Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.

After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.

Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.

He ended his public career as a two-term governor of New York.

Talleyrand passed his New York law office one night on the way to a party.

No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.

But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.

Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.

In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.

At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.

While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.

Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.

The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --

`` It wasn't necessarily all here in New York.

When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.

the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.

City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.

The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.

Hearst took a brief respite to hurry home to New York to become a father.

Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.

There are a number of performing arts groups at Columbia dedicated to producing student theater, including the Columbia Players, King's Crown Shakespeare Troupe ( KCST ), Columbia Musical Theater Society ( CMTS ), NOMADS ( New and Original Material Authored and Directed by Students ), LateNite Theatre, Columbia University Performing Arts League ( CUPAL ), Black Theatre Ensemble ( BTE ), sketch comedy group Chowdah, and improvisational troupes Alfred and Fruit Paunch.

* Tom Shakespeare, Genetic Politics: from Eugenics to Genome, with Anne Kerr ( New Clarion Press, 2002 ).

About the Fiennes Hamlet Vincent Canby wrote in The New York Times that it was "... not one for literary sleuths and Shakespeare scholars.

Sam Waterston later played the role himself at the Delacorte for the New York Shakespeare Festival, and the show transferred to the Vivian Beaumont Theatre in 1975 ( Stephen Lang played Bernardo and other roles ).

In fact, Hamlet is the most produced Shakespeare play in New York theatre history, with sixty-four recorded productions on Broadway, and an untold number Off Broadway.

New Cambridge Shakespeare ser.

New Cambridge Shakespeare ser.

New Swan Shakespeare Advanced ser.

New Penguin Shakespeare ser.

( eds ) ( 2010 ) This England, That Shakespeare: New Angles on Englishness and the Bard.

Spacey's first professional stage appearance was as a Spear carrier in a New York Shakespeare Festival performance of Henry VI, part 1 in 1981.

* Reid, Alan ( 1971 ), The Gorton Experiment, Shakespeare Head Press, Sydney, New South Wales

He returned to Broadway in 2000 in the New York Shakespeare Festival's The Wild Party, earning another Tony Award nomination for Best Actor ( Musical ).

In the 20th century there was also renewed interest in Machiavelli's La Mandragola ( 1518 ), which received numerous stagings, including several in New York, at the New York Shakespeare Festival in 1976 and the Riverside Shakespeare Company in 1979, as a musical comedy by Peer Raben in Munich's antiteater in 1971, and at London's National Theatre in 1984.

He serves as Producing Director for Queens Shakespeare Inc, a new classical repertory company based in Flushing, New York.

* Riverside Shakespeare Company of New York City

* A nine-month run in 1976 had a new translation by Ralph Manheim and John Willett for the New York Shakespeare Festival at the Vivian Beaumont Theatre at Lincoln Center, with Raúl Juliá as Macheath, Blair Brown as Lucy, and Ellen Greene as Jenny.

The work received its initial readings from the Harriet Lake Festival of New Plays at the Orlando Shakespeare Theater in 2006, and was presented in workshop form in the inaugural season of the Fordham University Lincoln Center Alumni Company in 2008.

* Reid, Alan ( 1969 ), The Power Struggle, Shakespeare Head Press, Sydney, New South Wales.

* Reid, Alan ( 1971 ), The Gorton Experiment, Shakespeare Head Press, Sydney, New South Wales.

In 1981, while at Juilliard, Kilmer co-authored and starred in the play How It All Began, which was performed at the Public Theatre at the New York Shakespeare Festival.