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Stylistically and their
Stylistically, Britpop bands relied on catchy hooks and wrote lyrics that were meant to be relevant to British young people of their own generation.
Stylistically, the daring and terrible inventions, with their powerful treatment of the nude and arduous foreshortenings, were striking in its day.
Stylistically, their music varied between rock, heavy metal and punk with ska elements.
Stylistically, their sound is at times reminiscent of progressive / fusion artists like Return to Forever or early synthpop artists such as Yellow Magic Orchestra.
Stylistically reminiscent of Raymond Carver, who is one of Jergovic ’ s literary models, these short stories, often with no dialogue in them, told in the first person singular mode, are anticlimatic and muted, especially when it comes to their endings.
Stylistically the coins were distinctly Roman and, due to both their size and their being cast rather than struck, crude compared to the coinage elsewhere around the Mediterranean at the time.
Stylistically, it was very reminiscent of their Acid Planet work-indeed, most of the songs were from that time, and were touched up to modern production standards.
Stylistically, the songs on the album feature dense timbral counterpoint ( in fact, nearly every song on the album ), using synthesizer chords and effects ( as well as " real " instruments ), programmed largely by David Gamson, creating a style that they would refine in their next album.
Stylistically, however, the building and its decor take their cues from the mid-18th century Rococo of Louis XV, and the small palace in the Graswang was more directly based on that king's Petit Trianon on the Versailles grounds.
Stylistically, the bumper and headlamps lost their pronounced crease near the grille area, the trunk lid became more rounded, and the taillights were reshaped.
Stylistically, the record also documents the transition from the psychedelia-inspired jams of their first recordings ( i. e., Monster Movie and Delay 1968 ) to the more meditative, electronic, and experimental mode of the studio albums that followed ( such as Tago Mago and Ege Bamyasi ).

Stylistically and music
Stylistically, music journalist J. D. Considine credits the band for anticipating and driving the late 1990s revival of vintage analog instruments among indie rock bands.
Stylistically, the band's music is a creative fusion influenced by free jazz, funk, hip hop, hard rock, and heavy metal.
Stylistically Stamitz's music is not too far from the works of the young Mozart or, for that matter, from Haydn's middle period.
Stylistically, Chicago house is not a sub-genre in itself, but generally includes the first house music productions by Chicago-based artists throughout the 1980s.
Stylistically, schlager continues to influence German " party pop ": music most often heard in après-ski bars and Majorcan mass discos.
One thing bothered him, though: In a 1948 New York Times article, he wrote that " Stylistically, Shapero seems to feel a compulsion to fashion his music after some great model.
Stylistically Sweelinck's music also brings together the richness, complexity and spatial sense of Andrea and Giovanni Gabrieli, with whom he was familiar from his time in Venice, and the ornamentation and intimate forms of the English keyboard composers.
Stylistically, the music in both Arcadelt's and Verdelot's books was more akin to the French chanson than either the Italian frottola or the sacred music of the time, such as the motet.
Stylistically his music shuns the elaborate counterpoint of many of his contemporaries, preferring simple line and homophonic textures, yet seeking rhythmic variety and sometimes including intense and surprising contrasts.
Stylistically, he was a leading figure in the Neo-Romanticism movement, and his music has been occasionally considered an early example of Czech modernism.
Stylistically, the music is very similar to Tiersen's prior work on the soundtrack to Amélie ( in fact one piano composition, Comptine d ' un Autre Eté: L ' Apres Midi, is in both films ), but is missing Amélie's trademark accordion waltzes.
Stylistically, he mostly followed the progressive tendencies of Schütz, including the concertato idiom and the trend to increasing chromaticism and contrapuntal and motivic complexity ; in this regard he went against the prevailing trends of the time towards simplification, much of which can be seen in Schütz's later music.
Stylistically FEQ was known to appropriate whatever genres they felt like, working to fuse different styles of breakbeat, drum and bass, downtempo, digital hardcore, rock, hip hop, classical, and, most conspicuously, academic computer music.
Stylistically Heinrich's music has more in common with other early American music than with the models of his European contemporaries.
Stylistically, the music of the ars nova differed from the preceding era in several ways.
Stylistically, his music has much in common with other middle Renaissance work of the Iberian peninsula, for example a preference for harmony heard as functional by the modern ear ( root motions of fourths or fifths being somewhat more common than in, for example, Gombert or Palestrina ), and a free use of harmonic cross-relations rather like one hears in English music of the time, for example in Thomas Tallis.
Stylistically, his compositions show a generally increasing seriousness of tone throughout his life, but in all periods he was capable of the most astonishing mood-shifts within a single composition, sometimes within a single phrase ; rarely does the music seem disunified, since he closely follows the texts of the poems being sung.
Stylistically, his music can be heard as a midpoint between the simplicity and homophonic textures of Dufay and Binchois, and the pervading imitation of Josquin and Gombert.
Stylistically, the music of Barathrum features mid-tempo songs with distinct influences from the earliest black metal acts, such as Venom and Celtic Frost.
Stylistically his music was significantly different from the mainstream English school of the middle 20th century ; instead of following in the lyrical, folk-song influenced tradition of Holst, Vaughan Williams and others, he wrote music which was chromatic, contrapuntal, and acerbic — more akin to Schoenberg, Bartók, and Hindemith than to any of his English contemporaries.

