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Tetrazzini and made
In 1907 Tetrazzini made a sensational debut as Violetta in La traviata at Covent Garden in London, where she was completely unknown, and from that point on she was an international operatic superstar, commanding the highest fees and selling out opera houses and concert halls wherever she performed.

Tetrazzini and her
Her first voice teacher was her elder sister, Eva Tetrazzini ( 1862 – 1938 ), who also was a successful singer.
At Boston, the Australian soprano Evelyn Scotney deputised for her in Lucia di Lammermoor, and the critics considered her " even better than Tetrazzini ", an indication of the esteem in which Tetrazzini's name was held.
Tetrazzini possessed an extraordinary vocal technique that enabled her to surmount any vocal challenge with almost insolent ease.
Lyrics mentioning her name (' My figure's just like Tetrazzini '.
Opera singer Luisa Tetrazzini began with the song in her free public concert in the streets of San Francisco, California on Christmas Eve, 1910.

Tetrazzini and American
Luisa is thought to be eponymous of the popular American dish Turkey Tetrazzini, which allegedly originated in San Francisco, where she resided for years.
He produced contemporary operas and presented the American premieres of Louise, Pelleas et Melisande, Elektra, Le Jongleur de Notre Dame, Thaïs, and Salome, as well as the American debuts of Mary Garden and Luisa Tetrazzini.

Tetrazzini and San
On a crystal clear Christmas Eve in 1910, at the corner of Market and Kearney near Lotta's Fountain, Tetrazzini climbed a stage platform in a sparkling white gown, surrounded by a throng of an estimated two to three-hundred thousand San Franciscans, and serenaded the city she loved.
* Luisa Tetrazzini: The Florentine Nightingale ; Virual Museum of the City of San Francisco

Tetrazzini and .
* April 28 – Luisa Tetrazzini, Italian opera singer ( b. 1871 )
It was then at the Manhattan Opera House in 1909 with Luisa Tetrazzini, John McCormack, and Charles Gilibert, and again with Frieda Hempel and Antonio Scotti in the same roles at the Met on December 17, 1917.
Indeed, Adelina Patti and Luisa Tetrazzini were the only Italian sopranos to enjoy star status in London and New York in the late-Victorian and Edwardian eras, while such well-known compatriots and coevals of theirs as Gemma Bellincioni and Eugenia Burzio ( among several others ) failed to please Anglo-Saxon ears because, unlike Patti and Tetrazzini, they possessed unsteady, vibrato-laden voices — see Scott for evaluations of their respective techniques.
Luisa Tetrazzini ( June 29, 1871 – April 28, 1940 ) was an Italian coloratura soprano of great international fame.
Tetrazzini was born in Florence, the daughter of a military tailor.
Tetrazzini later studied at the Istituto Musicale in Florence.
In 1908, Tetrazzini finally appeared in New York, not at the Metropolitan, but at Oscar Hammerstein's Manhattan Opera Company, again as Violetta and again with great success.
Tetrazzini was short and grew stout as she aged ; but she could act effectively on stage, especially in lively or comic roles.
Tetrazzini had a bitter feud with Nellie Melba at Covent Garden but was generally well liked by other colleagues, including Enrico Caruso and Frieda Hempel.
After World War I, Tetrazzini largely abandoned the opera stage for the concert platform.
She would often say, " I am old, I am fat, but I am still Tetrazzini.
Tetrazzini died in Milan on April 28, 1940.
Additionally, there is a reference to Tetrazzini in the 1916 song " When Priscilla Tries to Reach High C ", written by Harry von Tilzer.
* Luisa Tetrazzini, 2 volumes: 1, 2 ; Nimbus.
* Luisa Tetrazzini: The Complete Zonophone ( 1904 ) and Victor Recordings ( 1911 – 20 ); Romophone.
* Tetrazzini at archive. org
* Luisa Tetrazzini singing along to a Caruso record of " M ' appari, Tutt ' Amor " when she retired in 1932.

made and her
It made him a little sick, and he let go of her.
Even the knowledge that she was losing another boy, as a mother always does when a marriage is made, did not prevent her from having the first carefree, dreamless sleep that she had known since they dropped down the canyon and into Bear Valley, way, way back there when they were crossing those other mountains.
She had touched her face, truly a noble and pure face, only with a lip salve which made her lips glisten but no redder than usual.
My great-grandmother, I have been told, made her garden her great pride ; ;
and bright though they all were, they could not possibly compete for her interest with Papa, whose mind -- although he never tried to dazzle or patronize lesser lights with it -- naturally eclipsed theirs and made them seem to her even younger than they were.
A lady, you made clear to me both by precept and example, never raised her voice or slumped in her chair, never failed in social tact ( in heaven, for instance, would not mention St. John the Baptist's head ), never pouted or withdrew or scandalized in company, never reminded others of her physical presence by unseemly sound or gesture, never indulged in public scenes or private confidences, never spoke of money save in terms of alleviating suffering, never gossiped or maligned, never stressed but always minimized the hopelessness of anything from sin to death itself.
all day long the Caravan slowly made her way through the difficult passages.
A few years before his death Papa had agreed with Mama to make a joint will with her in which it would be provided that in the event of the death of either of them an accounting would be made to their children whereby each child would receive a bequest of $5000 cash.
She just about made me carry her upstairs and then she clung to me and wouldn't let me go.
Afterwards I learned that Eileen had called Thelma on the telephone and made a big scene about Thelma trying to take her husband away.
`` You have made the labor worth while '', he said to her, smiling.
Planes made her feel faint, and in Tokyo, where she had gone that summer, she had been given raw fish for breakfast and so she had come straight home.
The remarks she made about the sufferings of a lonely woman seemed so broad at first that he didn't know what to make of them, but after the sixth drink he put his arm around her and suggested that they go upstairs and look for her checkbook there.
She stood up, smoothing her hair down, straightening her clothes, feeling a thankfulness for the enveloping darkness outside, and, above everything else, for the absence of the need to answer, to respond, to be aware even of Stowey coming in or going out, and yet, now that she was beginning to cook, she glimpsed a future without him, a future alone like this, and the pain made her head writhe, and in a moment she found it hard to wait for Lucretia to come with her guests.
She had made curtains for all the windows of her little house, and she had kept it spotless and neat, shabby as it was, and cooked good meals for Bobby Joe.
Carrying it to the living room, she imagined the picture she made: tall and roundly slim, a bit sophisticated in her yellow sheath, with a graceful swingy walk that she had learned as a twirler with the school band.

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