Toward the latter half of the 17th century, Louis XIV founded his ' Académie Royale de Musique et de Danse ', where specific rules for the execution of every dance and the " five positions " of the feet were formulated for the first time by members of the Académie.

After the French chemists Louis Nicolas Vauquelin, Louis Jacques Thénard, and Joseph-Louis Gay-Lussac approved the experiments of the young pharmacist Balard, the results were presented at a lecture of the Académie des Sciences and published in Annales de Chimie et Physique.

Charles Marie de La Condamine, seven months later, was able to give to the Académie française an account of Father Roman's voyage, and thus confirm the existence of this waterway, first reported by Father Acuña in 1639.

He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Académie de Saint-Luc.

Upon presentation of The Ray in 1728, he was admitted to the Académie Royale de Peinture et de Sculpture.

The following year he ceded his position in the Académie de Saint-Luc.

The first ballet dance academy was the Académie Royale de Danse ( Royal Dance Academy ), opened in Paris in 1661.

Often, the criteria had moral bases, such as in the case of Pierre de La Primaudaye's L ' Académie française and Guillaume Telin's Bref sommaire des sept vertus & c .. Encyclopaedists encountered several problems with this approach, including how to decide what to omit as unnecessary, how to structure knowledge that resisted structure ( often simply as a consequence of the sheer amount of material that deserved inclusion ), and how to cope with the influx of newly discovered knowledge and the effects that it had on prior structures.

The Académie had an annual, juried art show, the Salon de Paris, and artists whose work was displayed in the show won prizes, garnered commissions, and enhanced their prestige.

* Colette par Jean Cocteau, discours de réception à l ' Académie Royale de Belgique, Ducretet-Thomson 300 V 078 St.

* Collection of three vinyl recordings of Jean Cocteau including La Voix humaine by Simone Signoret, 18 songs composed by Louis Bessières, Bee Michelin and Renaud Marx, on double-piano Paul Castanier, Le Discours de réception à l ' Académie Française, Jacques Canetti JC1, 1984

* Anthology, 4 CD containing numerous poems and texts read by the author, Anna la bonne, La Dame de Monte-Carlo and Mes sœurs, n ' aimez pas les marins by Marianne Oswald, Le Bel Indifférent by Edith Piaf, La Voix humaine by Berthe Bovy, Les Mariés de la Tour Eiffel with Jean Le Poulain, Jacques Charon and Jean Cocteau, discourse on the reception at the Académie française, with extracts from Les Parents terribles, La Machine infernale, pieces from Parade on piano with two hands by Georges Auric and Francis Poulenc, Frémeaux & Associés FA 064, 1997

Rousseau had read about an essay competition sponsored by the Académie de Dijon to be published in the Mercure de France on the theme of whether the development of the arts and sciences had been morally beneficial.

He presented a first Montre de la Mer in 1716 to the French Académie des Sciences.

In 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons.

When Ingres, the director of the French Académie de peinture, painted a highly colored vision of a Turkish bath ( illustration, right ), he made his eroticized Orient publicly acceptable by his diffuse generalizing of the female forms ( who might all have been the same model.

On his return from studying in Italy in 1731, he was admitted to the Académie de peinture et de sculpture as a historical painter, and became a faculty member in 1734.

Houdon became a member of the Académie de peinture et de sculpture in 1771, and a professor in 1778.

Together they took control of the Academy of Painting and Sculpture ( Académie royale de peinture et de sculpture, 1648 ), and the Academy of France at Rome ( 1666 ), and gave a new development to the industrial arts.

In 1663, he became director of the Académie royale de peinture et de sculpture, where he laid the basis of academicism and became the all-powerful, peerless master of 17th-century French art.

The Académie royale de peinture et de sculpture ( Royal Academy of Painting and Sculpture ), Paris, was founded in 1648, modelled on Italian examples, such as the Accademia di San Luca in Rome.

It was later renamed Académie de peinture et de sculpture.

