Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.

After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.

Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.

He ended his public career as a two-term governor of New York.

Talleyrand passed his New York law office one night on the way to a party.

No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.

But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.

Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.

In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.

At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.

While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.

Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.

The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --

`` It wasn't necessarily all here in New York.

When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.

the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.

City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.

The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.

Hearst took a brief respite to hurry home to New York to become a father.

Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.

Contra dancers in Peterborough, New Hampshire | Peterborough, New Hampshire

* New dancers often learn informally by observing others and / or receiving help from others.

All of these choreographers influenced jazz by requiring highly trained dancers to perform a specific set of movements, which differed greatly from the colloquial form of New Orleans in the 1900s.

In the 1980s, American and European dancers from California, New York, London and Sweden ( such as Sylvia Sykes, Erin Stevens, Steven Mitchell, Terry Monaghan and Warren Heyes who formed London's Jiving Lindy Hoppers performance troupe, and Stockholm's Rhythm Hot Shots / Harlem Hot Shots ) went about ' reviving ' Lindy Hop using archival films such as Hellzapoppin ' and A Day at the Races and by contacting dancers such as Frankie Manning, Al Minns, Norma Miller, Jewel McGowan and Dean Collins.

The Judson Dance Theater, located at the Judson Memorial Church, New York ; and the Judson dancers, notably Yvonne Rainer, Trisha Brown, Elaine Summers, Sally Gross, Simonne Forti, Deborah Hay, Lucinda Childs, Steve Paxton and others ; collaborated with artists Robert Morris, Robert Whitman, John Cage, Robert Rauschenberg, and engineers like Billy Klüver.

Some of New York's biggest mambo dancers and bands of the 1950s included:

Up with People dancers portrayed various American historical figures along with a rendition of Steve Goodman's " City of New Orleans ".

Stripping also was part of " genre " films, such as horror thriller Fear City ( 1984 ), by Abel Ferrara, about a mass-murderer who terrorizes dancers working at a seedy strip club in Times Square, New York.

Balanchine brought modern dancers in to dance with his company, the New York City Ballet.

Irish dancers at an Irish Dance Festival in New York City

In the 1940s the Savoy had a contract to supply “ Lindy Hop ” dancers annually, to “ The Harvest Moon Ball ”, The New York Daily News newspaper ’ s annual dance contest, in Madison

Keywords: New markets / dancers: youth square dance and gay square dance, other new developments, competition from other forms of recreation / entertainment, increased expense, elimination from public-school curricula, changed society, changes in music and recording ( MiniDiscs, personal computers, laptops, personal recording of music ), impact on square dance music " industry "

In the New Kingdom, tattoos of Bes could be found on the thighs of dancers, musicians and servant girls.

He sang a number of duets with Jolson, and the film included Calloway's band and cast of twenty-two Cotton Club dancers from New York.

In some styles of salsa, such as LA and New York style, the dancers remain in a slot or line ( switching places ), while in some Latin American styles, such as Cuban style, the dancers circle around each other, sometimes in 3 points.

There is greater emphasis on performing " shines " in which dancers separate themselves and dance solo with intricate footwork and styling for a time — suspected origins from Swing and New York Tap.

The Judson Dance Theater located at the Judson Memorial Church, New York, and the Judson dancers, notably Yvonne Rainer, Trisha Brown, Elaine Summers, Sally Gross, Simonne Forti, Deborah Hay, Lucinda Childs, Steve Paxton and others collaborated with artists Robert Morris, Robert Whitman, John Cage, Robert Rauschenberg, and engineers like Billy Klüver.

in 1930 Ailey and a group of young African-American dancers perform as Alvin Ailey American Dance Theater in New York.

* With his School of American Ballet, New York City Ballet, and 400 choreographed works, Balanchine transformed American dance and created modern ballet, developing a unique style with his dancers highlighted by brilliant speed and attack.

As her love for dancing increased, she became more interested in pursuing it professionally, traveling to New York to train with other dancers and choreographers.

Performers such as Jimmy Sabater and Joe Cuba clearly state that Boogaloo was inspired by the interaction between African American dancers and Latin musicians in New York at nightclubs such as Palm Gardens Ballroom.