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Page "Juliette Binoche" ¶ 5
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She and studied
She studied it for a long time.
She studied him hopefully, yearningly ; ;
She has studied and observed and she is convinced that her young man is going to be endlessly enchanting.
She discussed in her letters to Winslow some of the questions that came to her as she studied alone.
She studied him briefly.
She studied book illustration from a young age and developed her own tastes, but the work of the picture book triumvirate Walter Crane, Kate Greenaway and Randolph Caldecott, the last an illustrator whose work was later collected by her father, was a great influence.
She then studied for two years with the painter Francis Adolf Van der Wielen, who offered lessons in perspective and drawing from casts during the time that the new Pennsylvania Academy of the Fine Arts was under construction.
" She studied privately with William Sartain, a friend of Eakins and a New York artist invited to Philadelphia to teach a group of art students, starting in 1881.
She studied religion, the classics, Latin histories, canon and civil law, heraldry, and genealogy.
She studied under Henk Bremmer in 1906-1907.
She studied for her Bachelor of Arts degree at American University ( 1957 – 59 ), going on to achieve a doctorate at George Washington University in Experimental Psychology in 1967.
She studied at St Paul's Girls ' School, read history at Somerville College, Oxford, England, and became the first female president of the Oxford University Archaeological Society.
She studied with professor Franz Boas and Dr. Ruth Benedict at Columbia University before earning her Master's in 1924.
She rendered financial support to the investigator Nikolai Sokolov who studied the circumstances of the death of the Tsar's family.
She studied French, Spanish, music, dance, and perhaps Greek.
She was a sculptor, socialite and cosmopolitan who had studied under Auguste Rodin and whose circle included Isadora Duncan, Pablo Picasso and Aleister Crowley.
She studied the relationships between personality, art, language and culture, insisting that no trait existed in isolation or self-sufficiency, a theory which she championed in her 1934 Patterns of Culture.
She studied modern European languages and was the first woman in Sweden to complete an academic degree when she finished a fil.
She later studied in France, where she met her husband, the historian Charles Le Guin.
She had studied chemistry at Oberlin College, helped with the experiments, took laboratory notes and gave business advice to Charles.
She attended Pacific High School in San Bernardino and studied at the Vera Lynn School of Dance.
She studied at University College of Arts, Crafts and Design in Stockholm in 1930 – 33, the Graphic School of the Finnish Academy of Fine Arts in 1933 – 1937 and finally at L ' École d ' Adrien Holy and L ' École des Beaux-Arts in Paris in 1938.
She then studied philosophy, sociology, education and German at Marburg where she became involved with reform movements.
She studied at Sarah Lawrence College in New York, where she was given the opportunity to spend a year of her studies in Paris.

She and acting
She has been acting as a prostitute.
She started her acting career in 1952 and, after appearing in 16 films, became world-famous due to her role in her then-husband Roger Vadim's controversial film And God Created Woman.
She largely retired from acting after The Doris Day Show, but did complete two television specials, The Doris Mary Anne Kappelhoff Special ( 1971 ) and Doris Day to Day ( 1975 ).
She won what would become her most famous acting role, that of Kimberly Drummond on Diff ' rent Strokes.
She became his girlfriend shortly thereafter and began acting in his films.
She used her Miss America scholarship money to study acting at HB Studios in New York City before moving to Hollywood to pursue a film and television career.
She built an acting career, and in 1989, while filming Sundown: The Vampire in Retreat, she met actor Brendan Hughes and they married soon after.
She retired from acting in 1942, after her second marriage.
She ended her acting career in the made-for TV movie Gideon's Trumpet ( 1980 ).
She also told Hitler she wanted the freedom to act again: " I would not be able to go on living if I had to give up acting ".
She quickly grasped that movie acting was simpler than the stylized stage acting of the day.
She also introduced her friend Florence La Badie to D. W. Griffith, which launched La Badie's successful film acting career.
She also came from stage acting and had a girlish / whimsical charm to which audiences responded.
She helped Henry Fonda begin his acting career and fueled her son Marlon's interest in stage acting.
She can be interpreted as providing political or military aid, or protection to the king — acting as a goddess of sovereignty, not necessarily a war goddess.
She commented that " I used to take my toenails — they would die from dancing — so I would just take the whole toenail and throw it away, and not feel anything ," however, ballet instilled in her discipline that would be important in her future acting career.
She later moved to the United States where she took up acting.
She said to Laurence Olivier on a long-distance call, " Puss, my puss, how I hate film acting!
She developed an interest in acting after her mother showed her a few movies on a screen in the family barn.
" She made her acting debut in a sixth grade play.
After leaving Little House, she continued acting in television shows like The Equalizer, The New Alfred Hitchcock Presents, and Murder, She Wrote, and was the associate producer for the next to last TV project Michael Landon made before dying: Where Pigeons Go to Die ( 1990 ).
She began studying acting in 1940, aged 14.
Shed win prizes for looking, acting and dancing like Ruby Keeler and singing exactly like Bing Crosby.

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