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Page "Symphony No. 10 (Mahler)" ¶ 43
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emotional and weight
Since many of them focus on a narrow set of concerns or even on a single issue, and often a single issue of enormous emotional weight, they compete with the parties for citizens ' dollars, time, and passion.
His wife, Jennifer ( Felecia M. Bell ), is killed during the battle, and Sisko carries the emotional weight of her death until the end of " Emissary.
Muir biographer Steven Holmes notes that Muir used words like " glory " and " glorious " to suggest that light was taking on a religious dimension: " It is impossible to overestimate the importance of the notion of glory in Muir's published writings, where no other single image carries more emotional or religious weight ," adding that his words " exactly parallels its Hebraic origins ," in which biblical writings often indicate a divine presence with light, as in the burning bush or pillar of fire, and described as " the glory of God.
Its symptoms include weight loss, emotional disturbances, impaired sensory perception ( Wernicke's encephalopathy ), weakness and pain in the limbs, and periods of irregular heart rate.
Bob Smietana of Christianity Today links Molly's defence of Ginny in the final book into a wider theme in the series about the strength of parental love, which he feels to carry considerable emotional weight.
Reportedly, health problems plagued Michalak for several months, including lack of appetite, weight loss, swelling, and fainting spells, despite a Mayo Clinic psychiatrist stating that Michalak was free of " significant mental or emotional illness.
In addition to providing an analysis of the events surrounding the creation of the film, Rhoads further investigates various film techniques used by Yoshimitsu Banno to further add artistic and emotional weight to the film.
The early modern dance makers broke with European classical forms by giving into the weight of gravity, initiating movement from the center rather than the limbs, and emphasizing an emotional directness in their choreography.
Roger Ebert, in a typical review, noted " Temptress Moon is a hard movie to follow -- so hard, that at some point you may be tempted to abandon the effort and simply enjoy the elegant visuals ..." The New York Times also praised the film's sumptuous production values, but critic Stephen Holden also found the film to lack emotional weight, arguing that Temptress Moon ultimately " has the feel of a chic, kink-ornamented romantic pageant, unfolding at a distance.
The episode is the favorite of Schwimmer, who liked the comedic and emotional origins of the Ross / Rachel relationship, as well as the exchange between Monica and Chandler as she defends her weight on the video.
Ultimately, the dieter reverts to their old eating habits, now with the added emotional effects of failing to lose weight by restrictive diet.
Such an emotional state leads many people to eating more than they would have before dieting, causing them to rapidly regain weight.
Yo-yo dieting can have extreme emotional and physical ramifications due to the stress that someone puts on themselves to lose weight quickly.
The instant gratification of losing the weight eventually gives way to old eating habits that cause weight gain and emotional distress.
Usually certain underlying emotional issues are revealed at this time ( such as a loss of a family member or a physical calamity ), which often are the triggering events that led to the weight gain in the first place.
Contestants, regardless of their weight, are required to certify that they believe they are " in excellent physical, emotional, psychological and mental health.
It was not only a huge breakthrough for Beavers, but it was also,the first time in American cinema history that a black woman's problems were give major emotional weight in a major Hollywood motion picture ”.
Kawalerowicz here takes up a theme that would be frequently addressed by later Polish films: the lingering psychological and emotional scars wrought by the war, a kind of weight from the past impeding the creation of any kind of future.
Those randomly assigned to the treatment group received a stage-matched multiple behavior change guide and a series of tailored, individualized interventions for three health behaviors that are crucial to effective weight management: healthy eating ( i. e., reducing calorie and dietary fat intake ), moderate exercise, and managing emotional distress without eating.
This study demonstrates the ability of TTM-based tailored feedback to improve healthy eating, exercise, managing emotional distress, and weight on a population basis.
It was perhaps the awful realisation that his very existence begat violence and the weight of companion Adric's death on his conscience, and perhaps Tegan's near emotional breakdown as well, that led him to sacrifice his own existence to save his last companion, Peri.
In the presence of a supportive therapist, the clients can release the weight of emotional charge which holds them down and often, like a keystone, links different webs of tension in the bodymind.
Instead of concluding that the Iowa Gambling Task is not fully accurate in demonstrating how we have psychologically evolved, it can be determined that sexual risk is a complex neurocognitive process, and emotional variables do not have as much weight in this aspect as in others actions by humans.

