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She states that poets are thought to write fiction, and that fiction is aligned with pastime, not truth.
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She and states
She is in Madame Tussard's Waxworks in London, a princess of the Kiowa tribe and an honorary colonel in many states.
She states: " Since we do not succeed in fleeing it, let us therefore try to look the truth in the face.
She states in Volume One of her diaries that she drew inspiration from Marcel Proust, André Gide, Jean Cocteau, Paul Valéry, and Arthur Rimbaud.
She also reigns as monarch directly in a number of states, known as Commonwealth realms.
She further states another tradition that when the last Latin Emperor of Constantinople, Baldwin II, was leaving Constantinople in 1261 he took this original circular portion of the icon with him.
She states that her DNA expanded from 2 to 12 strands to take up more hydrogen.
She states:
She also states that she saw vampires before they became trendy — a reference to Buffy the Vampire Slayer.
She states that the art of creating, of actually writing songs, " was very different from performing them and became progressively important ".
She has met with political and religious leaders, heads of states, diplomats, and leaders on behalf of the deprived to convey the message to those who have the power to bring about political and social change.
On October 29, 2006, Judd appeared at a " Women for Ford " event for Democratic Tennessee Senate candidate Harold Ford, Jr. She has also campaigned extensively locally and nationally for a variety of Democratic candidates, including President Barack Obama in critical swing states.
She also states she got lost on her way home and she does not look like herself.
She states that " ope literally opens us up ... removes the blinders of fear and despair and allows us to see the big picture thus allowing us to become creative " and have " elief in better future ".
She states that during the start of her career she did not ask for cash in exchange for sex, but her partners voluntarily gave her money and other presents.
She is buried in Green-Wood Cemetery, in Brooklyn, New York where her tombstone states: " Mrs. Eliza Gilbert / Died Jan. 17, 1861 ".
She states that the reason for this, apart from the many differences in the text, and some extremely sloppy writing in A Shrew, is " because it identifies the acting company with an audience of lowlifes like Sly.
She also states that for many years, she feared to call herself a feminist, because she believed that all feminists were " anti-male ".
She states that when she divorced Ted Turner, she felt like she had also divorced the world of patriarchy, and was very happy to have done so.
She states that she owns Carterhaugh, because her father has given it to her.
She states that guarding and trading are two concrete activities that human beings must learn to apply metaphorically to all choices in later life.
She states that the group attempts to " strip references of their original meaning without necessarily losing their status as icons ".
She states that this Ivy was a vegetable creature from a few years back, that she had created as a distraction for Batman, in order to escape from her old supervillain life in Gotham.
She began her career billing herself as " That Fucking Dyke "; she states " I called myself that because I would walk down the street and people would yell ( it ) at me.
She states on the latter page, " Eurynomus could have been one of the keres or derivative of Etruscan Charun, but Pausanias does not seem to think so.
She also states that abolishing priestly celibacy is something only the Vatican can do and counsels patience.
She and poets
She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.
She, along with other political poets of the early Modernist period, has been coming under increasing critical scrutiny at the beginning of the 21st century.
She also took under her patronage the poets who had looked to her brother for protection.
She was one of the most important German poets and author of the novella Die Judenbuche.
She had a deep interest in Ancient Greek literature, and her poetry often borrowed from Greek mythology and classical poets.
She took to heart all the mannerisms of Symbolism, as one of the last poets to claim allegiance to the school.
She helped to make the Sforza castle a center of sumptuous festivals and balls and she loved entertaining philosophers, poets, diplomats, and soldiers.
She is the third poet held this honorary position and her plan is to offer ‘ poet-in-residence consultations with aspiring poets ’.
She wrote and performed work for the Sixty Six project, based on a chapter of the King James Bible, along with other novelists and poets including Paul Muldoon, Carol Ann Duffy, Anne Michaels and Catherine Tate.
She undertook the task of translating a portion of her own poetry, similar to Diktonius and a number of other poets from the previous generation.
She had great confidence in all women but doubted that a woman would produce a lasting work of art or literature in her time and disliked the popular female poets of her time.
She had perused the works of the poets and knew them by heart ; she had studied philosophy and the sciences, arts and accomplishments ; and she was pleasant and polite, wise and witty, well read and well bred.
She died young, and contemporary poets produced many elegiac works to honour her memory.
She also had an interest in architecture and patronized writers and poets.
She was also befriended by a number of poets, including Cid Corman, Basil Bunting and several younger British and US poets who were interested in reclaiming the modernist heritage.
She is one of a small number of known early 20th century Irish modernist women poets.
She is often associated with the Language poets and is well known for her landmark work My Life ( Sun & Moon, 1987, original version Burning Deck, 1980 ), as well as her book of essays, The Language of Inquiry ( University of California Press, 2000 ).
She is currently co-editor of Atelos, which publishes cross-genre collaborations between poets and other artists.
She is currently one of ten poets working on a project entitled The Grand Piano: An Experiment In Collective Autobiography.
She influenced a number of the language poets and was included in the In the American Tree anthology of Language poetry ( edited by Ron Silliman ).
She was one of the best-known poets of her day, at least in the colonies, and her poems were typical of New England culture at the time, meditating on religious and classical ideas.
She published a series of articles on poetry and poets in a local newspaper.
She was a prominent poet in Hindi Kavi sammelans ( Gatherings of poets ).
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