She had reached a point at which she didn't even care how she looked.

She stared at him, her eyes wide as she thought about what he had said ; ;

She had helped him change his mind.

She said, and her tone had softened until it was almost friendly.

She had picked up the quirt and was twirling it around her wrist and smiling at him.

She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.

She seemed to have come such a long distance -- too far for her destination which had wilfully been swallowed up in the greedy gloom of the trees.

She had the feeling that, under the mouldering leaves, there would be the bodies of dead animals, quietly decaying and giving their soil back to the mountain.

She had to get away from here before this demoniac possession swallowed up the liquid of her eyes and sank into the fibers of her brain, depriving her of reason and sight.

She had been snared here by a vile sensuality that writhed around her throat in ever-tightening circles.

She had to escape.

She had to move in some direction -- any direction that would take her away from this evil place.

She wondered what had taken place in town, between him and his wife.

She had spent too many hours looking ahead, hoping and longing to catch even a glimpse of Dan and finding nothing but emptiness.

She had arrived this morning and come straight to the English Gardens.

She had retreated to this world.

She had touched her face, truly a noble and pure face, only with a lip salve which made her lips glisten but no redder than usual.

She had hated the whole idea before they started.

She had jumped away from his shy touch like a cat confronted by a sidewinder.

She had driven up with her husband in a convertible with Eastern license plates, although the two drivers knew nothing at the moment about that.

She might have been someone he had once loved.

She began to watch a blonde-haired man, also in shorts, standing right at the rear of the wrecked car in the one spot that most of the crowd had detoured slightly.

She was sitting on the edge of the bed again, back in the same position where the snake had found her.

She had the opportunity that few clever women can resist, of showing her superiority in argument over a man.

She was a tireless worker, and relied on input from her vocal coach and producers to improve her sound.

She is a classically trained musician and possesses a mezzo-soprano vocal range.

She continued her work in the theater and on television, although she lacked " vocal horsepower " and would likely not have had a lengthy stage career.

She soon emerged as a vocal critic of the Burke government's policy of mandatory sentencing, and began preparing the ALP for the election, which was then two years away.

She also provided a prominent, but uncredited, vocal on John Denver's " Fly Away " single which was succeeded by her own single, " Let It Shine "/" He Ain't Heavy, He's My Brother ," at No. 1 on the AC chart.

She is known for both her vocal collaboration on The Velvet Underground's debut album, The Velvet Underground & Nico ( 1967 ), and her work as a solo artist from the late 1960s through the early 1980s.

She made a vocal contribution to Neuronium's second album, Vuelo Químico as she was at the studio, by chance, while it was being recorded in Barcelona in 1978 by Michel Huygen, Carlos Guirao and Albert Gimenez.

She had commercial success as a solo artist in Australia, with " It's a Man's Man's World " Rock historian, Ian McFarlane described her as having a " rich, soulful, passionate and husky vocal delivery ".

She would eventually tour Europe with Cohen's band, first as a back-up singer and then as a vocal arranger and guest singer on Cohen's albums, Live Songs, Various Positions, I'm Your Man, The Future, Field Commander Cohen, and Recent Songs.

She has appeared on backing vocals on various albums such as Crowded House and Alex Lloyd's Watching Angels Mend She also features prominently on the new 7 Worlds Collide project, co-writing ( and sharing lead vocal ) the track ' Little By Little ' with her husband and sings on the track ' Isolation ' on the new Crowded House album, Intriguer.

She never leaves her voice hanging in spotlit scarcity, folding it variegated terracing, whispering out the lead track, shouting in the back-up, and piling each song with enough interlocking sounds to create the tightly packed illusion of vocal massiveness.

She briefly toured with an ensemble vocal group called FamilyTree, the creation of producer Guenter " Yogi " Lauke.

She rarely sang on the band's songs during this time ; a vocal contribution to " I've Been Waiting for You " (), being one of her few.

There are also some obvious differences: the jug on ' She Lives ( In A Time Of Her Own )' is far more prominent ; ' Levitation ' has a double tracked vocal ; Roky's harmonica solo on ' I Had To Tell You ' is far clearer.

" She Rides " probably has the best vocal performance on the album, though.

She also made a pair of intimate vocal / guitar / double bass albums of jazz standards: After Hours ( 1961 ) with guitarist Mundell Lowe and double bassist George Duvivier and Sarah + 2 ( 1962 ) with guitarist Barney Kessell and double bassist Joe Comfort.

She went through several more operations and even when she got her voice back, she was forced to take vocal lessons, something she had never done before.

She has been a vocal performer on episodes of animated television series, including as Aphrodite on Hercules: The Animated Series, and as Springfield Elementary School student Alexandra Whitney on The Simpsons.

" She immediately began intensive vocal lessons, hoping to accomplish a realistic Southern accent for the role.

She has become one of the best-known politicians in Denmark during recent years, both for her vocal and unwavering stance against multiculturalism and immigration, and for her parliamentary support for the center-right governments of Anders Fogh Rasmussen and Lars Løkke Rasmussen from 2001 to 2011.

She has also been highly-credited for remaining one of country's most popular female artists for over three decades, maintaining her success by continually incorporating contemporary musical sounds without changing her traditional vocal style.

She was singing by the age of two, was enrolled in vocal and dance training, and by the age of five was performing at local talent shows.

Sertab Erener () ( born 4 December 1964 in Istanbul ) is a Turkish pop music singer and also a cross-over soprano with a vocal range that extends to high F. She is one of the most successful female Turkish pop singers in her homeland, and is considered one of the divas of Turkish pop music.

She entered blues history by being the first African American artist to make vocal blues recordings in 1920.