In the 2009 series finale of the reimagined television series Battlestar Galactica, the virtual Number Six and virtual Baltar appear in coda set on modern-day Earth.

" Riley notes the repeated chord progression of the coda ( I-flat VII-IV-I ) " answers all the musical questions raised at the beginnings and ends of bridges ," for " The flat seventh that pose dominant turns into bridges now has an entire chord built on it.

" Pollack described the song's long coda and fadeout as " an astonishingly transcendental effect ," while Unterberger observed, " What could have very easily been boring is instead hypnotic ".

Banks's compositions are credited to be the driving force of Genesis ' music, particularly in material recorded before 1979. Notable Banks-penned Genesis songs include " Mad Man Moon ," " One for the Vine " and the anthemic ballad " Afterglow ", which remained a popular coda to the Banks-driven " medleys " that the group played during live shows for years.

* Hayakawa is mentioned in the voice-over in the coda of Stevie Wonder's song " Black Man ," from the album Songs in the Key of Life.

The coda, which Antony Hopkins has called " arguably the finest music of the whole symphony ," starts quietly and gradually builds to an ecstatic culmination for the full orchestra ( minus " storm instruments "), with the first violins playing very rapid triplet tremolo at the top of their range.

Gordon then played on Derek and the Dominos ' 1970 double album, Layla and Other Assorted Love Songs, contributing, in addition to his drumming, the elegiac piano coda for the title track, " Layla ," co-written by Gordon and Clapton.

The coda of the song " On Distant Shores " is borrowed from Five Iron Frenzy's " Every New Day ," a song that closed all their live performances.

The first UK pressing also includes different mixes than all later versions, most markedly on " Down Payment Blues " ( which excludes the bluesy coda heard on later pressings ) and " What's Next to the Moon ," which omits solos and backing vocals heard on later pressings.

" Fisher, in character as Pecos, delivers the coda with a glottal stutter on the letter c. Woody Guthrie's version used " Hey-hey ," and Bob Dylan's version used " uh-huh " in the same way after several lines.

The first time, this leads without intermediate modulation to the trio, headed " Maggiore ," in C ; after its return, the coda briefly quotes the C major tune before returning to E minor.

Camelot was a hit nonetheless, with a poignant coda ; immediately following the assassination of John F. Kennedy, his widow told Life magazine that JFK's administration reminded her of the " one brief shining moment " of Lerner and Loewe's Camelot.

Following the trio, the second occurrence of the scherzo, unlike the first, plays through without any repetition, after which there is a brief reprise of the trio, and the movement ends with an abrupt coda.

This is always CV ( consonant onset with vowel nucleus ), such as ka, ki, etc., or V ( vowel ), such as a, i, etc., with the sole exception of the C grapheme for nasal codas usually romanised as n. This structure had some scholars label the system moraic instead of syllabic, because it requires the combination of two syllabograms to represent a CVC syllable with coda ( i. e. CVn, CVm, CVng ), a CVV syllable with complex nucleus ( i. e. multiple or expressively long vowels ), or a CCV syllable with complex onset ( i. e. including a glide, CyV, CwV ).

Bimoraic syllables are now written with two letters, as in Japanese: diphthongs are written with the help of V or hV glyphs, and the nasal coda is written with the glyph for ŋ, which can form a syllable of its own in Vai.

The song is later reprised as a coda after Fredrik's young wife runs away with his son, and Fredrik is finally free to accept Desirée's offer.

" Not long thereafter, Fredrik's young wife runs away with his son, and he is free to accept Desirée's proposal, and the song is reprised as a coda.

The introduction to the first movement, beginning mysteriously and climbing slowly with fragments of the first theme to the gigantic full statement of that theme, was taken over by Bruckner ; so was the awe-inspiring coda of the first movement.

For example, the Finale is a combined fugue and sonata form movement: the first theme ( characterized by the downward leap of an octave ) appears in the exposition as a four-part fugue in the strings and the concluding theme of the exposition is presented first as a chorale in the brass, then as a four-part fugue in the development, and culminating in a double fugue with the first theme at the recapitulation ; additionally, the coda combines not only these two themes but also the main theme of the first movement.

; Rime ( ρ ): right branch, contrasts with onset, splits into nucleus and coda

A television series running more than 13 hours, with a two-hour coda ( released in the U. S. as a 15-hour feature ), it was the culmination of the director's inter-related themes of love, life, and power.

For instance in the first movement of Richard Strauss's 2nd symphony in F minor, the recapitulation begins with the first subject group in tonic but modulates to the mediant A-flat major for the second subject group before modulating back to F minor for the coda.

