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Page "The Sandman: A Game of You" ¶ 13
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She and then
She rubbed her eyes and stretched, then sat up, her hands going to her hair.
She helped him with the dishes, then he brought more water in from the spring before it got dark.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.
She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.
`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.
She just about made me carry her upstairs and then she clung to me and wouldn't let me go.
She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.
She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.
She then went over them thoroughly giving each a strenuous test in showmanship.
She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.
She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).
She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.
She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.
She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.
She was Mary Lou Brew then, wide-eyed, but not naive.
She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.
She had assumed before then that one day he would ask her to marry him.
She was thirty-one years old then.
She walked restlessly across the room, then back to the windows.
She smoothed the skirt, sat down, then stood up and went back to the windows.
She made a face at him and then she laughed.
She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.
She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She and dreams
She notes that she too once had dreams, having come to Vienna to study opera singing with Salieri.
She also used to explore the forests when she was a little girl and wrote of her dreams in a notebook kept by her bedside.
She is also similar to the later subject of many of Coleridge's poems, Asra, based on Sara Hutchinson, whom Coleridge wanted but was not his wife and experienced opium induced dreams of being with her.
She concluded that lucid dreams were a category of experience quite distinct from ordinary dreams, and predicted that they would turn out to be associated with rapid eye movement sleep ( REM sleep ).
She has transformed the way an entire generation looks, thinks and dreams.
She dreams of going to Paris, but doesn't get there.
She is portrayed as a clumsy teen who dreams to fit in and be popular, although her animated alter ego displays her true feelings from time to time.
She does well enough that Moze has dreams of a tractor and much more.
She dreams of an executive position.
She has no friends in her small Southern town, and dreams of going away with her brother and his bride-to-be on their honeymoon in the Alaskan wilderness.
She searches for him and discovers multiple enchanted rooms, but never the prince from her dreams.
She dreams about entering the Black Lodge and about a ring.
She narrates the series with her dreams, unknowingly using her alter power to " scry " the emotions of the people she feels closely about.
" She also stated that Smith, Sr. had a number of dreams or visions between 1811 and 1819, the first vision occurring when his mind was " much excited upon the subject of religion.
She willingly shared her dreams which made her seem even more peculiar.
Although Paul still played the violin on occasion, when he did “ even Zilla was silent as the lonely man who lost his way … spun out his dark soul in music .” Even though Babbitt and Paul abandoned their former goals and ideals, Babbitt still dreams of a “ fairy child .” She is an imaginary woman, full of life and gaiety, who does not see him as a stogy old businessman, but a “ gallant youth .” He imagines various women as his fairy child, including his secretary, a manicurist, his son ’ s girlfriend Eunice Littlefield, and finally Tanis Judique.
She dreams of defeating the Salidar Rebels and having them kneel at her feet, and plans to build a grand palace for herself despite the ongoing crisis in Tar Valon.
She was a role model for the millions of women whose private thoughts, wonders and dreams she addressed so brilliantly in print.
She starts having dreams about the Paladin, a hero who mysteriously disappeared a few years ago.
She actually hates the whole beauty queen " racket ," and takes part only to indulge her father's fanatic dreams of making her a star.
She has vivid dreams about her Catholic upbringing.
She dreams of being an air flight stewardess as well as a professional baseballer's wife.
: She dreams of standing at the pitchers ' mound during the annual Koshien high school baseball championship, but she is a girl, and girls are not allowed to participate in the tournament.

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