She also reviews tech gadgets and writes the weekly Booting Up column.

She also commented on Dean's romantic side claiming that he will often do spontaneous things to surprise her and sometimes even writes her poems.

She writes that the " eradicationists " have responded to these criticisms by reaching out to the African communities and strengthening their relationships with local anti-FGM activists.

She writes that he has been a paid consultant for many years for ARCO, ExxonMobil, Shell, Sun Oil Company, and Unocal, and that SEPP has received grants from ExxonMobil.

Seldon writes " She ... made Major smarten his appearance, groomed him politically, and made him more ambitious and worldly.

" She writes:

She writes that only three fragmentary manuscripts are known to have survived into the modern period, two 3rd-century fragments ( P. Rylands 463 and P. Oxyrhynchus 3525 ) published in 1938 and 1983, and a longer 5th-century Coptic translation ( Berolinensis Gnosticus 8052, 1 ) published in 1955.

Barer writes that several early Saint stories were rewritten from non-Saint stories, including the novel She Was a Lady, which appeared in magazine form featuring a different lead character.

She writes that the CIA was encouraging Contra terror and then indirectly by the U. S. government and President Reagan, violating Reagan ’ s own Presidential Directive.

She writes very much in the spirit of Louis Cha.

She is frank and open about her feelings about the projects in which she has been involved, and also writes about her personal life and how it was affected by her career.

She writes, “ For I saw no wrath except on man's side, and He forgives that in us, for wrath is nothing else but a perversity and an opposition to peace and to love ”.

She also connects God with motherhood in terms of ( 1 ) " the foundation of our nature's creation, ( 2 ) " the taking of our nature, where the motherhood of grace begins " and ( 3 ) " the motherhood at work ", and writes metaphorically of Jesus in connection with conception, nursing, labor, and upbringing.

She writes that " the picture which is usually painted of Hooke as a morose and envious recluse is completely false .".

She writes in a poem about her own style that " lucid and transparent / are my images ".

She writes that James was the example for the Stewart kings to follow by putting Scotland securely into a European setting.

She composes plays for her sisters to perform and writes short stories.

She writes a letter to Huma and Agrado saying that she is leaving and once again is sorry for not saying goodbye, like she did years before.

In act 4, scene 14, “ an un-Romaned Antony ” laments, “ O, thy vile lady !/ She has robb'd me of my sword ,” ( 22-23 )— critic Arthur L. Little Jr. writes that here “ he seems to echo closely the victim of raptus, of bride theft, who has lost the sword she wishes to turn against herself.

She writes usually with female protagonists in the first person, set in Colonial-Civil War era America or World War I era.

She writes ( often humorously ) about her career, self-image, vices, family, friends, and romantic relationships.

She writes a phone number on a scrap of paper, which leads Mike to the local veterans ' hospital where Steven has been for several months.

“‘ Technology ,’ she writes, ‘ catalyzes changes not only in what we do but in how we think .’” She goes on using Jean Piaget's psychology discourse to discuss how children learn about computers and how this affects their minds.

She writes to her mother for advice ; Joan tells her to keep silent about her past.

She still writes screenplays for Hollywood.

She signed on to Scream 2 without having read the script, on the basis of the success of the first film.

She told an interviewer, " I don't know if there was an actual working script!

She co-wrote the script with John E. Roach.

" She adds: " He respects his script, but casts and directs with a particular eye for expressive action and the use of emblematic objects.

She gave him her script, which he proceeded to lose, followed by Warhol expressing additional indifference to her play.

She said that Shaw saved The Sting since no other actor would accept the part, that Paul Newman hand delivered the script to Shaw in London in order to ensure his participation, and that he had to be paid an extremely high salary.

She made several screen tests, learned the script, and arrived in Rome in the summer of 1949 to shoot the picture.

She disagreed with amendments made to the script because of censorship restrictions and found that many of the aspects of the role that had initially appealed to her had been cut.

She was, Bogdanovich says, interested in going through college and not particularly interested in being in movies, but she liked the script and thought it was an interesting part.

She declined the role of Blanche DuBois in A Streetcar Named Desire, allegedly citing the unsavory nature of some elements of the script and saying there were certain lines she could not allow herself to speak.

' She never left the script ', says Milligan with a guilty smile of something between irritation and admiration.

She ate inedible things like the script in the three-part " Ronald McDonald Makin ' Movies " commercial.

She did not give him many notes ; she would tick all of the places where she laughed, and then he revised the script accordingly.

She, Winkelman, and Reed were written out of the script: the character of Kate was killed off, Hassie left home to attend college, and Little Luke joined the Army.

She recreated the performance six times for Suspense and several times on other radio shows, always using her original, dog-eared script.

" According to her Reds co-star Warren Beatty, " She approaches a script sort of like a play in that she has the entire script memorized before you start doing the movie, which I don't know any other actors doing that.

She arranged for Gibson to fly in from his home in Sydney, while Glover was flown in from Chicago, where he was appearing in a play, to read through the script.

She said, I was in Switzerland when they sent me the script for Affair in Trinidad and I threw it across the room.

She later worked for Radio-Canada in Moncton as a script writer and host.

" She was the first actress to read the script, supported it completely and, because she is so respected, once she had given in her stamp of approval, others soon got interested.

She used to skim through the script before she memorized her lines to see how many scenes she had with that " stubborn-headed little Irishman.

" She read the script in one sitting while making The House of the Spirits and " found it very true to life.

She also made several guest appearances in Absolutely Fabulous, a programme on which she served as script editor throughout the run of the series.