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" She continued to be outspoken against the institution of slavery, and often donated money from her public readings to charitable causes.
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She and continued
She continued to show regularly in the Salon, to generally favorable reviews, until 1873, the year before the first Impressionist exhibition.
She continued to write, illustrate and design spin-off merchandise based on her children ’ s books for Warne until the duties of land management and diminishing eyesight made it difficult to continue.
She subsequently withdrew it realising that some of her samples were contaminated, but continued her microscopic studies for several more years.
She continued to campaign for occupational safety and health while working as an investigating attorney for the U. S. Commission on Industrial Relations during Woodrow Wilson's presidency.
She continued to make minor and frequently nostalgic period musicals such as Starlift, The West Point Story, On Moonlight Bay, By the Light of the Silvery Moon, and Tea For Two for Warner Brothers.
She continued to have hits with " Heartbreaker " ( 1978 ), " Baby I'm Burning " and " You're the Only One " ( both 1979 ), all of which charted in the pop singles Top 40, and all of which also topped the country-singles chart ; 1979's " Sweet Summer Lovin '" became the first Parton single in two years to not top the country singles chart ( though it still nonetheless reached the top ten ).
She also continued to explore new business and entertainment ventures such as her Dollywood theme park, that opened in 1986 in Pigeon Forge, Tennessee.
She continued to enjoy steady success during the 1990s and 2000s ; her 2000 album A Day Without Rain sold 15 million copies, and became the top selling new age album of the 2000s in the US, according to Nielsen SoundScan.
She continued to work there for the rest of her career and was as dean of the school from 1883 to 1902.
She then continued her career in the United States, as did Maurice Tourneur and Léonce Perret after World War I.
She continued to star in various films, but by the early 1940s, her appearances became less frequent.
She continued on at UCLA, receiving a Ph. D. in 1975, and became a faculty member at the university.
She continued to advance her trademark interests of education and literacy by establishing the semi-annual National Book Festival in 2001 and encouraged education on a worldwide scale.
She continued to act in the theatre for most of her career, and became noted for her portrayal of Nora in Henrik Ibsen's A Doll's House, but became wider known once she started to work with eminent Swedish film director Ingmar Bergman.
She later directed Blanchett in A Streetcar Named Desire ( play ) at the Sydney Theatre Company in Australia, which ran September through October 2009, and then continued from 29 October to 21 November 2009 at the Kennedy Center for the Performing Arts in Washington, DC, where it won a
She continued to produce films for others, including Sleep, My Love ( 1948 ) with Claudette Colbert and Love Happy ( 1949 ) with the Marx Brothers.
She and be
She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.
She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.
She had the feeling that, under the mouldering leaves, there would be the bodies of dead animals, quietly decaying and giving their soil back to the mountain.
She was telling herself that this might just be her reward at the end of a long meaningful search for truth.
She said without turning her head, `` After that rain beating in atop the dust, there isn't a thing that won't be streaked ''.
She was certain now that it would be no harder to bear her child here in such pleasant surroundings than at home in the big white house in Haverhill.
She ended her letter with the assurance that she considered his friendship for her daughter and herself to be an honor, from which she could not part `` without still more pain ''.
She has studied and observed and she is convinced that her young man is going to be endlessly enchanting.
She was wise enough to realize a man could be good company even if he did weigh too much and didn't own the mint.
She was told by the manservant who opened the door that his lordship was engaged on work from which he had left strict orders he was not to be disturbed.
She and her husband had formerly lived in New York, where she had many friends, but Mr. Flannagan thought the country would be safer in case of war.
She had begun to turn back toward the house, but his look caught her and she stood still, waiting there for what his expression indicated would be a serious word of farewell.
She did this now, comfortably aware of the mist running down the windows, of the silence outside, of the dark afternoon it was getting to be.
She stood up, smoothing her hair down, straightening her clothes, feeling a thankfulness for the enveloping darkness outside, and, above everything else, for the absence of the need to answer, to respond, to be aware even of Stowey coming in or going out, and yet, now that she was beginning to cook, she glimpsed a future without him, a future alone like this, and the pain made her head writhe, and in a moment she found it hard to wait for Lucretia to come with her guests.
She arrived late and as she entered the party, noted that gentlemen seemed to be in the majority ; ;
She always let it be known that there was wine in the pot roast or that the chicken had been marinated in brandy, and that Koussevitzky's second cousin was an intimate of theirs.
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