Stylistically and traditional
Stylistically, the series is recognizable for its bright, neon color palette, and features a peculiar mixture of modern animation and traditional " cartoonish " drawings ( dashed lines coming from eyes to indicate line of vision, red bolts of lightning around a spot in pain ).

Stylistically and style
Stylistically, the Impressionists, who advocated quickly painting outdoors exactly what the eye sees and the hand puts down, criticized the finished and idealized painting style.
Stylistically they are provincial versions of contemporary Graeco-Roman style and technique ; several different artists seem to have worked on them.
" Stylistically, Monte's madrigals vary from an early, very progressive style with frequent use of chromaticism to express the text ( though he was not quite as experimental in this regard as Marenzio or Lassus ), to a late style which is much simplified, featuring short motifs and frequent homophonic textures.
Stylistically it was utterly different from the other principal liturgical polyphonic form of the time, organum, in which the voices usually moved at different speeds ; in conductus, the voices sang together, in a style also known as discant.
Stylistically, Cifra's music varies between masses in the Palestrina style, with much use of homophony ( as desired by the Counter-Reformation Council of Trent, which had required that polyphonic elaboration be minimized so as to allow for clear expression of the text ), and more progressive works in the Venetian style.
Stylistically, " Raymond turned to the Cooper Studio-Al Parker advertising style for inspiration, spurring a new generation of comic artists to follow a fresh direction ", that of " glorify contemporary post-War American life ".
Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
Stylistically, his sacred music is more closely related to the contemporary Franco-Flemish idiom of pervasive, dense, complex polyphony than to the relatively clear and succinct style of his fellow French composers.
Stylistically they represent an intermediate stage between the early keyboard style of Marco Antonio Cavazzoni and the style of his son Girolamo Cavazzoni, who composed ricercars in the more modern sense of the word — i. e., as a series of imitative sections.
Stylistically, the windows move from the Gothic Revival of the 19th century to a more painterly and lavish style of the early 20th century.
Stylistically, his work is close to that of the late Gorgon painter, whose style he developed further, to be continued later by Klitias, and culminate in the François vase.
Stylistically, Sandrin's music resembles that of Claudin de Sermisy, the more famous composer of Parisian chansons, although Sandrin's blends Italian influences with the native French style.
Stylistically, they span both the manneristic complexities of the ars subtilior, which was the predominant style in Avignon in the 1390s, and the relatively simple song style of the early 15th century as it was developing in the courts of France and Burgundy.
Stylistically he alternates between his own detailed intellectual narrative style and the colloquial speech of peasants, squires and robbers.
Stylistically, Bosnia was to be assimilated into the European mainstream, save for the appearance of the Orientalist style ( also " Pseudo-Moorish style ").
Stylistically, however, this type of painting continues to be informed by Tang Dynasty Chinese " blue and green style " landscape painting traditions.

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