She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She helped him with the dishes, then he brought more water in from the spring before it got dark.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.

She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.

`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.

She just about made me carry her upstairs and then she clung to me and wouldn't let me go.

She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.

She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.

She then went over them thoroughly giving each a strenuous test in showmanship.

She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.

She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).

She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.

She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.

She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.

She was Mary Lou Brew then, wide-eyed, but not naive.

She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.

She had assumed before then that one day he would ask her to marry him.

She was thirty-one years old then.

She walked restlessly across the room, then back to the windows.

She smoothed the skirt, sat down, then stood up and went back to the windows.

She made a face at him and then she laughed.

She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.

She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She awakens to discover she is home and her health is restored.

She awakens just before the game ends.

She awakens in a nondescript room, where a well-dressed but hard-looking man named Bob ( Tchéky Karyo ) enters and reveals that, although officially dead and buried, she is in the custody of a shadowy government agency known as the Centre.

She is reunited with Aunt Em, Uncle Henry, their three farm workers ( Scarecrow, Tin Woodsman, and Cowardly Lion's alter egos ), and Professor Marvel ( The Wizard's alter ego ) when she awakens from being unconscious at the end of this film.

She says in the essay that it " expands the soul and awakens the faculties to a high degree of life ".

She awakens from another nightmare in which she gives birth to Brundle's child, and Stathis reassures her that she is safe, and that the baby she is now carrying ( having presumably aborted Brundle's ) is his.

She later awakens in the Xavier Academy.

She awakens and is informed she " made it ", believing she made First Chair, in which Mr Largo responds with " No, you regained consciousness.

She reprised her role of Emily Hartley in the memorable final episode of a subsequent comedy series, Newhart, in which viewers discovered that the entire series had been her husband Bob's dream when he awakens next to Pleshette in the bedroom set from the earlier series.

She awakens and discovers she is in a futuristic dream-making machine alongside hundreds of others in a sterile, industrial environment with no view of the outdoors.

She awakens, and the monk dies several days later.

She awakens to find herself and a near-dead Steve about to be set alight by the gang.

She knocks Jack unconscious, and when he awakens, she questions his motives, and while he tries to tell her that he is working separately from CTU, she doesn't believe him.

She awakens after sensing the energy of Yaiba's Dragon Orb, and launches an invasion of earth using bamboo-styled spaceships.

She later attempts to shoot Jason after he awakens and attempts to escape from the Pit ; however, her father wants Jason alive and stops her.

She awakens with the others in the real world, completing their mission.

She awakens in Goodnight's lair, where Richie has been tied up.

She awakens to find Goldie at her bedside, who lies to her and tells her that the doctor says she will be alright.

She awakens after several days of fever and delirium at a nearby manor, whose residents have nursed her.

She awakens in the hospital with the twins by her side.

She awakens before she can test her powers further.

She is the instrument that awakens the mind and counsels reason when irrationality becomes the core being.

She awakens in a strange new world and must find her way home, while looking for her lost parents and the mysterious White Lion.

She is portrayed more sympathetically in the comics, teaming up with Professor Hamilton and putting all of her energy into stopping Brainiac in " War Games ", which puts her into a coma until she awakens in " Power Play ", where she officially reforms.