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Stylistically and music
Stylistically, the band's music is a creative fusion influenced by free jazz, funk, hip hop, hard rock, and heavy metal.
Stylistically Stamitz's music is not too far from the works of the young Mozart or, for that matter, from Haydn's middle period.
Stylistically, Chicago house is not a sub-genre in itself, but generally includes the first house music productions by Chicago-based artists throughout the 1980s.
Stylistically, their music varied between rock, heavy metal and punk with ska elements.
Stylistically, schlager continues to influence German " party pop ": music most often heard in après-ski bars and Majorcan mass discos.
One thing bothered him, though: In a 1948 New York Times article, he wrote that " Stylistically, Shapero seems to feel a compulsion to fashion his music after some great model.
Stylistically Sweelinck's music also brings together the richness, complexity and spatial sense of Andrea and Giovanni Gabrieli, with whom he was familiar from his time in Venice, and the ornamentation and intimate forms of the English keyboard composers.
Stylistically, the music in both Arcadelt's and Verdelot's books was more akin to the French chanson than either the Italian frottola or the sacred music of the time, such as the motet.
Stylistically his music shuns the elaborate counterpoint of many of his contemporaries, preferring simple line and homophonic textures, yet seeking rhythmic variety and sometimes including intense and surprising contrasts.
Stylistically, he was a leading figure in the Neo-Romanticism movement, and his music has been occasionally considered an early example of Czech modernism.
Stylistically, the music is very similar to Tiersen's prior work on the soundtrack to Amélie ( in fact one piano composition, Comptine d ' un Autre Eté: L ' Apres Midi, is in both films ), but is missing Amélie's trademark accordion waltzes.
Stylistically, he mostly followed the progressive tendencies of Schütz, including the concertato idiom and the trend to increasing chromaticism and contrapuntal and motivic complexity ; in this regard he went against the prevailing trends of the time towards simplification, much of which can be seen in Schütz's later music.
Stylistically FEQ was known to appropriate whatever genres they felt like, working to fuse different styles of breakbeat, drum and bass, downtempo, digital hardcore, rock, hip hop, classical, and, most conspicuously, academic computer music.
Stylistically Heinrich's music has more in common with other early American music than with the models of his European contemporaries.
Stylistically, the music of the ars nova differed from the preceding era in several ways.
Stylistically, his music has much in common with other middle Renaissance work of the Iberian peninsula, for example a preference for harmony heard as functional by the modern ear ( root motions of fourths or fifths being somewhat more common than in, for example, Gombert or Palestrina ), and a free use of harmonic cross-relations rather like one hears in English music of the time, for example in Thomas Tallis.
Stylistically, his compositions show a generally increasing seriousness of tone throughout his life, but in all periods he was capable of the most astonishing mood-shifts within a single composition, sometimes within a single phrase ; rarely does the music seem disunified, since he closely follows the texts of the poems being sung.
Stylistically their 1990s-era music resembled the traditional UK82 style.
Stylistically, his music can be heard as a midpoint between the simplicity and homophonic textures of Dufay and Binchois, and the pervading imitation of Josquin and Gombert.
Stylistically, the music of Barathrum features mid-tempo songs with distinct influences from the earliest black metal acts, such as Venom and Celtic Frost.
Stylistically his music was significantly different from the mainstream English school of the middle 20th century ; instead of following in the lyrical, folk-song influenced tradition of Holst, Vaughan Williams and others, he wrote music which was chromatic, contrapuntal, and acerbic — more akin to Schoenberg, Bartók, and Hindemith than to any of his English contemporaries.

Stylistically and .
" Stylistically, Swift and Tertullian share the same command of sarcasm and language.
Stylistically, rap occupies a gray area among speech, prose, poetry, and song.
Stylistically, UK and Australian soap operas, which are usually produced for early evening timeslots, fall somewhere in-between US daytime and evening soap operas.
Stylistically they most closely resemble UK soap operas in that they are nearly always shot on videotape, mainly in the studio using a multicamera setup.
Stylistically, Jefferson was a proponent of the Greek and Roman styles, which he believed to be most representative of American democracy by historical association.
Stylistically, Britpop bands relied on catchy hooks and wrote lyrics that were meant to be relevant to British young people of their own generation.
Stylistically, Richardson's oeuvre was highly varied.
Stylistically refined minuets, apart from the social dance context, were introduced — to opera at first — by Jean-Baptiste Lully, who included no less than 92 of them in his theatrical works ( Little 2001 ) and in the late 17th century the minuet was adopted into the suite, such as some of the suites of Johann Sebastian Bach and George Frideric Händel.
Stylistically, Williams also worked with variations on a line-break pattern that he labeled " triadic-line poetry " in which he broke a long line into the three, free-verse segments.
Stylistically, Crane's writing is characterized by vivid intensity, distinctive dialects, and irony.
Stylistically, IDM tended to rely upon individualistic experimentation rather than adhering to musical characteristics associated with specific styles of EDM.
Stylistically far from the melodramas that made him known internationally, Satan's Brew gave way to a new phase in Fassbinder ’ s career.
Stylistically it is a strange hybrid, although much of the detail belongs to the Renaissance there are medieval influences at work.
Stylistically, the historic house types of Roaring Spring are largely vernacular adaptations of nationally common styles between the 1870s and early 20th century.
Stylistically, this fiction shows signs of both the Chinese novelistic tradition and Western narrative modes.
Stylistically, Mr. Bean is also very similar to early silent films, relying purely upon physical comedy, with Mr. Bean speaking very little dialogue ( although like other live-action TV series of the time, it features a laugh track ).
Stylistically, they ranged from the dignified and serious, to playful, bawdy, and amorous compositions, as well as drinking songs suited to taverns.
Stylistically, in English, double negatives can sometimes be used for understated affirmation ( e. g. " I'm not feeling bad " vs. " I'm feeling good ").

Stylistically and band
Stylistically, the album was similar to the band's previous two releases, filled with straight-ahead rockers and garnished with radio-friendly ballads, but for the first time, the band experimented with synthesizers, shifting forever away from the Hammond B3 organ that had been prominent in previous records.
Stylistically, this inaugural period for the band was characterized by a hybrid of popular funk, dance, and New Wave influences with an emphasis on bass and keyboards.
Stylistically, the album owes a lot to psychedelic and progressive rock ; Pink Floyd and King Crimson have been cited by band members as a particular influence on the album.

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