hollywood keeps trying, eventually someone will get it right.

Richard Schickel called it " quite a good movie — a character-driven ( as opposed to whammy-driven ) suspense drama — dark, fatalistic and, within its melodramatically stretched terms, emotionally plausible "; he said Pakula " develops his story patiently, without letting its tensions unravel.

Richard Schickel, reviewing the series in September 1975, called it " a garage-sale period piece "; he said " the presence of Guy Lombardo, some ancient autos and the oldest of detective story conventions ( all suspects are assembled in one room to await the results of the detective's ratiocinations ) are supposed to evoke nostalgia.

Kazan biographer Richard Schickel described Strasberg's first experiences to the " art " of acting: He dropped out of high school, worked in a shop that made hairpieces, drifted into the theater via a settlement house company and … had his life-shaping revelation when Stanislavski brought his Moscow Art Theatre to the United States in 1923.

Film critic Richard Schickel wrote that, though the film " bumps along very pleasantly for the most part ", Edwards failed at his attempt to recreate the slapstick atmosphere of a Laurel and Hardy comedy.

" But Time spokeswoman Dawn Bridges says Schickel didn't start reviewing movies for Time until 1973, and the quote does not appear in the magazine at all.

Richard Schickel wrote in Life that " Jan Troell has made the masterpiece about the dream that shaped America-a dream, and an America, fast disappearing from our views.

Richard Schickel of Time magazine lauded the film, writing, " this is a Cuisinart of a movie, mixing familiar yet disparate ingredients, making something odd, possibly distasteful, undeniably arresting out of them ".

Film critic and historian Richard Schickel goes so far as to credit this gritty realism with inspiring “ the likes of Pabst, Stiller, von Sternberg, and others, then re-emerging in the United States in the sound era, in the genre identified as Film Noir ".

Time magazine's Richard Schickel wrote, " there is an unpretentious realism in Towne's script, and director Ashby handles his camera with a simplicity reminiscent of the way American directors treated lower-depths material in the ' 30s ".

Originally rated PG by the MPAA, the film reconstruction by Brian Jamieson and Richard Schickel was re-rated R for " war violence and some language ".

Richard Schickel, in his review for Time, wrote, " What makes this movie work is the kind of cool that made Get Shorty go so nicely: an understanding that life's little adventures rarely come in neat three-act packages, the way most movies now do, and the unruffled presentation of outrageously twisted dialogue, characters and situations as if they were the most natural things in the world ".

Author and critic Richard Schickel of Time magazine called Trading Places " one of the most emotionally satisfying and morally gratifying comedies of recent times ".

Richard Schickel of Time magazine felt that " Eddie Murphy exuded the kind of cheeky, cocky charm that has been missing from the screen since Cagney was a pup, snarling his way out of the ghetto ".

" CNN's Paul Clinton proclaimed " Meet the Parents is one of the best comedies of this-or any other-year ", calling it " wonderfully funny " and expressing his hope that " the Academy will also recognize this wonderful movie, something it rarely does when it comes to comedies " Time magazine's film critic Richard Schickel stated that the film was " divinely invented and perfectly orchestrated ".

" Schickel concluded his review by proclaiming Meet the Parents a " superbly antic movie ".

" Richard Schickel, film critic for TIME, felt Michael was " irrational " and " really angry about something ", having what Schickel referred to as " a kind of primitive, obsessed intelligence ".

Schickel considered this the " definition of a good monster ", by making the character appear " less than human ", but having enough intelligence " to be dangerous ".

Time magazine's Richard Schickel wrote, " North Dallas Forty retains enough of the original novel's authenticity to deliver strong, if brutish, entertainment ".

Time magazine's Richard Schickel wrote, " Nighthawks is so moronically written and directed, so entirely without wit or novelty, that there is plenty of time to wonder about its many missing explanations ".

The sole source of the story is credited to one Matthew Bloxam ( a former pupil, but not a contemporary of Webb Ellis ) in October 1876 ( four years after the death of Webb Ellis ) in a letter to the school newspaper ( The Meteor ) wherein he quotes some unknown friend relating the story to him.

The Enochian alphabet with letter forms, letter names, English equivalents, and pronunciation of the letter names ( pronunciation in quotes if different than English ).

" Her biographer Barbara Reynolds quotes a letter she wrote to publisher Victor Gollancz on 14 September 1932:

If the parenthetical quotes one or more full sentences, then the parenthetical should begin with a capital letter and end with punctuation.

The long prevalent estimation of Priscillian as a heretic and Manichaean rested upon Augustine, Turibius of Astorga, Leo the Great and Orosius ( who quotes a fragment of a letter of Priscillian's ), although at the Council of Toledo in 400, fifteen years after Priscillian's death, when his case was reviewed, the most serious charge that could be brought was the error of language involved in a misrendering of the word innascibilis (" unbegettable ").

" She went on to apologize closing her letter with Bible quotes ( from Chapter 13 of 1 Corinthians ).

Historian David Chandler quotes Saxe: Chandler also states that Saxe admired the superior discipline and formations of the allies and quotes from a letter that Saxe wrote to Frederick the Great in September 1746:

In a letter to her father, shortly before her execution, Charlotte Corday quotes Thomas Corneille: " Le Crime fait la honte, et non pas l ’ échafaud!

Group names are presented in normal type and the first letter of each word capitalised as for cultivars, but they are not placed in single quotes.

" She quotes Muir's letter: Do behold the King in his glory, King Sequoia.

A few years later, however, in his open letter on " The Sexual Enlightenment of Children ", Freud refers to her book approvingly, highlighting ' the charming letter of explanation which a certain Frau Emma Eckstein quotes as having been written by her to her son when he was about ten years old '.

Eusebius refers to three works of Serapion in his history, but admits that others probably existed: first is a private letter addressed to Caricus and Pontius against Montanism, from which Eusebius quotes an extract ( Historia ecclesiastica V, 19 ), as well as ascriptions showing that it was circulated amongst bishops in Asia and Thrace ; next is a work addressed to a certain Domninus, who in time of persecution abandoned Christianity for the error of " Jewish will-worship " ( Hist.

Al-Tabari ( v. 31 pp. 197 – 202 ) quotes Tahir's letter to al-Ma ' mun informing that caliph of al-Amin's capture and execution and the state of peace resulting in Baghdad.

In a letter from Genl Conway to Genl Gates he says ", and then quotes the above passage.

He named his two sons, al-Hakam and Uthman, to succeed him in that order as documented by a letter dated 21 May 743 in al-Tabari Tabari also quotes a number of al-Walid's poems.

Freud ( in his “ Why War ?” letter to Einstein ) mentions Lichtenberg's invention of a “ Compass of Motives ” in a discussion on the combination of human compounded motives and quotes him as saying, “ The motives that lead us to do anything might be arranged like the thirty-two winds and might be given names on the same pattern: for instance, ‘ food-food-fame ’ or ‘ fame-fame-food ’.”

According to an article which quotes a lengthy letter of his, Fredianelli "... is suing the band for apparently being denied songwriting credits and benefits that he allegedly was entitled to.

The alleged letter of Clement that quotes that it might be a forgery from more recent centuries.

The letter, addressed to one Theodore, discusses a Secret Gospel of Mark and quotes two excerpts from this gospel, one of which mentions " the mystery of the kingdom of God.

" Rychlak quotes a letter from Pius himself, dated April 7, 1943: " The Holy See has always entertained the firm hope that the Slovak government, interpreting also the sentiments of its own people, Catholics almost entirely, would never proceed with the forcible removal of persons belonging to the Jewish race.