She had reached a point at which she didn't even care how she looked.

She stared at him, her eyes wide as she thought about what he had said ; ;

She had helped him change his mind.

She said, and her tone had softened until it was almost friendly.

She had picked up the quirt and was twirling it around her wrist and smiling at him.

She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.

She seemed to have come such a long distance -- too far for her destination which had wilfully been swallowed up in the greedy gloom of the trees.

She had the feeling that, under the mouldering leaves, there would be the bodies of dead animals, quietly decaying and giving their soil back to the mountain.

She had to get away from here before this demoniac possession swallowed up the liquid of her eyes and sank into the fibers of her brain, depriving her of reason and sight.

She had been snared here by a vile sensuality that writhed around her throat in ever-tightening circles.

She had to escape.

She had to move in some direction -- any direction that would take her away from this evil place.

She wondered what had taken place in town, between him and his wife.

She had spent too many hours looking ahead, hoping and longing to catch even a glimpse of Dan and finding nothing but emptiness.

She had arrived this morning and come straight to the English Gardens.

She had retreated to this world.

She had touched her face, truly a noble and pure face, only with a lip salve which made her lips glisten but no redder than usual.

She had hated the whole idea before they started.

She had jumped away from his shy touch like a cat confronted by a sidewinder.

She had driven up with her husband in a convertible with Eastern license plates, although the two drivers knew nothing at the moment about that.

She might have been someone he had once loved.

She began to watch a blonde-haired man, also in shorts, standing right at the rear of the wrecked car in the one spot that most of the crowd had detoured slightly.

She was sitting on the edge of the bed again, back in the same position where the snake had found her.

She had the opportunity that few clever women can resist, of showing her superiority in argument over a man.

She stresses the complementarity and equal importance of the male and female roles according to yin-yang theory, but she clearly accepts the dominance of the yang-male.

She quickly became one of Hollywood's most recognized child actresses, going on to establish herself in mainly comic roles.

She claimed she was offered two highly sought-after movie roles: the part of possessed child Regan MacNeil in the 1973 film, The Exorcist, and the starring role in Louis Malle's 1978 film, Pretty Baby.

She started taking roles in such B-movies as Bikini Beach Race and Lethal Cowboy.

She had her own ideas, and though she only did bits and ingenue roles, she didn't hesitate to express them.

Kabir also played roles on Dynasty, Murder, She Wrote, Magnum, P. I., Hunter, Knight Rider and Highlander: The Series amongst others.

She is perhaps best known for the roles of Dr. Alexx Woods on CSI: Miami and as Catherine Duke on NewsRadio.

She compares the alleged misogyny characteristic of Lewis ' ideal of gender relations to underground male prostitution rings, which allegedly share the quality of men seeking to dominate subjects seen as less likely to take on submissive roles by a patriarchal society, but in both cases doing so as a theatrical mockery of women.

She returned in guest roles in one episode each in Blackadder the Third and Blackadder Goes Forth.

She has received critical acclaim for her roles in Volver ( 2006 ) and Nine ( 2009 ) receiving Golden Globe and Academy Award nominations for each.

She was perhaps best known for her film roles such as Minnie Castevet, Rosemary's overly solicitous neighbor in Rosemary's Baby, as the eccentric Maude in Harold and Maude and as the mother of Orville Boggs in the Clint Eastwood film Every Which Way but Loose.

She had better luck at other studios in Hollywood, appearing in supporting roles in a string of films, including Abe Lincoln in Illinois ( as Mary Todd Lincoln ), Dr. Ehrlich's Magic Bullet ( as Mrs. Ehrlich ) and Action in the North Atlantic, in the early 1940s.

She shot to stardom after her roles as Buttercup in The Princess Bride and Jenny Curran in Forrest Gump, the latter role garnering her Golden Globe Award and Screen Actors Guild nominations for Best Supporting Actress.

Thiessen then began to take on dramatic roles in several made-for-television movies, including The Stranger Beside Me ( 1995 ), She Fought Alone ( 1995 ), Sweet Dreams ( 1996 ), and Buried Secrets ( 1996 ).

She was a prolific stage performer, frequently in collaboration with her then-husband, Laurence Olivier, who directed her in several of her roles.

She made her film debut in 1985's Heaven Help Us, followed by roles in The Legend of Billie Jean and Maximum Overdrive.

She began doing television commercials, and soon she was in demand for television roles.

She appeared in B pictures in less-than-minor roles.

She rose to prominence during the 1990s with roles in the movies The Mask, My Best Friend's Wedding and There's Something About Mary.

She was signed to a contract by MGM Studios in 1941 and appeared mainly in small roles until she drew attention with her performance in The Killers ( 1946 ).

She is known for her roles as Willow Rosenberg in the television series Buffy the Vampire Slayer, Lily Aldrin on the CBS sitcom How I Met Your Mother, and Michelle Flaherty in the four main original American Pie film series.

She is particularly noted for her roles in the screwball comedies of the 1930s.

She got her start in supporting roles in The World According to Garp ( 1982 ), The Big Chill ( 1983 ), and The Natural ( 1984 ), which all earned her nominations for Academy Award for Best Supporting Actress.

She has been more recently known for her roles in The Shield and her Emmy and Golden Globe winning role as Patty Hewes in the FX TV series Damages.

She continued to gain experience with minor television appearances, and after she auditioned unsuccessfully for the role of Liesl in the film version of The Sound of Music, Ransohoff gave Tate walk-on roles in two motion pictures in which he was producer: The Americanization of Emily and The Sandpiper.