She has shared her husband's greatness, but only within the confines of their home ; ;

She has rarely been photographed with him and, except for Carl's seventy-fifth anniversary celebration in Chicago in 1953, she has not attended the dozens of banquets, functions, public appearances, and dinners honoring him -- all of this upon her insistence.

She has small, broad, capable hands and an enormous energy.

She has studied and observed and she is convinced that her young man is going to be endlessly enchanting.

She has the small, highly developed body of a prime athlete, and holds in contempt the `` girls who just move sex ''.

She has a pretty bad cold ''.

She hesitated, she hopped, she rolled and rocked, skipped and jumped, but in some two weeks she started to pace, From that time to this she has shown steady improvement and now looks like one of the classiest things on the grounds.

She has been acting as a prostitute.

She teamed up with another beauty, whose name has been lost to history, and commenced with some fiddling that would have made Nero envious.

She replied, `` I know of one man that has not been friendly with him.

`` She says she has to finish a story ''.

She gave a fine portrayal of Auntie Mame on Broadway in 1958 and has appeared in live television from `` Captain Brassbound's Conversion '' to `` Camille ''.

She has to have at least one car herself.

She is the most beautiful thing you ever laid eyes on, and her dancing has a feminine suavity, lightness, sparkle, and refinement which are simply incomparable.

) She has since turned to Bellini, whose opera `` Beatrice Di Tenda '' in a concert version with the American Opera Society introduced her to New York last season.

She has a good, firm delivery of songs and adds to the solid virtues of the evening.

She is just home from a sojourn in London where she has become the sweetheart of a young fellow named Ronnie ( we never do see him ) and has been subjected to a first course in thinking and appreciating, including a dose of good British socialism.

She also has a habit of constantly changing her hairstyle, and in every appearance by her much is made of the clothes and hats she wears.

She has a maid called Maria who prevents the public adoration from becoming too much of a burden on her employer, but does nothing to prevent her from becoming too much of a burden on others.

She has authored over fifty-six novels and she has a great dislike of people taking and modifying her story characters.

" She first met Poirot in the story Cards on the Table and has been bothering him ever since.

She also has a remarkable ability to latch onto a casual comment and connect it to the case at hand.

She edited and published Lavoisier ’ s memoirs ( whether any English translations of those memoirs have survived is unknown as of today ) and hosted parties at which eminent scientists discussed ideas and problems related to chemistry.

She edited and dubbed what elements were left and Tiefland premiered on February 11, 1954 in Stuttgart, however, it was denied entry into the Cannes Film Festival.

She co-starred often with Swedish actor and fellow Bergman collaborator, Erland Josephson, with whom she made the 1973 Swedish television drama, Scenes from a Marriage, which was also edited to feature-film length and distributed theatrically.

She edited all his books and articles, and was his agent, negotiating all his broadcasting and other contracts.

She also edited Temple Bar magazine.

She also edited The Rabbit Skin Cap, a tale of a Norfolk countryman's youth, first published in 1939 and reprinted by the Norfolk Library, 1974, 1975, 1976, which is the life story of George Baldry, a local inventor and poacher in the early C20.

She edited several collections of works in her speciality – the literature of the American South.

She also edited several of her husband's books.

She also edited the first Vertigo works of Bill Willingham and Ed Brubaker in Proposition Player and Scene of the Crime, and the higher-profile series Moonshadow, Girl, Seekers into the Mystery, The Minx and all issues of House of Secrets ( with Jennifer Lee from issue # 11 ).

She ( co -) edited the final 25 issues of The Dreaming between 1999 and 2001, initially as Shelly Roeberg, and latterly as Shelly Bond ( after marrying artist Philip Bond ), and most of the Sandman Presents ... miniseries and one-shots.

She edited several films starring Greta Garbo.

She documented her knowledge and experience of Vodoun in Divine Horsemen: The Living Gods of Haiti ( New York: Vanguard Press, 1953 ), edited by Joseph Campbell, which is considered a definitive source on the subject.

She wrote eight volumes of poetry, including the Pulitzer Prize-winning Cold Morning Sky, and she edited six anthologies of poetry.

She added Spanish to her languages, and in 1877 undertook the writing of a large number of the lives of early Spanish ecclesiastics for the Dictionary of Christian Biography edited by Dr William Smith and Dr. Henry Wace.

She contributed widely to periodicals, notably The Yellow Book, and also edited one herself.

She edited the Memoirs of the Early Italian Painters in 1845.

In the 1850s, Hannah R. Brown contributed to the journal, the “ Una ,” made lecture tours, and edited her personal journal, “ the Agitator .” In one of her articles, she stated, “ the woman is regarded as a sort of appendage to the goods and glories a man .” She advocated that true marriages could be formed if only women were allowed to choose freely.

She has also edited books of poetry for the Muses ' Company Press.

She has also reissued, with corrections, Roy K. Kiyooka's Transcanada Letters and edited his posthumous Pacific Rim Letters, with an afterword and a chronology of his life.

She started teaching writing and literature at Capilano College and also edited for The Capilano Review.

She is the author of several wordmusic collections, performance poetry recordings, and scripts ; has edited poetry anthologies and series ; and was the founding editor of the national feminist and art magazine Branching Out ( 1973 -).

She recently contributed a chapter to Sound Unbound: Sampling Digital Music and Culture ( The MIT Press, 2008 ) edited by Paul D. Miller a. k. a. DJ Spooky.

She has written and edited many books including Conversational Style: Analyzing Talk Among Friends, Talking Voices: Repetition, Dialogue and Imagery in Conversational Discourse, Gender and Discourse, and The Handbook of Discourse Analysis.

She edited the journal for the first two years of its existence from 1840 to 1842, though her promised annual salary of $ 200 was never paid.