Rushing to see him at his hospital bed, it was here that Spare's two dearest friends, Kenneth Grant and Frank Letchford, met one another for the first time.

In 1964, the Greenwich Gallery held an exhibition of Spare's work accompanied by a catalogue essay by the Pop Artist Mario Amaya, who believed that Spare's artworks depicting celebrities, produced in the late 1930s and 1940s, represented " the first examples of Pop art in this country.

Spare's esoteric legacy was largely maintained by his friend, the Thelemite author Kenneth Grant in the latter part of the 20th century, and his beliefs regarding sigils provided a key influence on the chaos magic movement and Thee Temple ov Psychick Youth.

His father then submitted two of Spare's drawings to the Royal Academy, one of which, a design for a bookplate, was accepted for exhibition at that year's prestigious summer exhibition.

One of those attracted to Spare's work was Aleister Crowley ( 1875 – 1947 ), an occultist who had founded the religion of Thelema in 1904, taking as its basis a new holy text known as The Book of the Law.

Spare's major patron during this period was the wealthy property developer Pickford Waller, although other admirers included Desmond Coke, Ralph Strauss, Lord Howard de Walden and Charles Ricketts.

The actual nature of Spare's sexuality at the time remains debated ; his friend Frank Brangwyn would later claim that he was " strongly " homosexual but had suppressed these leanings.

" The book sold poorly, and received a mixed review from the Times Literary Supplement, which while accepting Spare's " technical mastery ", was more critical of much of the content.

Surrealism took an interest in automatism and the unconscious, just like Spare's work, and although he did not think highly of the surrealists, he was often described at the time as a British forerunner of the surrealist movement ; indeed, the reporter Hubert Nicholson ran a story on him titled " Father of Surrealism – He's a Cockney !".

In the ensuing Blitz of London by the German Luftwaffe, Spare's flat and all the artwork in it was destroyed by a bomb on 10 May 1941, leaving him homeless.

One of those who had seen the show was publisher Michael Hall, and impressed by Spare's work, he commissioned him to help provide illustrations for his new periodical, The London Mystery Magazine.

According to one author, Spare's magical rationale was as follows, " If the psyche represses certain impulses, desires, fears, and so on, and these then have the power to become so effective that they can mold or even determine entirely the entire conscious personality of a person right down to the most subtle detail, this means nothing more than the fact that through repression (" forgetting ") many impulses, desires, etc.

In Spare's worldview, the " soul " was actually the continuing influence of " the ancestral animals " that humans had evolved from.

In addition to Spare's work, this experimentation was the result of many factors, including the counterculture of the 1960s and early 1970s, the wide publication of information on magic by magicians such as Aleister Crowley and Israel Regardie, the influence of Discordianism and Robert Anton Wilson, and the popularizing of magic by Wicca.

The family moved frequently as Spare's jobs moved, and the only place whose name Head could later recall from her early years was Searchlight, Nevada.

Proud of his son's achievement, Spare's father would later inquire as to whether the publisher John Lane of Bodley Head would be interested in re-printing A Book of Satyrs, leading to the release of an expanded second edition in 1909.

Here, they became neighbours to Spare's old friend Sylvia Pankhurst, with Spare also befriending several local Jews, reading works of Jewish literature such as the Zohar and The Song of Solomon in order to impress them.

Much of the art that Spare produced in what the biographer Phil Blake called " the Grant period " reflected Spare's interest in tribal art, which both Grant and Spare collected.

Over the years, Grant did much to bring his friend Spare's name into western occult society, including the publication of Images and Oracles of Austin Osman Spare and Zos Speaks !, as well as numerous references and mentions in the Typhonian Trilogies.

Spare's art once more began to receive attention in the 1970s, due to a renewed interest in art nouveau in Britain, with several retrospective exhibitions being held in London.

Edited and introduced by Frederick Carter, the book once more dealt with Spare's mystical ideas, continuing many of the themes explored in The Book of Pleasure.

Spare's work is remarkable for its variety, including paintings, a vast number of drawings, work with pastel, a few etchings, published books combining text with imagery, and even bizarre bookplates.

Our critic ends his review with the observation that Spare's " drawing is often more shapeless and confused than we trust it will be when he has assimilated better the excellent influences upon which he has formed his style.

