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piano and rich
His concertos No. 1 and No. 2 left a deep impression on the style of piano concerto writing, influencing Rubinstein, and especially Tchaikovsky, whose first piano concerto's rich chordal opening is justly famous.
Instead her daughter was to marry Camille Pleyel ( son of Ignaz Pleyel ), a rich piano manufacturer.
Ponce also wrote a rich repertoire for solo piano, piano and ensembles, and piano and orchestra, developing the first period of modernistic nationalism, using Native American and European resources, but merging them into a new, original style.
The Astin-Weight piano is said to produce a very rich tone, not to every listener's taste but greatly prized by Astin-Weight owners.
As a composer, Godowsky has been best known for his paraphrases of piano pieces by other composers, which he enhanced with ingenious contrapuntal devices and rich chromatic harmonies.
Through the chamber music medium Goehr gains an unprecedented rhythmic and harmonic immediacy, while his music remains ever permeable by the music and imagery of other times and places: the Piano Quintet ( 2000 ) and the Fantasie for cello and piano ( 2005 ) are haunted by rich sonorities of a thoroughly Ravel-like quality.
His use of the legacy comes down to practicality ; Willie finds the rich culture of his history engraved on the piano through pictures, blood, and tears to be a simple conversion to money.
Further jazz influences are seen in the instrumentation: the piano using rich harmony and dissonance, the muted trumpet reminiscent of the jazz bands of the era, and the repeated use of pizzicato in the cello part, echoing the use of the double bass in jazz.
Raised in a rich musical environment, his father was a 47-year member of the Minnesota Orchestra's bass section, his mother a piano teacher and accompanist, and his brother Gordon is also a professional bassist.
* Learn to Play Piano-A information rich resource for learning piano.
With Celebrity Status and Ron Fair producing, " Come on Over ( All I Want Is You )" ( the album version ) was transformed into " Come on Over Baby ( All I Want Is You )" with a more pop oriented, hip hop-influenced production ( as opposed to the original piano rich production ).

piano and effects
Sensitization for the quality of the sounds influenced exposing the subtle dynamic effects – e. g. the variety hues of piano ( p, pp, ppp, pppp ) which were often complemented by additional written notes.
Eager to copy these effects, Theodore Steinway invented " duplex scaling " which employed short lengths of non-speaking wire were bridged by the aliquot throughout much of upper range of the piano, always in locations that caused them to vibrate in conformity with their respective overtones — typically in doubled octaves and twelfths
* 1994 – Roland RD-500: The RD-500 is a professional digital piano with 88 weighted keys, 121 high quality sounds and built-in digital effects.
Orientalism is also traceable in music that is considered to have effects of exoticism, including the japonisme in Claude Debussy's piano music all the way to the sitar being used in recordings by The Beatles.
* John Lennon – lead, harmony and background vocals ; lead, rhythm and acoustic guitars ; piano and Hammond organ ; handclaps, harmonica, tape loops, sound effects, comb and tissue paper ; tambourine and maracas
* Paul McCartney – lead, harmony and background vocals ; lead and bass guitars ; piano ; Lowrey and Hammond organs ; handclaps, vocalizations, tape loops, sound effects and comb and tissue paper
The Acoustisizer is an electro acoustic musical instrument built from a grand piano utilizing magnetic guitar pickups, speakers and prepared piano strings to generate feedback sound noise effects.
The film featured reverse film effects, stop motion animation, jump-cuts from daytime to night-time, and The Beatles playing and later pouring paint over an upright piano.
Rhapsody in Blue is a 1924 musical composition by American composer George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects.
Both Zawinul and original bassist Miroslav Vitouš experimented with electronic effects pedals ( as generally used by rock guitarists ) with Zawinul using them on electric piano and synthesizers and Vitouš on his upright bass ( which he frequently bowed through distortion to create a second horn-like voice ).
* Brian Eno — vocals, synthesiser, bass guitar, guitar, percussion, drum machine, piano, keyboards, Hammond and Farfisa organ, Yamaha bass pedals, sound effects, producer
Critics Ian McCaleb and Ira Robbins declared that Fugazi's music combined an " unprecedented dynamic range ... and previously unimagined elements " such as " clattering musique concrète ... piano and sound effects ... murky dub and lancing clarinet " and " loose-limbed jammy funk ... into an ambitious, experimental format that raises more stylistic questions than it answers.
He added a Yamaha Electric Grand piano to his set-up and finally a huge bank of synthesizers onstage courtesy of Moog ( MiniMoog, Opus, Polymoog ) so he could play the 12-bar blues the band often required and recreate string section and other effects.
In its original incarnation, it was often characterized by piano riffs, synthetic stabs and spacey effects.
* John Deacon – bass, hand-claps, lead and rhythm guitars, percussion, piano and tape effects
* User interface software: A program ( usually embedded in a computer chip ) which handles user interaction with control keys and menus, which allows the user to select tones ( e. g., piano, organ, flute, drum kit ), effects ( reverb, echo, telephones or sustain ), and other features ( e. g., transposition, an electronic drum machine )
Reynold's most significant work from his time in Japan was probably PING ( 1968 ), a multi-media composition for piano, flute, percussion, harmonium, live electronic sound, film, and visual effects, based on a text by Samuel Beckett.
* Richard Wright-vocals, Hammond M-102 organ, Farfisa Combo Compact Duo organ, grand piano ( through Leslie 145 speaker ), sound effects
As a child, he first studied violin, but ' couldn't get along with it ', then piano, disliking the scales and chord exercises, and then drums – including all the associated special effects.
He has also written 17 string quartets, using unusual timbral effects, works for piano, and two operas.
While most synthesizer players tended to play the instrument as they would a piano or organ, Ravenstine generally opted instead to make sounds that were reminiscent of spooky sound effects from 1950s science fiction films, or perhaps electronic music and musique concrète.
While their second jazz rock album, Where Have I Known You Before, ( 1974 ) was similar in style to its immediate predecessor, Corea now played synthesizers in addition to electric keyboards ( including piano ), and Clarke's playing had evolved considerably-now using flange and fuzz-tone effects, and with his now signature style beginning to emerge.
As well, the main chordal rhythm instruments became electric instruments such as the Rhodes electric piano or clavinet, often run through effects units such as fuzz, phasers, or wah-wah pedals.

