She remembers that her father was such a fan of Bessie Smith, " he once rode 50 miles on horseback just to see her perform live.

" ( Wills is quoted as saying, " I rode horeseback from the place between the rivers to Childress to see Bessie Smith ... She was about the greatest thing I had ever heard.

She rode in with her retinue and the body of El Cid.

She rode on its integrated trolley.

She arrived in England in December 1539, and Henry rode to Rochester to meet her on 1 January 1540.

She rode at the head of infantry and cavalry to fight Antiochus the Great at the battle of Raphia in 217 BC.

She rode fourteen miles on horseback each day to the school.

She traveled to New York for the funeral and rode in the family car.

She rode with him on his campaigns and was never defeated in battle.

She rode at some state-sanctioned pari-mutuel tracks, but without a license, most events were of the dusty county fair and half-mile variety of the western circuit.

She enjoyed cycling and rode from Nancy, France, to Naples, Italy, to see a volcanic eruption.

She was elected to the Cowgirl Hall of Fame in 1997, and rode in the parade to honor the Hall when it moved to new headquarters in Fort Worth in 2002.

She did not wash her hands and rode an old carriage.

She rode on horseback annually to visit her husband's grave until she died in 1821 on July 11.

She smoked cigarettes in public, rode in cars with men, stayed out late partying, kept a pet snake named Emily Spinach ( Emily as in her spinster aunt and Spinach for its green color ) in the White House, and was seen placing bets with a bookie.

She occasionally performed in his motorcycle act — standing in the center of a steel sphere as he and other cyclists rode around her.

She agreed and rode the sixty miles on horseback.

From New York City, Russell sang " Sabre Song " to audiences in Boston and Washington, D. C. She rode a bicycle custom made for her by Tiffany.

Yu She, a general under Yuan Shu, rode out to battle, but was killed in a few rounds.

She became known as the girl with the red hair ( in Dutch Het meisje met het rode haar, also the title of a book and film about her ).

She rode 40 miles, more than twice the distance of Paul Revere, into the damp hours of darkness.

She rode through Carmel on to Mahopac, thence to Kent Cliffs, from there to Farmers Mills and back home.

She rode in the Bois de Boulogne and attended opera performances.

She rode in the aircraft and was enthralled.

She wondered what had taken place in town, between him and his wife.

She softly let herself into the bed, and took her regular side, away from the door, where she slept better because Keith was between her and the invader.

She held Jonathan's letter, his words burning like a brand, and knew suddenly that the bonds between them were severed.

She was a large woman with a frizzled gray poodle cut and a pencil clamped like a bit between her teeth while she hunted and pecked on an old typewriter.

She discovered the quality and depth of her feelings in the wordless transitions between what she could say and what she could not say.

She illustrates the interplay between Chinese and English cinema tradition but ultimately suggests that Jen, as the " woman warrior " of the film, overthrows the European patriarchal tradition.

She constantly struggled for perfection, " A perfect technique in anything ," she stated in an interview, " means that there has been no break in continuity between the conception and the act of performance.

She commuted between London to be with her husband, and New York, where she was blacklisted and thus rendered unemployable during the Red Scare of 1919-1920.

She enters into a dialogue, a movement between question and answer, with these allegorical figures that is from a completely female perspective.

He / She then goes back and forth between the parties and encourages them to " give " on the objectives one at a time, starting with the least important and working toward the most important for each party in turn.

She then hurled down bitterness equally between both sides as she walked through the onslaught making men's pain heavier.

She was imprisoned between 1173 and 1189 for supporting her son Henry's revolt against her husband.

She died on 24 March 1603 at Richmond Palace, between two and three in the morning.

She was rescued from the New York Harbor on September 16 with no recollection of the time in between.

She yearns for him to hold her, but young Sally slips between them and the three move together (" Too Many Mornings ").

She observed in the flirtations between the American soldiers and British women a pattern of misunderstandings regarding who is supposed to take which initiative.

She wrote of the Americans, " The boy learns to make advances and rely upon the girl to repulse them whenever they are inappropriate to the state of feeling between the pair ", as contrasted to the British, where " the girl is reared to depend upon a slight barrier of chilliness ... which the boys learn to respect, and for the rest to rely upon the men to approach or advance, as warranted by the situation.

She took into account both the segmental structure ( such as sounds, syllables, phrases ) and the supra-segmental elements ( rhythm, accent, intonation ), and concluded that there was no distinction between what was practiced by the Pentecostal Protestants and the followers of other religions.

She wrote for the IWW between 1916 and 1918.

She appears to have been particularly associated with being ' between ' and hence is frequently characterized as a " liminal " goddess.

She never married and is alleged to have refused a marriage proposal from a gentile on account of her faith – a widely-publicized incident at the time that may have inspired Scott to create the relationship in Ivanhoe between Rebecca and Wilfred.

She was also attracted to the music of more mainstream artists like Olivia Newton-John and The Police, perhaps explaining the contrast in her later music between sweet, melodic " pop " songs and more hard rock oriented material.

" She was a graphic artist and a painter, and — under the name " Alice Bradley Davey " — an art critic for the Chicago Sun between 1941 and 1942.

She believed that the garden varieties were hybrids between true lavender L. angustifolia and spike lavender ( L. latifolia ).