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Judgement and Paris
The most famous tale of Eris recounts her initiating the Trojan War by causing the Judgement of Paris.
This is one of the Judgement of Paris # Gallery | many works depicting the event.
The mytheme of the Judgement of Paris naturally offered artists the opportunity to depict a sort of beauty contest, with three beautiful female nudes trying to appease a male judge, but the myth, at least since Euripides, rather concerns a choice among the gifts that each goddess embodies.
This is a section from The Golden Ass by Apuleius, depicting a religious theatrical reenactment of Paris ' Judgement:
File: The Judgement of Paris. jpg | Hendrick van Balen the Elder, c. 1599
File: The Judgement of Paris by Jean Baptiste Regnault. jpg | Jean-Baptiste Regnault, c. 1820
File: The Judgement of Paris by Adriaen van der Werff. jpg | Adriaen van der Werff, c. 1712
File: Mirror Judgement of Paris Louvre Bj1734. jpg | An Etruscan bronze mirrorback, 4th-3rd century BCE ( Louvre )
* 1976 – The Judgement of Paris takes place in France, launching California as a worldwide force in the production of quality wine.
A divinatory dream by Hecuba that the Judgement of Paris would lead to the destruction of Troy
The Golden Apple refers to the Golden apple of discord, from the Greek myth of the Judgement of Paris.
During the feast, Eris produced the Apple of Discord, which started the quarrel that led to the Judgement of Paris and eventually to the Trojan War.
The most famous original prints to result from the collaboration were Lucretia, the Judgement of Paris and The Massacre of the Innocents ( of which two virtually identical versions were engraved ).
File: Urteil des Paris. jpg | Judgement of Paris, still influencing Manet, who used the seated group in his most famous work.
D ' Urville the classicist recognized the Venus of the Judgement of Paris.
Judgement of Paris, porcelain, Capitoline Museums, Rome
* ' The Judgement of Paris ' by William Etty at the Lady Lever Art Gallery
Oenone holding pan pipes, Paris ( mythology ) | Paris and Eros ( mythology ) | Eros – a detail from a sarcophagus with the Judgement of Paris, Roman, Hadrian ic period ( Palazzo Altemps, Rome )
She was often depicted in the Judgement of Paris, called Elcsntre ( Alexander, his alternative name in Greek ) in Etruscan, one of the most popular Greek myths in Etruria.
By applying this methodology Graves decoded a woodcut of The Judgement of Paris as depicting a singular Triple Goddess rather than the traditional Hera, Athena and Aphrodite of the narrative the image illustrates.
Judgement of Paris | The Judgement of Paris-an Etruscan bronze-handled mirror of the fourth or third century BC that relates the often misunderstood myth as interpreted by Frazer, showing the three goddesses giving their apple or pomegranate to the new king who must kill the old king-Campana Collection, Greek, Etruscan and Roman Antiquities, Sully

Judgement and Museums
This portrait of Joanna was done in Flanders, ca 1500: it is a detail from the wings of the Last Judgement Triptych of Zierikzee, by the Master of Affligem | Master of Afflighem ( Royal Museums of Fine Arts of Belgium )

Judgement and Rome
Pope John XXII himself held heterodox views about the Last Judgement and was a very political pope asserting excessive authority over the Emperor whilst continuing to maintain the Avignon exile, itself a scandal to the Papacy since the Pope must be Bishop of Rome and must, by canon law, live in his Diocese.
* The Last Judgement ( 1295 – 1298 ), part of fresco cycle at Santa Cecilia in Trastevere in Rome.

Paris and Capodimonte
In her 1967 book ( published in English in 1985 ) Angela Ottino della Chiesa cites four paintings derived to some degree from The Virgin of the Rocks: the Holy Family and St. John by Bernardino Luini in the Prado in Madrid, the Thuelin Madonna by Marco d ' Oggiono in the Thuelin collection in Paris and the Holy Infants Embracing by Joos van Cleve in the Capodimonte Museum in Naples.

