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Situationist theory first emerged as a smaller tendency within Lettrism, an artistic and literary movement led by the Romanian-born French poet and visual artist Isidore Isou, originating in 1940s Paris.
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Situationist and theory
Autonomist Marxism, Neo-Marxism and Situationist theory are also regarded as being anti-authoritarian variants of Marxism that are firmly within the libertarian socialist tradition.
" According to Debord, the Situationist International is so named because the construction of situations is the central idea of their theory, a process he describes as " the concrete construction of momentary ambiances of life and their transformation into a superior passional quality.
The core aspect of the revolutionary perspectives, and the political theory, of the Situationist International, has been neglected by some commentators, which either limited themselves to an apolitical reading of the situationist avant-garde art works, or dismissed the Situationist political theory.
Situationist urban theory, defined initially by the members of the Lettrist International as " Unitary Urbanism ," was extensively developed through the behavioural and performance structures of The Workshop for Non-Linear Architecture during the 1990s.
Situationist theory experienced a vogue in the late ' 90s hardcore punk scene, being referenced by Orchid, His Hero Is Gone, and CrimethInc ..
Stewart Mason commented in an Allmusic review that the lyrics from the 1997 song " Miss Modular " " sound influenced by the Situationist theory of the ' spectacle '.
The dérive continued to be a critical concept in the theory of the Situationist International, the radical group of avante-garde artists and political theorists that succeeded the Letterist International, emerging in the 1950s.
Punk rock is one movement that has taken much inspiration from the often potent imagery and symbolism associated with anarchism and Situationist rhetoric, if not always the political theory.
Situationist and first
During the first four years from its formation, the pivot of the Situationist International was the collaboration between Guy Debord and Asger Jorn.
The first album, 1980's The Return of the Durutti Column ( title inspired by a 1967 Situationist International poster that includes that phrase ), was produced by Martin Hannett.
Fluxus can be viewed as part of the first phase of postmodernism, along with Rauschenberg, Johns, Warhol and the Situationist International.
This is only the first of many works that Isou will write against Debord ( his former protégé ) and the Situationist International, which Isou regards as a neo-Nazi organisation.
These include the followers of Joseph Dietzgen in the 19th century, syndicalism, Jan Wacław Machajski, De Leonism, and council communism in the first half of the 20th century, and the Situationist International and Autonomist Marxism in the second half of the 20th century.
Other ideas were the Bert Stern Marilyn Monroe photographs, a sandpaper sleeve that would scratch the album itself as well as anything else that it was shelved by ( an old Situationist prank, this idea was used by Guy Debord for his first book Mémoires and by The Durutti Column for their first album The Return of the Durutti Column ) as well as several other famous religious paintings.
The first contact with the Situationist International happened through Asger Jorn.
Situationist and within
" Thus the thought of the Situationist International is very important within post-left anarchist thought.
Situationist and Lettrism
Letterist International had almost no ideas in common with Isou's Lettrism, of which used the name only ironically ; instead, it was more a draft version of the Situationist International, of which anticipated many of the core ideas.
: The Situationist International ( SI ) was a small group of international political and artistic agitators with roots in Marxism, Lettrism and the early 20th century European artistic and political avant-gardes.
It started with the Lettrism and then with a Situationist slogan painted on a wall in Paris.
Situationist and artistic
In July 1957, the Situationist International was established with the fusion of several of these extremely small avant-garde artistic tendencies: the Lettrist International, the International Movement for an Imaginist Bauhaus ( an off-shoot of COBRA ), and the London Psychogeographical Association.
Gruppe SPUR, a German artistic collective, collaborated with the Situationist International on projects beginning in 1959, continuing until the group officially joined the SI in 1961.
For instance, Asger Jorn never believed in a conception of the Situationist ideas as exclusively artistic and separated from political involvement.
Jorn never believed in a conception of the Situationist ideas as exclusively artistic and separated from political involvement.
Situationist and movement
Raised fist, stenciled protest symbol of Autonomism | Autonome, a left-wing anti-Stalinist movement influenced by social anarchism | anarchism, left communism, and the Situationist International.
During the early 1980s, English anarchist Larry Law produced the Spectacular Times pocket-books series, which aimed to make Situationist ideas more easily assimilated into the anarchist movement.