The " Académie de peinture et sculpture " is also responsible for the Académie de France in the villa Médicis in Rome ( founded in 1666 ) which allows promising artists to study in Rome.

da: Académie de peinture et de sculpture

de: Académie royale de peinture et de sculpture

fr: Académie royale de peinture et de sculpture

it: Académie royale de peinture et de sculpture

He produced art criticism in L ' Histoire de la peinture flamande et hollandaise ( 1846 ); semi-historical sketches in Mlle de la Vallière et Mme de Montespan ( 1860 ) and Galerie de portraits du XVIII siècle ( 1844 ); literary criticism in Le Roi Voltaire ( 1858 ) and his famous satirical Histoire du quarante et unième fauteuil de l ' Académie française ( 1855 ); drama in his Comédiennes ( 1857 ); poetry in his Symphonie de vingt ans ( 1867 ), Cent et un sonnets ( 1873 ), etc.

Founded in 1648 by Charles Le Brun as the Académie de peinture et de sculpture ( the famed French Academy ).

Rinaldo and Armida, François Boucher's morceau de réception, gained his admission to the Académie royale de peinture et de sculpture | Académie royale in 1734.

* Académie de peinture et de sculpture

Accademia di San Luca later served as the model for the Académie royale de peinture et de sculpture founded in France in 1648, and which later became the Académie des beaux-arts.

The Académie royale de peinture et de sculpture was founded in an effort to distinguish artists " who were gentlemen practicing a liberal art " from craftsmen, who were engaged in manual labor.

After the Académie royale de peinture et de sculpture was reorganized in 1661 by Louis XIV whose aim was to control all the artistic activity in France, a controversy occurred among the members that dominated artistic attitudes for the rest of the century.

These were formalized and promoted by the academies in Europe between the 17th century and the modern era, of which the most influential became the French Académie de peinture et de sculpture, which held a central role in Academic art.

He became an active member of the Académie royale de peinture et de sculpture and of the Académie des Inscriptions.

In 1765 he was unanimously elected associate member of the Académie des Sciences, Belles-Lettres et Arts of Rouen, but there is no evidence that he left Paris to accept the honor.

Category: Members of the Académie des Inscriptions et Belles-Lettres

Category: Members of the Académie des Inscriptions et Belles-Lettres

On the basis of this and the foreign names on the Rosetta Stone, he quickly constructed an alphabet of phonetic hieroglyphic characters, which appears, printed from his hand-drawn chart, in his " Lettre à M. Dacier ", addressed at the end of 1822 to Bon-Joseph Dacier, secretary of the Paris Académie des Inscriptions et Belles-Lettres and immediately published by the Académie.

On November 12, 1734, Nicholas Mahudel, physician, antiquarian and numismatist, read a paper at a public sitting of the Académie Royale des Inscriptions et Belles-Lettres in which he defined three " usages " of stone, bronze and iron in a chronological sequence.

Category: Members of the Académie des Inscriptions et Belles-Lettres

" Mémoires de l ' Académie des sciences, arts et belles-lettres de Dijon 117 ( 1985 – 86 ), repr.

In 1791, Joseph Ingres took his son to Toulouse, where the young Jean-Auguste-Dominique was enrolled in the Académie Royale de Peinture, Sculpture et Architecture.

Antoine Lancelot sent a report to the Académie Royale des Inscriptions et Belles-Lettres concerning a sketch he had received about a work concerning William the Conqueror.

It was inaugurated 19 December 1986 in the presence of President François Mitterrand and Jean Leclant, secrétaire perpétuel of the Académie des inscriptions et belles-lettres.

Category: Members of the Académie des Inscriptions et Belles-Lettres

Category: Members of the Académie des Inscriptions et Belles-Lettres

Category: Members of the Académie des Inscriptions et Belles-Lettres

François Francoeur et François Rebel composed Pirame et Thisbée, a liric tragedy in 5 acts and a prologue, with libretto by Jean-Louis-Ignace de la Serre ; it was played at the Académie royale de musique, on October 17, 1726.