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Page "The Mystery of Edwin Drood" ¶ 12
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She and rejects
She thus rejects Aphrodite's values and becomes, to some extent, her chaste, domestic complementary, or antithesis.
She rejects his first fumbling attempt to kiss her, but mostly in an effort not to seem overeager.
She rejects Claudius ' advances, enraging him, and he has her abducted.
She initially rejects the idea of marriage and romance, feeling that it would break up her family and separate her from the sisters she adores.
She very much likes Tom, a boy her age, but when he proposes to her she rejects him (" I don't love yer so as ter marry yer ").
She then rejects him.
She rejects his offer and the thought of splitting up her family.
She rejects both men in favour of Raskolnikov's loyal friend, Razumikhin.
She rejects " Leonard's " overtures, as a married woman should, and he is about to reveal himself to her.
She is turned into a white doe by a wizard of the tribe when she rejects his advances.
She also rejects the notion that her song lyrics are autobiographical.
She eventually rejects the Platonic notion that human goodness can fully protect against peril, siding with the tragic playwrights and Aristotle in treating the acknowledgment of vulnerability as a key to realizing the human good.
She rejects him, and later that day, the heart-broken Daisuke undergoes a strange mutation that changes him into another person.
She starts to compare herself to the seagull that Konstantin killed in Act II, then rejects that and says " I am an actress.
She tries to reconcile with Tenma, but he quietly rejects her.
She gently rejects his proposal, as she has been infatuated with Gussie since their first meeting ; however she assures a relieved Wooster that, if ever she felt the need to return Fink-Nottle to the store, Bertie is the first person she'd look to as a replacement fiancé.
She tries to befriend his daughter, Lily, giving Lily a puppy, but Lily rejects her.
She rejects the offer because her husband, Dr. Edward Ashley, does not want to leave his medical practice, and she is not willing to be separated from him.
She also rejects the hand of Caspar Goodwood, the charismatic son and heir of a wealthy Boston mill owner.
She locks herself in a tower and rejects her idolatry in favor of Joseph's God Yahweh, and receives a visit from an angel who accepts her conversion.
She rejects clothing and beauty.
She rejects any attachment, dumping men as fast as she can pick them up.
She then rejects them both, for example, finding that a study of eroticism in the context of perception goes beyond the capabilities of the psychoanalytic framework.
She quotes Engels, " for now we know nothing about it " and rejects him because he " dodges " the answers.

She and him
She stared at him, her eyes wide as she thought about what he had said ; ;
She helped him with the dishes, then he brought more water in from the spring before it got dark.
She clung to him, talking to him, and dabbing at her eyes.
She had helped him change his mind.
She had picked up the quirt and was twirling it around her wrist and smiling at him.
She came down against him, and he tried to break her fall.
She brought up her free hand to hit him, but this time he was quicker.
She began it deliberately, so that none of her words would be lost on him.
She yanked away from him furiously.
She studied him hopefully, yearningly ; ;
She looked at him, lips compressed.
She wondered what had taken place in town, between him and his wife.
Meredith was irritated when the Grafin knocked at his door and told him, `` She is a great beauty!!
She set the dipper on the edge of the deck, leaving it for him to stretch after it while she looked on scornfully.
She snapped at him.
She grabbed at Feathertop's sleeve and shrieked, `` Help him!!
She has rarely been photographed with him and, except for Carl's seventy-fifth anniversary celebration in Chicago in 1953, she has not attended the dozens of banquets, functions, public appearances, and dinners honoring him -- all of this upon her insistence.
She couldn't cook or clean or make him comfortable.
She tells him of the consequences of his behavior.
She would hover over him and, looking like her brother, anxiously watch the progress of Scotty's fork or spoon.
She did not touch him.
She turned to him again.
She envied him.

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