The goddess Skaði says that while Loki now appears light-hearted and " playing " with his " tail-wagging ," he will soon be bound with his ice-cold son's guts on a sharp rock by the gods.

Loki says that Skaði was once gentler in speech to him ( referring to himself as the " son of Laufey ") when Skaði once invited him to her bed ( an event that is unattested elsewhere ), and that such events must be mentioned if they are to recall " shameful deeds.

Dumézil says that, rather, the name Skaði derives from the name of the geographical region, which was at the time no longer completely understood.

High says that afterward Skaði went back up to the mountains and lived in Þrymheimr, and there Skaði often travels on skis, wields a bow, and shoots wild animals.

Njörðr is father of the deities Freyr and Freyja by his unnamed Van sister, was in an ill-fated marriage with the goddess Skaði, lives in Nóatún and is associated with sea, seafaring, wind, fishing, wealth, and crop fertility.

High states that afterward Skaði went back up to the mountains to Þrymheimr and recites a stanza where Skaði skis around, hunts animals with a bow, and lives in her fathers old house.

Chapter 8 states that Njörðr married a woman named Skaði, though she would not have intercourse with him.

In the prose, Loki has been bound by the gods with the guts of his son Nari, his son Váli is described as having been turned into a wolf, and the goddess Skaði fastens a venomous snake over Loki's face, from which venom drips.

In Norse mythology, Skaði ( sometimes anglicized as Skadi, Skade, or Skathi ) is a jötunn and goddess associated with bowhunting, skiing, winter, and mountains.

In Heimskringla, Skaði is described as having split up with Njörðr and as later having married the god Odin, and that the two produced many children together.

The etymology of the name Skaði is uncertain, but may be connected with the original form of Scandinavia.

Scholars have theorized a potential connection between Skaði and the god Ullr ( who is also associated with skiing and appears most frequently in place names in Sweden ), a particular relationship with the jötunn Loki, and that Scandinavia may be related to the name Skaði ( potentially meaning " Skaði's island ") or the name may be connected to an Old Norse noun meaning " harm ".

The Old Norse name Skaði, along with Sca ( n ) dinavia and Skáney, may be related to Gothic skadus, Old English sceadu, Old Saxon scado, and Old High German scato ( meaning " shadow ").

Scholar John McKinnell comments that this etymology suggests Skaði may have once been a personification of the geographical region of Scandinavia or associated with the underworld.

Georges Dumézil disagrees with the notion of Scadin-avia as etymologically " the island of the goddess Skaði.

Alternatively, Skaði may be connected with the Old Norse noun skaði (" harm "), whence the Icelandic skaði (“ harm, damage ”).

After Loki has an exchange with the god Heimdallr, Skaði interjects.

Skaði tells Loki that he is " light-hearted " and that Loki will not be " playing [...] with tail wagging free " for much longer, for soon the gods will bind Loki to a sharp rock with the ice-cold entrails of his son.

Skaði provides them with her terms of settlement, and the gods agree that Skaði may choose a husband from among themselves.

Some of these similarities include that, in parallel to Skaði and Njörðr in Skáldskaparmál, Hadingus is chosen by his wife Regnhild after selecting him from other men at a banquet by his lower legs, and, in parallel to Skaði and Njörðr in Gylfaginning, Hadingus complains in verse of his displeasure at his life away from the sea and how he is disturbed by the howls of wolves, while his wife Regnhild complains of life at the shore and states her annoyance at the screeching sea birds.

Skaði responds that, if this is so, " baneful advice " will always flow from her " sanctuaries and plains ".

Scholars have theorized about whether or not Freyja and the goddess Frigg ultimately stem from a single goddess common among the Germanic peoples ; about her connection to the valkyries, female battlefield choosers of the slain ; and her relation to other goddesses and figures in Germanic mythology, including the thrice-burnt and thrice-reborn Gullveig / Heiðr, the goddesses Gefjon, Skaði, Þorgerðr Hölgabrúðr and Irpa, Menglöð, and the 1st century BCE " Isis " of the Suebi.

Skaði fastened a venomous snake over Loki's face, and from it poison dripped.

As one of the three acts of reparation performed by the Æsir for Þjazi's death, Skaði was allowed by the Æsir to choose a husband from amongst them, but given the stipulation that she may not see any part of them but their feet when making the selection.

" This is followed by an excerpt from a composition by the 11th century skald Þórðr Sjáreksson, explained as containing a reference to Skaði leaving Njörðr:

Skaði is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources ; the Prose Edda and in Heimskringla, written in the 13th century by Snorri Sturluson, and in the works of skalds.

Finally, in compensation to Skaði, Odin took Þjazi's eyes, lunged them into the sky, and from the eyes made two stars.

Scholar Jesse Byock notes that the goddess Skaði is also associated with winter and hunting, and that the episode in Volsunga saga involving the male Skaði, Sigi, and Breði has been theorized as stemming from an otherwise lost myth.

Its name comes from Norse mythology, where Skaði is a giantess who is the wife of the Vanir god Niord.

Snorri's Ynglinga Saga relates that after the giantess Skaði broke off her marriage with Njörd, she " married afterwards Odin, and had many sons by him, of whom one was called Sæming " from whom Jarl Hákon claimed descent.

High recalls that Skaði wanted to live in the home once owned by her father called Þrymheimr (" Thunder Home ").

In all sources, Skaði is the daughter of the deceased Þjazi, and Skaði married the god Njörðr as part of the compensation provided by the gods for killing her father Þjazi.

High recalls that Skaði wanted to live in the home once owned by her father called Þrymheimr.

Skaði also included in her terms of settlement that the gods must do something she thought impossible for them to do: make her laugh.

Loki dropped into Skaði's lap, and Skaði laughed, completing this part of her atonement.

Lee Hollander explains that " bones-of-the-sea " is a kenning for " rocks ", and believes that this defective stanza undoubtedly referred to Skaði as a " dweller of the rocks " in connection with her association with mountains and skiing.

In Snorri Sturluson's Haustlöng ( source ) Njörðr is married to the giantess Skaði as part of the compensation provided to her by the Æsir for killing her father, Þjazi.

The guts of " Nari or Narfi " are then used to tie Loki to three stones, after which the guts turn to iron, and Skaði places a snake above Loki.

Even so, the gods themselves were related to the giants by many marriages, and there are giants such as Ægir, Loki, Mímir and Skaði, who bear little difference in status to them.

In both the Poetic Edda and the Prose Edda, Skaði is responsible for placing the serpent that drips venom onto the bound Loki.

Loki responds that Skaði was more friendly in speech when Skaði was in his bed — an accusation he makes to most of the goddesses in the poem and is not attested elsewhere.

Skaði is described as having taken a venomous snake and fastening it above the bound Loki, so that the venom may dip on to Loki's face.

Lindow notes that Loki and Skaði appear to have had a special relationship, an example being Skaði's placement of the snake over Loki's face in Lokasenna and Gylfaginning.