She edited and published Lavoisier ’ s memoirs ( whether any English translations of those memoirs have survived is unknown as of today ) and hosted parties at which eminent scientists discussed ideas and problems related to chemistry.

She edited and dubbed what elements were left and Tiefland premiered on February 11, 1954 in Stuttgart, however, it was denied entry into the Cannes Film Festival.

She co-starred often with Swedish actor and fellow Bergman collaborator, Erland Josephson, with whom she made the 1973 Swedish television drama, Scenes from a Marriage, which was also edited to feature-film length and distributed theatrically.

She edited all his books and articles, and was his agent, negotiating all his broadcasting and other contracts.

She also edited Temple Bar magazine.

She has edited these writings into the current narrative, the first-person narrative of a man living at the end of the 21st century.

She also edited The Rabbit Skin Cap, a tale of a Norfolk countryman's youth, first published in 1939 and reprinted by the Norfolk Library, 1974, 1975, 1976, which is the life story of George Baldry, a local inventor and poacher in the early C20.

She edited several collections of works in her speciality – the literature of the American South.

She also edited several of her husband's books.

She also edited the first Vertigo works of Bill Willingham and Ed Brubaker in Proposition Player and Scene of the Crime, and the higher-profile series Moonshadow, Girl, Seekers into the Mystery, The Minx and all issues of House of Secrets ( with Jennifer Lee from issue # 11 ).

She ( co -) edited the final 25 issues of The Dreaming between 1999 and 2001, initially as Shelly Roeberg, and latterly as Shelly Bond ( after marrying artist Philip Bond ), and most of the Sandman Presents ... miniseries and one-shots.

She edited several films starring Greta Garbo.

She documented her knowledge and experience of Vodoun in Divine Horsemen: The Living Gods of Haiti ( New York: Vanguard Press, 1953 ), edited by Joseph Campbell, which is considered a definitive source on the subject.

She wrote eight volumes of poetry, including the Pulitzer Prize-winning Cold Morning Sky, and she edited six anthologies of poetry.

She added Spanish to her languages, and in 1877 undertook the writing of a large number of the lives of early Spanish ecclesiastics for the Dictionary of Christian Biography edited by Dr William Smith and Dr. Henry Wace.

She contributed widely to periodicals, notably The Yellow Book, and also edited one herself.

She edited the Memoirs of the Early Italian Painters in 1845.

In the 1850s, Hannah R. Brown contributed to the journal, the “ Una ,” made lecture tours, and edited her personal journal, “ the Agitator .” In one of her articles, she stated, “ the woman is regarded as a sort of appendage to the goods and glories a man .” She advocated that true marriages could be formed if only women were allowed to choose freely.

She has also edited books of poetry for the Muses ' Company Press.

She has also reissued, with corrections, Roy K. Kiyooka's Transcanada Letters and edited his posthumous Pacific Rim Letters, with an afterword and a chronology of his life.

She started teaching writing and literature at Capilano College and also edited for The Capilano Review.

She is the author of several wordmusic collections, performance poetry recordings, and scripts ; has edited poetry anthologies and series ; and was the founding editor of the national feminist and art magazine Branching Out ( 1973 -).

She recently contributed a chapter to Sound Unbound: Sampling Digital Music and Culture ( The MIT Press, 2008 ) edited by Paul D. Miller a. k. a. DJ Spooky.

She has written and edited many books including Conversational Style: Analyzing Talk Among Friends, Talking Voices: Repetition, Dialogue and Imagery in Conversational Discourse, Gender and Discourse, and The Handbook of Discourse Analysis.

She edited the journal for the first two years of its existence from 1840 to 1842, though her promised annual salary of $ 200 was never paid.

She will be co-starring in ' Essence ', the pilot for Blue Hours ' revival of the classic radio anthology " Suspense ", as well as in other upcoming productions.

She made her film debut in Oedipus Wrecks, a short film directed by Woody Allen for the anthology New York Stories ( 1989 ).

She also made a number of television appearances from 1953 through 1962, as a guest star in dramatic shows or installments of anthology series.

She appeared in episodes of anthology television series in the 1950s and, in 1959, made a pilot for her series, The Joan Crawford Show,

She directed a short film in New York, I Love You, a romantic-drama anthology of love stories set in New York and a 12-minute movie on AIDS awareness ( funded by The Gates Foundation ) called Migration.

She worked with him in the British Library in the 1940s as he collected source material for his anthology A Book of Voyages, which became the first book to bear his new name — the book was among his favourites, because of this close collaboration.

She has produced fill-in issues of Books of Magic, The Dreaming and Swamp Thing and contributed artwork to the anthology comics Fables # 59 ( in addition to a story in the hardcover OGN 1001 Nights of Snowfall ) and Transmetropolitan: Filth of the City.

She still appeared in an episode of CBS's anthology series Appointment with Adventure and NBC's Justice, based on case files of the New York Legal Aid Society.

She continued her association with the group until the final issue of the Some Imagist Poets anthology in 1917.

She and Aldington did most of the editorial work on the 1915 anthology.

She also starred in the final segment of the anthology film If I Had a Million ( 1932 ) as a rest home resident who gets a new lease on life when she is given a $ 1, 000, 000 check by a dying business tycoon.

She then moved from administration to production, working on drama programming on ABC's popular anthology series Armchair Theatre.

She also has solo stories in the various Archie anthology titles.

She also made several appearances in anthology television series in the early 1950s.

She returned playing a top role in the horror anthology film Tales That Witness Madness ( 1973 ), which also starred Joan Collins.

She also co-edited with Glenn Branch the 2006 anthology Not in Our Classrooms: Why Intelligent Design is Wrong for Our Schools.

She was next seen in director Onir's critically acclaimed anthology film I Am, sharing the screen with Juhi Chawla ; noted film critic Taran Adarsh commented, " It's a delight to watch Juhi and Manisha, after a hiatus.

She also edited an original science fiction anthology series, Stellar.

She influenced a number of the language poets and was included in the In the American Tree anthology of Language poetry ( edited by Ron Silliman ).

" She goes on to accuse Elwood of " singlehandedly breaking the story collection / anthology market ".

She was, with Helen Adam, Barbara Guest, and Denise Levertov, one of only four women whose work was included in Donald Allen's landmark anthology, The New American Poetry 1945-1960 ( 1960 ).

She edited out of everywhere: An anthology of contemporary linguistically innovative poetry by women in North America & the UK ( 1996 ).

She was co-editor ( with Sarah Klassen ) and contributor to Poets in the Classroom, an anthology of essays about teaching poetry workshops written by members of the League of Canadian Poets.

She has also contributed to Joanie4Jackie, a film anthology project run by Miranda July, which featured Hammer's film Empire of Ache starring Dame Darcy.

She left the show after one year to pursue a film career, taking memorable roles in the F. Gary Gray urban comedy Friday and earned a Cable ACE Award for her role in the HBO anthology presentation, Cosmic Slop.