The recurrent motifs of androgyny, death, masks, dreams, vampires, satyrs and religious themes, so typical of the art of the French and Belgian Symbolists, find full expression in Spare's early work, along with a desire to shock the bourgeois.

" Spare's work is contemporaneous with Hugo Ball's attempts " to rediscover the evangelical concept of the ' word ' ( logos ) as a magical complex image "— as well as with Walter Benjamin's thesis that " Mediation, which is the immediacy of all mental communication, is the fundamental problem of linguistic theory, and if one chooses to call this immediacy magic, then the primary problem of language is its magic.

Two visitors to Powell's, Sir William Blake Richmond and FH Richmond RBA, came across some of Spare's drawings, and impressed, they recommended him for a scholarship to the Royal College of Art ( RCA ) in South Kensington.

The following passage in a discussion of an exhibit including Spare's work in the summer of 1965 suggests some critics had hoped he would disappear into obscurity forever.

Detail of a drawing from one of Spare's sketchbooks.

The World commented that " his inventive faculty is stupendous and terrifying in its creative flow of impossible horrors ", while The Observer noted that " Mr. Spare's art is abnormal, unhealthy, wildly fantastic and unintelligible ".

Influenced by the work of El Greco, they were exhibited at the Godfrey Phillips Galleries in St James's, Central London in November 1930, an exhibit that proved to be Spare's last in London's West End.

An anonymous review of The Book of Satyrs published in December 1909, which must have appeared around the time of Spare's 23rd birthday, is by turns condescending and grudgingly respectful, " Mr. Spare's work is evidently that of young man of talent.

She was more excited than frightened at the prospect of having her first child in a foreign land.

On April 10, 1904, his first child was born, a son named George after the late Senator.

Hearst saw his wife and child, sent a joyful message to his mother in California, and soon returned to Washington, where on April 22, for the first time, he opened his mouth in Congress.

As the mother of an autistic child who is lacking in interest and enthusiasm about almost anything, I have to manipulate my son's fingers for him when he first plays with a new toy.

At first each child should do a kick-up by himself so that the teacher can determine those ready to work alone, and those who need help.

The child with high anxiety may first direct his anxiety-released energy toward achievement, but because his distress severely reduces the abilities of discrimination and memorization of complex symbols, the child may fail in his initial attempts to master the problem.

By the time the child first attacks the actual problem of reading, he is completely familiar and at ease with all of the elements of words.

The child in the primary grades can play harmoniously with one companion, but his desire to be first in everything gets him into trouble when the group gets larger ; ;

If a child does lose his first teeth prematurely because of decay -- and if no preventive steps are taken -- the other teeth may shift out of position, become overcrowded and malformed.

If, as a home movie maker, you shoot the inevitable footage of your child taking its first steps, you have merely recorded an historical event.

Much of its shock value derives from the fact that the first portion of the essay describes the plight of starving beggars in Ireland, so that the reader is unprepared for the surprise of Swift's solution when he states, " A young healthy child well nursed, is, at a year old, a most delicious nourishing and wholesome food, whether stewed, roasted, baked, or boiled ; and I make no doubt that it will equally serve in a fricassee, or a ragoust.

He was the fourth child of Ondrej Varchola ( Americanized as Andrew Warhola, Sr., 1889 – 1942 ) and Júlia ( née Zavacká, 1892 – 1972 ), whose first child was born in their homeland and died before their move to the U. S. Andy had two older brothers, Paul, born about 1923, and John, born about 1925.

André-Marie Ampère took his first regular job in 1799 as a mathematics teacher, which gave him the financial security to marry Carron and father his first child, Jean-Jacques, the next year.

It was there that their first child, a daughter they named Anna Bronson Alcott, was born on March 16, 1831, after 36 hours of labor.

* 1587 – Virginia Dare, granddaughter of Governor John White of the Colony of Roanoke, becomes the first English child born in the Americas.

Vipsania Agrippina was Agrippa ’ s first daughter and first child from his first marriage to Pomponia Caecilia Attica.

Vipsania Marcella was Agrippa ’ s second child from his second marriage to Augustus ’ first niece and the paternal cousin of Julia the Elder, Claudia Marcella Major.

Agrippina was the first Roman matron to have more than one child from her family to reign on the Roman throne.

Agrippina was the first daughter and fourth living child of Agrippina the Elder and Germanicus.

He was Antonia Minor's first child.