Bass music ( often known in the UK as UK Bass ) is a collection of various styles of urban dance music that draw influences from American club hip-hop, UK garage and a variety of world ghettofunk genres.

The " dream cars " which American automobile manufacturers exhibited at the fair included Cadillac's introduction of its V-16 limousine ; Nash's exhibit had a variation on the vertical ( i. e., paternoster ) parking garage — all the cars were new Nashes ; Lincoln presented its rear-engined " concept car " precursor to the Lincoln-Zephyr, which went on the market in 1936 with a front engine ; Pierce-Arrow presented its modernistic Pierce Silver Arrow for which it used the byline " Suddenly it's 1940!

One of the first racially diverse American pop bands, their music reflected different influences, combining elements of rock and roll, garage rock, folk and psychedelia.

Today Capron has two large concrete grain elevators, a rural water district office, United Methodist Church, garage, filling station, and American Legion Post.

The group gained wider recognition thanks to the inclusion of " Open My Eyes " on Nuggets ( 1972 ), the genre-defining anthology of American 1960s garage punk and psychedelia compiled by musician Lenny Kaye, and the three Nazz LPs were reissued by Rhino Records on LP in 1983 and subsequently on CD.

The Mooney Suzuki is an American garage rock band that formed in New York City in 1996.

But common musical threads between the different bands include garage rock, ' 60s psych, and American indie bands like Sonic Youth and Dinosaur Jr.

He first appeared as a member of a garage band in the hugely successful teen comedy American Pie ( 1999 ) with bandmates Tom DeLonge and Travis Barker, ( Though the film's credits list Barker as Scott Raynor.

Though Entombed began their career as an early pioneer of Scandinavian death metal which initially differed itself from its American counterpart with its distinct guitar tone, by the early 1990s their sound had broadened to include garage rock and other influences.

Category: American garage house musicians

* The Mummies, 1980s American garage punk band

The state's main contributions to American popular music began in the 1960s, when The Kingsmen and Paul Revere & the Raiders established Oregon as a minor center of frat rock and garage rock.

Thus, the Ohio Street entrance to the tower is actually the complex's back door with a concourse-style passageway on the second level running over Scioto Street ( the north-south alley between Pennsylvania and Meridian ) to connect the skyscraper ( and its attached parking garage along Pennsylvania Street ) to the main entrance in the original 1960 American National Bank Building at 111 Monument Circle.

Beat was a major influence on the American garage rock and folk rock movements, and would be a source of inspiration for subsequent rock music sub-genres, including Britpop in the 1990s.

The Sonics are an American garage rock band from Tacoma, Washington, originating from the early and mid-1960s.

* Aftermath ( garage rock band ), a 1960s American band included on the compilation Highs in the Mid-Sixties, Volume 20

Detroit, Michigan's MC5 ( Motor City 5 ) came out of the underground rock music scene of the late 1960s, and displayed an aggressive evolution of garage rock which was often fused with sociopolitical and countercultural lyrics of the era, such as in the songs " Motor City Is Burning " ( a John Lee Hooker cover adapting the story of the Detroit Race Riot ( 1943 ) to the Detroit Insurrection of 1967 ), and " The American Ruse " ( which discusses U. S. police brutality as well as pollution, prison, materialism and rebellion ).

Over the next few years, the term was used occasionally to describe a number of American bands, mostly active in the mid-to-late ' 60s, playing music that today would be classified as garage rock: a ragged, highly energetic, often amateurish form of rock and roll.

Highly appointed, sometimes with electrically operated slide-out ( sideways ) extensions to the living space, electricity-generating windmills and in very large models ( of North American scale ) sometimes even fitted with a hydraulically operated garage capable of transporting a small car.

Category: American garage house musicians

Category: American garage house musicians

" Laugh, Laugh " was included on the 1998 reissue of Nuggets: Original Artyfacts from the First Psychedelic Era, 1965 – 1968, a compilation double album of American garage rock singles that helped influence the development of 1970s punk rock.

Pussy Galore was an American garage rock band that formed in Washington, D. C. in 1985.

The band have been called a " a Scots White Stripes ", but with " much more hidden menace ", with songs described as " a mix of Led Zeppelin and 90s American indie ", with their style described as " scuzzy experimental rock ", a " garage metal cacophony ", " aggroglam ", and " sleaze-rock " comprising " manic rigging, high-speed drumming and porno lyrics ".

and the Mysterians, which was composed primarily of Mexican American musicians, was the first band to be described as punk rock.

Also in the 2000s, pop punk outfit Green Day abandoned the pop punk scene and turned to more alternative and progressive rock influences and produced two Grammy-winning concept albums, namely, 2004's American Idiot and 2009's 21st Century Breakdown.

In 2010, American Idiot became the first punk rock opera to make it to Broadway where it has garnered two Tony Awards.

Dead Kennedys are an American hardcore punk band formed in San Francisco, California in 1978.

The band became part of the American hardcore punk movement of the early 1980s.

They gained a large underground fanbase in the international punk rock community, and were one of the first American hardcore bands to make a significant impact in the United Kingdom.

is an American punk rock / new wave band formed in 1972 consisting of members from Kent and Akron, Ohio.

Category: American punk rock groups

Independent from the British scene, the late 1970s and early 1980s saw death rock branch off from American punk in California.

Other groups in the British grindcore scene, such as Heresy and Unseen Terror, have emphasized the influence of American hardcore punk, including Septic Death, as well as Swedish D-beat.

In addition, grindcore was one influence on the powerviolence movement within American hardcore punk, and has affected some strains of metalcore.

As the music has developed and spread around the world it has drawn on many different national, regional and local musical cultures giving rise, since its early 20th century American beginnings, to many distinctive styles: New Orleans jazz dating from the early 1910s, big band swing, Kansas City jazz and Gypsy jazz from the 1930s and 1940s, bebop from the mid-1940s and on down through West Coast jazz, cool jazz, avant-garde jazz, Afro-Cuban jazz, modal jazz, free jazz, Latin jazz in various forms, soul jazz, jazz fusion and jazz rock, smooth jazz, jazz-funk, punk jazz, acid jazz, ethno jazz, jazz rap, cyber jazz, Indo jazz, M-Base, nu jazz, urban jazz and other ways of playing the music.

Jeffry Ross Hyman ( May 19, 1951 – April 15, 2001 ), best known by his stage name Joey Ramone, was an American musician, vocalist and songwriter, best known as the lead vocalist of the punk rock band the Ramones.

Category: American punk rock singers

Category: American punk rock drummers

Minor Threat was an American hardcore punk band, formed in Washington, D. C. in 1980 and disbanded in 1983.

Category: American punk rock groups

Category: American hardcore punk groups

* 1980 – Laura Jane Grace ( born Tom Gabel ), American punk rock musician ( Against Me!

* Orange ( band ), an American punk rock band

The classic punk rock look among male American musicians harkens back to the T-shirt, motorcycle jacket, and jeans ensemble favored by American greasers of the 1950s associated with the rockabilly scene and by British rockers of the 1960s.

" Though it had little impact on the American charts, The Who's mod anthem presaged a more cerebral mix of musical ferocity and rebellious posture that characterized much early British punk rock: John Reed describes The Clash's emergence as a " tight ball of energy with both an image and rhetoric reminiscent of a young Pete Townshend — speed obsession, pop-art clothing, art school ambition ".

Hardcore would constitute the American punk rock standard throughout the decade.