Paris and porcelain
" The finished painting — evoking painted porcelain because of its limpid coloration — was exhibited first in Brussels, then in Paris, where his former students flocked to view it.
Also the green and white Sèvres porcelain service was purchased by him in 1932 in Paris from the gallery Charpentier.
Constant Troyon ( August 28, 1810-February 21, 1865 ), French painter, was born in Sèvres, near Paris, where his father was connected with the famous manufactory of porcelain.
Housed at his homes in the Netherlands and France, Mannheimer's art ( which included works by Chardin, Fragonard, Watteau, and Rubens, at least one fake Vermeer, gold reliquary busts, tapestries, Meissen porcelain, and Judaica, including a naturalistic circa-1800 Hanukkah lamp known as the " Oak Tree Menorah ") and his collection of 18th-century furniture ( much of it acquired for him by the American decorator Elsie de Wolfe and the Paris decorator Stéphane Boudin ) were seized by the bank.
The Vincennes porcelain manufactory was established in 1740 in the disused royal Château de Vincennes, in Vincennes, east of Paris, which was from the start the main market for its wares.
In 1756 the Vincennes porcelain factory shifted to new premises at Sèvres, west of Paris, until 1759, when, with the enterprise threatening to go bankrupt, the king bought it outright, initiating the career of world-famous Sèvres porcelain, which was a direct outgrowth of Vincennes.
Image: Meissen Porcelain-Le Marquis-Cris de Paris-c1757-modelled by P Reinicke. jpg | Le Marquis, from the Cris de Paris series, Meissen porcelain, modelled by P. Reinicke, circa 1757
After having been attached to the Sèvres porcelain factory in 1870, he accepted a post as art manager of the Paris atelier of the firm of Haviland of Limoges.