emotional and symphony
Almost certainly, however, the most common perception today is that the symphony is tragic in tone and intensely emotional ; for example, Charles Rosen ( in The Classical Style ) has called the symphony " a work of passion, violence, and grief.
The Russian title of the symphony, Патетическая ( Patetičeskaja ), means " passionate " or " emotional ", not " arousing pity ", but it is a word reflective of a touch of concurrent suffering.
It has the impeccable timing of jazz, the arrangement of a classic dance track, the depth of an orchestral symphony and the emotional charge of gospel.
Some critics have commented that, for all Tchaikovsky's distrust of program music and Manfreds kinship to a Berlioz work he did not wish to repeat, the symphony proves its composer's capacity to infuse another composer's example with his own personality, provided the emotional nature of the work found a response in him.
The symphony reaches its emotional climax in this movement, after an interlude of English horn and violin solo passages followed by a clarinet reverie that is reminiscent of the first movement, further developing the work ’ s “ motto ”; this development is considered the complement for the first movement Largo introduction.

emotional and is
For this purpose a degree of intellectual and emotional involvement is necessary ; ;
A third idea is that artistic literature serves to reduce emotional conflicts, giving a sense of serenity and calm to individuals.
There is a second feature of the influences of literature, good literature, on emotional life which may have some special value for our time.
It is the obverse of triviality, shallowness, emotional anaesthesia.
It seems to follow that by and large an antagonism exists between the paleo- and the neocortex as far as emotional reactivity is concerned, and that the balance between the two systems determines the emotional responsiveness of the organism.
In both conditions the emotional and perceptual sensitivity is diminished, but no depression occurs such as is seen clinically or may be produced in normal persons by drugs.
If this is the case, one would expect that not only the various procedures just mentioned which alter the hypothalamic balance would influence emotional state and behavior but that emotion itself would act likewise.
We pointed out that emotional excitement may lead to psychosomatic disorders and neurotic symptoms, particularly in certain types of personality, but it is also known that the reliving of a strong emotion ( `` abreaction '' ) may cure a battle neurosis.
In view of the important role which emotional disturbances play in the genesis of neurotic and psychotic disorders and the parallelism observed between autonomic states and psychological behavior in several instances, it is further suggested that a hypothalamic imbalance may play an important role in initiating mental changes.
But it is true that the therapist can sense, when he hears this stereotype, that there are at this moment many emotional determinants at work in it, a blurred babel of indistinct voices which have yet to become clearly delineated from one another.
Instead of emotional recrimination, loaded phrases and sloganeering, we need a dispassionate study of the facts, a better understanding of the opposite viewpoint and a more serious effort to extend the areas of agreement until a solution is reached.
That much of what he calls folklore is the result of beliefs carefully sown among the people with the conscious aim of producing a desired mass emotional reaction to a particular situation or set of situations is irrelevant.
Helping behavior is seen in humans at about two years old, when a toddler is capable of understanding subtle emotional cues.
Anxiety ( also called angst or worry ) is a psychological and physiological state characterized by somatic, emotional, cognitive, and behavioral components.
As such, it is distinguished from fear, which is an appropriate cognitive and emotional response to a perceived threat.
The emotional effects of anxiety may include " feelings of apprehension or dread, trouble concentrating, feeling tense or jumpy, anticipating the worst, irritability, restlessness, watching ( and waiting ) for signs ( and occurrences ) of danger, and, feeling like your mind's gone blank " as well as " nightmares / bad dreams, obsessions about sensations, deja vu, a trapped in your mind feeling, and feeling like everything is scary.
A marked difference from the text exists in Moran's portrayal, where she is shown to be an attractive, fashionable and emotional woman showing an occassional soft corner for Poirot.
Even in contemporary India the term rasa denoting " flavor " or " essence " is used colloquially to describe the aesthetic experiences in films ; " māsala mix " describes popular Hindi cinema films which serve a so called balanced emotional meal for the masses, savored as rasa by these spectators.
The primary purpose of this text is to refine the literary concept dhvani or poetic suggestion, by arguing for the existence of rasa-dhvani, primarily in forms of Sanskrit including a word, sentence or whole work " suggests " a real-world emotional state or bhāva, but thanks to aesthetic distance, the sensitive spectator relishes the rasa, the aesthetic flavor of tragedy, heroism or romance.
Abhinavagupta offers for the first time a technical definition of rasa which is the universal bliss of the Self or Atman colored by the emotional tone of a drama.

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