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Page "Marty" ¶ 21
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She and rejects
She thus rejects Aphrodite's values and becomes, to some extent, her chaste, domestic complementary, or antithesis.
She rejects Claudius ' advances, enraging him, and he has her abducted.
She initially rejects the idea of marriage and romance, feeling that it would break up her family and separate her from the sisters she adores.
She very much likes Tom, a boy her age, but when he proposes to her she rejects him (" I don't love yer so as ter marry yer ").
She then rejects him.
She rejects his offer and the thought of splitting up her family.
She rejects both men in favour of Raskolnikov's loyal friend, Razumikhin.
She rejects " Leonard's " overtures, as a married woman should, and he is about to reveal himself to her.
She is turned into a white doe by a wizard of the tribe when she rejects his advances.
She also rejects the notion that her song lyrics are autobiographical.
She eventually rejects the Platonic notion that human goodness can fully protect against peril, siding with the tragic playwrights and Aristotle in treating the acknowledgment of vulnerability as a key to realizing the human good.
She rejects him, and later that day, the heart-broken Daisuke undergoes a strange mutation that changes him into another person.
She starts to compare herself to the seagull that Konstantin killed in Act II, then rejects that and says " I am an actress.
She tries to reconcile with Tenma, but he quietly rejects her.
She gently rejects his proposal, as she has been infatuated with Gussie since their first meeting ; however she assures a relieved Wooster that, if ever she felt the need to return Fink-Nottle to the store, Bertie is the first person she'd look to as a replacement fiancé.
She tries to befriend his daughter, Lily, giving Lily a puppy, but Lily rejects her.
She rejects the offer because her husband, Dr. Edward Ashley, does not want to leave his medical practice, and she is not willing to be separated from him.
She also rejects the hand of Caspar Goodwood, the charismatic son and heir of a wealthy Boston mill owner.
She rejects him but he persists ; he says that if she gives him no hope, he will destroy Neville, the brother of her dear friend Helena.
She locks herself in a tower and rejects her idolatry in favor of Joseph's God Yahweh, and receives a visit from an angel who accepts her conversion.
She rejects clothing and beauty.
She rejects any attachment, dumping men as fast as she can pick them up.
She then rejects them both, for example, finding that a study of eroticism in the context of perception goes beyond the capabilities of the psychoanalytic framework.
She quotes Engels, " for now we know nothing about it " and rejects him because he " dodges " the answers.

She and first
She was more excited than frightened at the prospect of having her first child in a foreign land.
She describes, first, the imaginary reaction of a foreigner puzzled by this `` unseasonable exultation '' ; ;
She had been one of the first to collect her wits.
She felt the look and looked back because she could not help it, seeing that he was neither as old nor as thick as she had at first believed.
She had felt that her arm wanted to go up in the first trial, but had consciously prevented it from so doing.
She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.
She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.
She could always predict what Stanley was going to do, ever since she first met him.
She is just home from a sojourn in London where she has become the sweetheart of a young fellow named Ronnie ( we never do see him ) and has been subjected to a first course in thinking and appreciating, including a dose of good British socialism.
She no longer wanted anything about him to remind her of the circumstances of their meeting that first night in Parioli.
She could have found out my first name, of course -- that wouldn't be difficult.
" She first met Poirot in the story Cards on the Table and has been bothering him ever since.
Murder, She Said ( 1961, directed by George Pollock ) was the first of four British MGM productions starring Rutherford.
She is one of a few characters who played a major part in the original cause of the Trojan War itself: not only did she offer Helen of Troy to Paris, but the abduction was accomplished when Paris, seeing Helen for the first time, was inflamed with desire to have her — which is Aphrodite's realm.
She then committed suicide by stabbing herself with the same sword she gave Aeneas when they first met.
She became Tiberius's first wife and was the mother of his natural son Drusus Julius Caesar.
She was the first Roman woman of the Roman Empire to have traveled with her husband to Roman military campaigns ; to support and live with the Roman Legions.
She was only the third Roman woman ( Livia Drusilla and Antonia Minor received this title ) and only the second living Roman woman ( the first being Antonia ) to receive this title.
She is the first of Jack the Ripper's confirmed victims.
She proposes that Kant's first two premises only entail that we must try to achieve the perfect good, not that it is actually attainable.
She was first elected to the House of Commons in the 1987 general election as member for the constituency of Maidstone ( which became Maidstone and The Weald in 1997 ).
She first supported Michael Ancram, who was eliminated in the first round, and then Kenneth Clarke, who lost in the final round.
She has uncovered the politics behind the New York City Greenmarket, and was among the first to publish a long-form article in a major American newspaper about Ferran Adria of El Bulli.
She was one of the first women to explore fully the realm of erotic writing, and certainly the first prominent woman in the modern West to write erotica.

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