Paris and Museums
* Garrigan, Shelley E. Collecting Mexico: Museums, Monuments, and the Creation of National Identity ( University of Minnesota Press ; 2012 ) 233 pages ; scholarly analysis of Mexico's self-image, 1867 – 1910, using public monuments, fine-arts collecting, museums, and Mexico's representation at the Paris world's fair
He visited France, while in Paris he spent several days at the Musée du Louvre ; Italy, in Rome he sketched, antiquities sculptures and paintings at the Vatican Museums and other galleries, then on to Naples and Pompeii, Bari then to Corfu ; while in Italy Barry had met Charles Lock Eastlake, an architect Mr Kinnaird and a Mr Johnson ( later a professor at Haileybury and Imperial Service College ) with these gentlemen he visited Greece, where their itinerary covered Athens which they left on 25 June 1818, Mount Parnassus, Delphi, Aegina, then the Cyclades, including Delos to Smyrna and Turkey where Barry greatly admired the magnificence of Hagia Sophia, from Constantinople he visited the Troad, Assos, Pergamon and back to Smyrna.
Many important museums include works by Villon in their collections, including: Fine Arts Museums of San Francisco ; Minneapolis Institute of Arts, Museum of Fine Arts, Boston ; the Columbus Museum of Art ( Ohio ); MOMA, New York City ;, The University of Michigan Collection ; The National Gallery of Art, Washington D. C .; the Art Gallery of New South Wales, Sydney, Australia ; La Bibliothèque Nationale in Paris ; and Musee Jenisch, Vevey, Switzerland.
* Museums of Paris entry
* Fernand Khnopff 1858-1921, Exhibition Catalogue: Paris, Musée des Arts décoratifs ; Brussels, Royal Museums for Fine Arts of Belgium ; Hamburg, Hamburger Kunsthalle, 1979-1980.
Category: Museums in Paris
Van Everdingen is represented in the following collections, among others: Rijksmuseum, Amsterdam ; Kröller-Müller Museum, Otterlo, Netherlands ; National Gallery, London ; Courtauld Institute of Art, London ; The Wallace Collection, London ; Fitzwilliam Museum at the University of Cambridge ; The Louvre, Paris ; Musée des beaux-arts, Rouen ; Université de Liège Collections ; Kunsthistorisches Museum, Vienna ; National Museum in Warsaw ; Hermitage Museum, Saint Petersburg ; National Gallery of Armenia, Yerevan, Armenia ; Fine Arts Museums of San Francisco, USA.
Bloemaert is represented in the following collections: Detroit Institute of Arts, Michigan ; Fine Arts Museums of San Francisco ; Hermitage Museum, Saint Petersburg ; Indianapolis Museum of Art, Indiana ; J. Paul Getty Museum, Los Angeles ; Mauritshuis Royal Picture Gallery, The Hague ; Metropolitan Museum of Art, New York City ; Minneapolis Institute of Arts, Minnesota ; Musée des Beaux-Arts de Rouen ; Musée du Louvre, Paris ; Museum of Fine Arts, Boston ; Museum of Fine Arts of Nancy ; Museum of Grenoble ; National Gallery of Canada, Ottawa ; Rijksmuseum, Amsterdam ; Royal Academy of Arts, London ; University of Rochester, New York ; Bob Jones University, Greenville, South Carolina ; Centraal Museum, Utrecht, Netherlands ; Cleveland Museum of Art, Ohio ; Courtauld Institute of Art, London ; Harvard University Art Museums, Massachusetts ; Kunsthalle zu Kiel, Germany ; amongst others.
It was sold by the hofje regents in 1869 by public auction in Paris and was acquired the following year by the Royal Museums of Fine Arts of Belgium in Brussels.
Also owning works by Hunt are New York City's Metropolitan Museum of Art, the Louvre Museum in Paris, the Musée d ' Orsay in Paris, the Fine Arts Museums of San Francisco, the National Gallery of Art in Washington, D. C., the Addison Gallery of American Art at Hunt's alma mater Phillips Academy in Andover, Mass., the Bowdoin College Museum of Art, the Brooklyn Museum of Art, the Carnegie Museum of Art in Pittsburgh, the Currier Museum of Art in New Hampshire, the Harvard University Art Museums, Salem's Peabody Essex Museum, the Pennsylvania Academy of the Fine Arts and many others.
Other institutions under the auspices of the Haifa Museums iunclude the Mané Catz Museum dedicated to paintings from the School of Paris and Jewish artifacts ; and the City Museum of Haifan History, located in the Germany Colony.
He is also represented with several drawings or paintings at the Hermitage in Saint Petersburg, the Harvard University Art Museums, the Louvre, Paris, the Museum of Fine Arts of Seville and several other museums.
Category: Museums in Paris
Category: Museums in Paris
René Grousset ( September 5, 1885 – September 12, 1952 ) was a French historian, curator of both the Cernuschi and Guimet Museums in Paris, and a member of the prestigious Académie française.
Among the public collections holding works by Claude Michel are: the Art Institute of Chicago, the Bowes Museum ( County Durham, UK ), the Carnegie Museum of Art ( Pittsburgh, Pennsylvania ), the Cleveland Museum of Art, the Courtauld Institute of Art ( London ), the Currier Museum of Art ( New Hampshire ), the Detroit Institute of Arts, the Fine Arts Museums of San Francisco, the Frick Collection ( New York City ), the Getty Museum ( Los Angeles ), the Honolulu Museum of Art, the Kimbell Art Museum ( Fort Worth, Texas ), Kunst Indeks Danmark, the Louvre ( Paris ), the Metropolitan Museum of Art, Musée Cognacq-Jay ( Paris ), the Museum of Fine Arts ( Boston ), Musée des Beaux-Arts ( Bordeaux ), Museum Boijmans Van Beuningen ( Rotterdam ), National Museum of Art ( Cluj-Napoca ), the National Gallery of Armenia, the National Gallery of Art ( Washington D. C .), the Norton Simon Museum ( Pasadena, California ) and the Philadelphia Museum of Art.
Tate Gallery, London ; Frissiras Museum, Greece ; Nottingham City Museums and Galleries ; Beaux Art Museum, Toulouse ; Beaux Art Museum Nantes ; Contemporary Art Society, London ; Museum of 20th Century Art, Vienna ; Kunst Museum, Randers, Denmark ; Kunst Museum Silkeborg, Denmark ; Fonds National d ' Art Contemporain, Paris
Based in Paris, the organization consists of the executive directors of the International Council on Archives, the International Council of Museums, the International Council on Monuments and Sites, and the International Federation of Library Associations.

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