She would often go up on the roof to see the attendant take down the flag in the evening.

She is often depicted nude in many of the images she is in.

She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and protector of young girls, bringing and relieving disease in women ; she often was depicted as a huntress carrying a bow and arrows.

She was often depicted in paintings and statues in a forest setting, carrying a bow and arrows, and accompanied by a deer.

She has consequently often credited her faith as having helped her overcome addictions and personal problems.

She and Pissarro were often treated as " two outsiders " by the Salon since neither were French or had become French citizens.

She refers to Diana, goddess of the moon, who is often depicted with a silver hunting bow.

She also commented on Dean's romantic side claiming that he will often do spontaneous things to surprise her and sometimes even writes her poems.

She is often cited as one of the earliest dominatrices, although she herself used the title of " Governess ".

She did not have the opportunity to see her sons very often during her imprisonment, though she was released for special occasions such as Christmas.

She often wrote to its then ruler, Tsar Ivan IV, on amicable terms, though the Tsar was often annoyed by her focus on commerce rather than on the possibility of a military alliance.

She is most often associated with her Homeric epithet " rosy-fingered " ( rhododactylos ), but Homer also calls her Eos Erigeneia:

Dialogue now took precedence over " slapstick " in Hollywood comedies: the fast-paced, witty banter of The Front Page ( 1931 ) or It Happened One Night ( 1934 ), the sexual double entrendres of Mae West ( She Done Him Wrong, 1933 ) or the often subversively anarchic nonsense talk of the Marx Brothers ( Duck Soup, 1933 ).

She is always very supportive of Mike and there are often hints that she actually has a crush on him.

She was often portrayed as the shrewish, jealous wife of Zeus, who himself often escaped from her controlling ways by cheating on her with other women, mortal and immortal.

She was often described as a Lady Macbeth-type who dominated her husband.

She uses her telekinesis to often lift herself and others giving her the ability of levitation and flight.

She is understood in various and often conflicting aspects, as the embodiment of treachery, the quintessential victim, or simply as symbolic mother of the new Mexican people.

She co-starred often with Swedish actor and fellow Bergman collaborator, Erland Josephson, with whom she made the 1973 Swedish television drama, Scenes from a Marriage, which was also edited to feature-film length and distributed theatrically.

She is often depicted with her sacred creature, an owl usually named as the " owl of Minerva ", which symbolizes her ties to wisdom.

She was often given to harsh language, and she did not spare her husband, even when strangers were present.

She is often depicted as a trio of goddesses, all sisters, although membership of the triad varies ; the most common combinations are Badb, Macha and Nemain, or Badb, Macha and Anand ; Anand is also given as an alternate name for Morrigu.

She often fills in for Carter when he is indisposed.

She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.

She thought it was sometime during the second week she worked for Stanley.

She worked very hard.

She also worked for the government agent-turned-philanthropist, Parker Pyne.

She worked for Unilever ( 1973 – 75 ) and then as an administrator at the University of London ( 1975 – 87 ) before entering Parliament.

She spent two years in France, where she worked for Anne Willan, the founder of Ecole de Cuisine La Varenne.

She has also worked on the principal gene mutations causing neuromuscular diseases.

She also worked to bring the papacy of Gregory XI back to Rome from its displacement in France, and to establish peace among the Italian city-states.

She worked with Paramount Pictures for the comedy Teacher's Pet ( 1958 ), alongside Clark Gable and Mamie Van Doren.

She worked as a management trainee for Kmart in 1981 but quit after a few months and entered a beauty pageant.

She therefore always worked with parliament and advisers she could trust to tell her the truth — a style of government that her Stuart successors failed to follow.

She was a classics major at Scripps College, worked for the Delta Ministry in 1965 and taught at Howard University School of Religion from 1966 to 1976.

She worked for the Judiciary Circuit, and left the state's attorney's office in 1976 to become a partner in a private law firm.

She worked as a guest artist with Roland Petit's Le Ballet National de Marseilles, the Bolshoi Ballet, the London Festival Ballet, the Paris Opera Ballet, the Hamburg Ballet, the Vienna State Opera Ballet, and the Eliot Feld Ballet.

She reflected on her employment experiences to a group of children in 2003, saying, " I worked as a teacher and librarian and I learned how important reading is in school and in life.

She also worked extensively in live musical theatre as a band member and accompanist.

She moved to Greece in 1956, and worked as a professional saw musician.

She has worked for animal rights for many years.

She has worked with Farm Sanctuary to raise awareness about the cruelty of factory farming and to promote the compassionate treatment of farm animals.

She followed that up with the second novel with the same setting, The Warrior's Apprentice then worked on Ethan of Athos.

She and Billy Strange worked on the arrangement, and it was Sinatra's idea to change from a mid-tempo romp ( as sung in Cher's hit single ) to a ballad.

She then worked as a political adviser to Democrat senators John Coulter ( SA ) and Cheryl Kernot ( Qld ).

She worked as a model before she began a career in film.

She also worked with Urban Care to achieve Council approval for what is recognized as one of the best Landmarks Preservation Ordinances in the Nation.

She worked only two weeks on the film, early and late during the production that went from January to April 1997 while Sam Elliott was only on set for two days and did many takes of his final speech.