He had been attracted to the Situationist movement, particularly King Mob, which promoted absurdist and provocative actions as a way of enacting social change.
He was a founding member of the avant-garde movement COBRA and the Situationist International.
Charles Radcliffe ( born December 7, 1941 ) is an English cultural critic, political activist and theorist known for his association with the Situationist movement.
They were members of the Industrial Workers of the World with links to the Surrealist movement in France, the British libertarian socialist group Solidarity and the Situationist International.
Vaneigem and Guy Debord were two of the principal theoreticians of the Situationist movement.
After leaving the Situationist movement Vaneigem wrote a series of polemical books defending the idea of a free and self-regulating social order.
While not exhaustive, the graffiti gave a sense of the millenarian and rebellious spirit, tempered with a good deal of verbal wit, of the strikers ( the anti-work graffiti shows the considerable influence of the Situationist movement ).
It considers itself as part of the international Situationist movement in collaboration with other like-minded organizations.
The book covers 20th century avant-garde art movements like Dadaism, Lettrist International and Situationist International and their influence on late 20th century countercultures and The Sex Pistols and punk movement.
The Situationist International was probably the most radical, politicized, well organized and theoretically productive anti-art movement, reaching its apex with the student protests and general strike of May 1968 in France.
Situationist and led
The Situationist International was a group of strongly anti-authoritarian Marxist theorists, influenced by the early 20th century avant-garde art movements in Europe, chiefly led by Guy Debord and Raoul Vaneigem.
By this point the Situationist International consisted almost exclusively of the Franco-Belgian section, led by Guy Debord and Raoul Vaneigem, with some exceptions, such as Danish artist and author Asger Jorn.
He participated in the conference that led to the merger of COBRA, the Lettriste Internationale, and London Psychogeographical Association to form the Situationist International in 1957.
Situationist and by
To overthrow such a system, the Situationist International supported the May ' 68 revolts, and asked the workers to occupy the factories and to run them with direct democracy, through workers ' councils composed by instantly revocable delegates.
Situationist film maker Guy Debord, author of The Society of the Spectacle, began his film In girum imus nocte et consumimur igni around in the night we are consumed by fire with a radical critique of the spectator who goes to the cinema to forget about his dispossessed daily life.
Situationist film makers produced a number of important films, where the only contribution by the situationist film cooperative was the sound-track.
The driving force of near-revolution in France in May 1968 were students inspired by the ideas of the Situationist International, which in turn had been inspired by Socialisme ou Barbarie.
" Situationist theorist Guy Debord defines the term " situation " as " a moment of life concretely and deliberately constructed by the collective organization of a unitary ambiance and a game of events.
The Situationist International, in the 15 years from its formation in 1957 and its dissolution in 1972, is characterized by a Marxist and surrealist perspective on aesthetics and politics, The alternative life experiences explored by the Situationists were the construction of situations, unitary urbanism, psychogeography, and the union of play, freedom and critical thinking.
Classic Situationist texts include: On the Poverty of Student Life, Society of the Spectacle by Guy Debord, and The Revolution of Everyday Life by Raoul Vaneigem.
The Situationist International Anthology edited and translated by Ken Knabb, collected numerous SI documents which had previously never been seen in English.
The concept of revolution created by the Situationist International was anti-capitalist, Marxist, Young Hegelian, and from the very beginning in the 50s, remarkably differently from the established Left, anti-Stalinist and against all repressive regimes.
Such argument on the Spectacle as a mask of a degrading reality has been elaborated by many Situationist artists, producing détournements of advertising where instead of a shiny life the crude reality was represented.
The concept of revolution created by the Situationist International was anti-capitalist, Marxist, Young Hegelian, and from the very beginning in the 50s, remarkably differently from the established Left, anti-Stalinist and against all repressive regimes.
Factory Records owner Tony Wilson was influenced by Situationist urbanism and Factory Records band The Durutti Column took its name from Andre Bertrand's collage Le Retour de la Colonne Durutti.
Some critics say the group's lyrics carry a strong Marxist message, and both Gane and Sadier admit to being influenced by the Surrealist and Situationist cultural and political movements.
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