She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She helped him with the dishes, then he brought more water in from the spring before it got dark.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.

She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.

`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.

She just about made me carry her upstairs and then she clung to me and wouldn't let me go.

She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.

She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.

She then went over them thoroughly giving each a strenuous test in showmanship.

She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.

She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).

She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.

She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.

She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.

She was Mary Lou Brew then, wide-eyed, but not naive.

She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.

She had assumed before then that one day he would ask her to marry him.

She was thirty-one years old then.

She walked restlessly across the room, then back to the windows.

She smoothed the skirt, sat down, then stood up and went back to the windows.

She made a face at him and then she laughed.

She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.

She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She agreed to wear an orange dress, which is believed to have appeared red in the artificial lights of the theater, so that police could easily identify her.

She is then contacted by the Phoenix Force who refers Hope as her " child " and that the other lights needed her.

: She lights up every land and shines over all men, and Skoll and Hatti are called wargs.

" She joined the literary circles of New York and Boston and made the acquaintance of local lights on the lecture circuit, such as Oliver Wendell Holmes, Henry Wadsworth Longfellow and Harriet Beecher Stowe, author of Uncle Tom's Cabin, a book whose anti-slavery message Leonowens had brought to the attention of the royal household.

She is required to produce a municipal road plan every year in order to secure state funding for the village's four street lights.

She removes a cigarette from the pack on the nightstand, takes a lighter from the stand, and lights the cigarette.

She tries to walk out on him, and he gets angry, throws her against the wall, hits her, pours alcohol on her, and lights her on fire.

She lights the fire which is never extinguished, the ever-burning fire in the hearth of the humble croft.

She left the lights on all night and a building engineer turned them off each morning.

She asked that the footage she filmed for Chelsea Girls be removed and it was replaced with footage of Nico, with colored lights projected on her face and The Velvet Underground music playing in the background.

She felt as if she had been handed the key to a great house she hadn't known was there, a house that was somehow inside her, and as she turned the key, deep in the darkness of the building she felt other doors opening too, and lights coming on.

She felt as if she had been handed the key to a great house she hadn ’ t known was there, a house that was somehow inside her, and as she turned the key, she felt the other doors opening deep in the darkness, and lights coming on.

She finds her house lights turned on when she returns from work, her personal effects in disarray, and someone has written " You will die " on her mirror with a lipstick.

She had her father hang the curtain and lights while she choreographed, costumed, and starred in her own neighborhood musicals.

She continued her May 11 speech: " Or we could shut all the lights off in Canada tomorrow -- but that still wouldn ’ t be enough -- to reach our Kyoto target we ’ d have to shut off all the lights AND shut down the entire agriculture industry.

She maintains that she was not naked, and from the video, all that can be seen are well placed lights protecting her breasts and genitalia.

She fights and ultimately ignores a Sitting Ghost, which has “ thick short hair like an animal ’ s coat .” With the help of her peers, she lights buckets of alcohol and oil on fire and sings a song to banish the Sitting Ghost:

She is killed when Dorothy throws the water when she lights a fire to threaten the Scarecrow.

She lights a Molotov cocktail of sorts which sets the sprinkler system off.

She is never without her " bauble " – a magical ball that she can make give off light, which sometimes shows things not visible under ordinary lights.

She received critical acclaim for her portrayal ; Phil Gallo for Variety called Phillips ' performance " striking " and stated that her character " lights up in a unique way whenever she's in Crash's company or simply talking about him.

" She could not move until the first lights of dawn appeared.

'" She testified that rooftop lights in her line of sight caused glare in the tower, making it difficult to see small planes at the intersection where the SkyWest plane was positioned.

She lights a fire to warm Matt and gathers the parts needed for a flamethrower.