Primarily, his Vertigo output has been in collaboration with JM DeMatteis, an issue of Blood: A Tale, the maxiseries Moonshadow ( and its coda, Farewell, Moonshadow ( 1997 )) and three issues of Seekers into the Mystery.

They were written in three-quarter time with a short introduction ; often with little or no reference to the later chain of five two-part waltz structure ; usually appended with a short coda and concluded in a stirring finish, although his son Johann Strauss II expanded the waltz structure and utilized more instruments than his father.

The single version of the song contains a tape echo effect throughout and a coda after a false ending, with the lyrics " Get back Loretta / Your mommy's waiting for you / Wearing her high-heel shoes / And her low-neck sweater / Get back home, Loretta.

The recording is another Beatles song with an unrelated coda, in the shape of new parts of strings, new choruses and the sampling of a radio in its fade-out.

It is one of Beckett ’ s most ‘ musical ’ pieces with “ a chorus for three voices, orchestration, stage directions concerning tempo, volume and tone, a da capo repeat of the entire action ” and a short coda.

This obviously would not work well for English, but was done in Mycenean Greek when the root word was two or three syllables long and the syllable coda was a weak consonant such as n or s ( example: χρυσος chrysos written as ku-ru-so ).

* The Italian word for tail, as in coda alla vaccinara ( a recipe using oxtail )

The word coda, meaning a passage that ends a musical piece following the main body, was therefore chosen as a title.

The English syllable ( and word ) twelfths is divided into the onset, the nucleus, and the coda, and it can thus be described as CCVCCCC ( C

The onset ( initial consonant ) is represented by that of the first of the two characters ( 上字 " upper word ", as Chinese was written vertically ); the final ( including the medial glide, the nuclear vowel and the coda ) and the tone are represented by those of the second of the two characters ( 下字, " lower word ").

Min dialects notably retain the bilabial nasal coda for this word.

Much more than a " gloomy coda to the ... 1st century " the Roman Empire prospered between 81 and 96, in a reign which Theodor Mommsen described as the sombre but intelligent despotism of Domitian.

" According to Merenstein, before he cut it, the coda " was a long, long ending that went nowhere, that just carried on from minute to minute ... If it had relativity to the tune itself, I would have left it there.

:* After the eerie coda to " Ice ", a woman says " hold your breath ... start with death.

For example, the Vai syllabary originally had separate glyphs for syllables ending in a coda ( doŋ ), a long vowel ( soo ), or a diphthong ( bai ), though not enough glyphs to distinguish all CV combinations ( some distinctions were ignored ).

The narrative's coda mentions that the daughters each marry one of the sons of their uncles ; the gemara states that the daughters had demonstrated their righteousness in doing so, as these men were fitting for them, and hadn't married earlier as they were waiting for suitable husbands.

By this time the song had the addition of a false ending and reprise coda.

Before the addition of the virama, writers had no way to designate coda consonants.

Only half of the 469 languages surveyed in had a velar nasal phoneme ; as a further curiosity, a large proportion of them limit its occurrence to the syllable coda.

The new version had a much heavier rock sound and the " Lust for Life " coda was replaced, on the album version of the track, by an extended guitar solo.

Its initial performance was only a mild success however and Strauss is reputed to have said " The devil take the waltz, my only regret is for the coda — I wish that had been a success!

" I Can't Breathe Anymore " had Gilmour playing a regular guitar solo at the end of this song's performance whilst on the album version ( and on the remastered CD in an extended coda ), a distorted lap steel guitar countered the ending guitar solo.

The major-mode themes are accorded slightly less space this time around before A minor returns in the form of a quiet pair of octaves, F in tremolo in the left hand and A held in the right, occasionally alternating with the scurrying sixteenths ; over which the violin plays the longer version of its main theme from the first movement, twice, then, crescendo, joins in the piano's perpetual motion frenzy until a recall of the canonic theme that had opened the development is reached-now played sforzando ( mit Violoncell, Schumann also writes ), opening the last stage of the coda punctuating the rush to the final chords sixteen bars later.

Large portions of the movement were almost completely orchestrated, and even some eminent sketches have been found for the coda ( the initial crescendo / 28 bars, and the progression towards the final cadence, even proceeding into the final tonic pedalpoint / in all 32 bars ), but only hearsay suggesting the coda would have integrated themes from all four movements: The Bruckner scholars Max Graf and Max Auer reported that they have actually seen such a sketch when they had access to the manuscripts, at that time in the possession of Franz Schalk.