piano and Nature
* 1989 Piano Nature for piano

piano and imagery
Messiaen was further influenced by Surrealism, as may be seen from the titles of some of the piano Préludes ( Un reflet dans le vent …, " A reflection in the wind ") and in some of the imagery of his poetry ( he published poems as prefaces to certain works, for example Les offrandes oubliées ).
The second movement is widely associated with the imagery of Orpheus taming the Furies ( represented, respectively, by the piano and unison strings ) at the gates to Hades.

piano and poems
), Schwitters read his poems, Vilmos Huszàr demonstrated a mechanical dancing doll and Nelly Van Doesburg ( Theo's wife ), played avant-garde compositions on piano.
* Anthology, 4 CD containing numerous poems and texts read by the author, Anna la bonne, La Dame de Monte-Carlo and Mes sœurs, n ' aimez pas les marins by Marianne Oswald, Le Bel Indifférent by Edith Piaf, La Voix humaine by Berthe Bovy, Les Mariés de la Tour Eiffel with Jean Le Poulain, Jacques Charon and Jean Cocteau, discourse on the reception at the Académie française, with extracts from Les Parents terribles, La Machine infernale, pieces from Parade on piano with two hands by Georges Auric and Francis Poulenc, Frémeaux & Associés FA 064, 1997
* Nadir en Zenit ( 1992 ) improvisations on poems by Sybren Polet for voice and piano (+ synthesizer )
* Pfohl, Ferdinand: 5 poems (" Moon-rondels, fantastic scenes from ' Pierrot Lunaire '") for voice and piano ( 1891 ); Marschalk, Max: 5 poems for voice and piano ( 1901 ); Vrieslander, Otto: 50 poems for voice and piano ( 46 in 1905, 4 more in 1911 ); Graener, Paul: 3 poems for voice and piano ( c. 1908 ); Marx, Joseph: 4 poems for voice and piano ( 1909 ; 1 of 4, " Valse de Chopin ", reset for voice, piano, and string quartet in 1917 ); Schoenberg, Arnold: 21 poems for speaking voice, piano, flute ( also piccolo ), clarinet ( also bass clarinet ), violin ( also viola ), and violoncello ( 1912 ); Kowalski, Max: 12 poems for voice and piano ( 1913 ); Prohaska, Carl: 6 poems for voice and piano ( 1920 ); Lothar, Mark: 1 poem for voice and piano ( 1921 ).

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