Now, he could only play the last card in what was probably the world's coldest deck.

School began in August, the hottest part of the year, and for the first few days Miss Langford was very lenient with the children, letting them play a lot and the new ones sort of get acquainted with one another.

In his native Cologne, where his mother taught him to play the piano, he was able to read notes before he learned the alphabet.

The depersonalization continued as the dancer was further metamorphosed by the play of lights upon his figure.

Tom was not willing to revise the play according to the plan the man suggested.

It may be thought unfortunate that he was called on entirely by accident to perform, if again we may trust the opening of the oratio, for it marks the beginning for us of his use of his peculiar form of witty word play that even in this Latin banter has in it the unmistakable element of viciousness and an almost sadistic delight in verbally tormenting an adversary.

He kept his attacks on Republicanism for partisan campaigns, but that is part of the game he was born to play.

That was one of the high spots of the play.

The figure was so theatrically dressed, that it was as though a character from some other play had blundered into this one.

The play for Saturday night was to be a benefit performance of The Octoroon.

Life was a short play of tenebrous shadows.

It was all set up so there would be no dust anywhere and so that their children would color in the coloring room, paint in the painting room, play with blocks in the block house, and do all the other things in the proper rooms at exactly the right time.

It seemed, indeed, that their house was not so much a home, but rather a perfect stage set, and that they were actors who had been handed fat roles in a successful play, and had talent enough to fill the roles competently, with nice understatement.

She was still in the play for pay business when she died, a top trollop who had given the world's oldest profession one of its rare flashes of glamour.

Carroll was sharp and military, but he was up against tough competition for that RA berth, and he wanted to play it cool.

Babe Ruth, of course, was everyone's hero, and everyone knew him, even though relatively few ever saw him play ball.

It was a bad play, real grade-A turkey, which only a prevalence of angels with grandiose dreams of capital gain and tax money to burn could have put into rehearsal.

I knew the only way I could beat you was to play possum, but it was a good try, kid, and I appreciate it.

When Robinson tried to stretch his blow into a triple, he was cut down in a close play at third, Tuttle to Andy Carey.

The Air Force's, and the game's, final play, was a long pass by quarterback Bob McNaughton which Gannon intercepted on his own 44 and returned 22 yards.

Despite the 45-degree weather the game was clicked off in 1:48, thanks to only three bases on balls and some good infield play.

Kieffer, the only junior in the group, was commended for his ability to hit in the clutch, as well as his all-round excellent play.

At the time, only the dress rehearsal and opening night performance were held, and the play was not revived until after Jarry's death.

A similar defense comes from Australian Philosopher Frank Jackson ( born 1943 ) who revived the theory of Epiphenomenalism which argues that mental states do not play a role in physical states.

The play was revived early in the Restoration.

Interleague play in 1997 allowed the I-70 Series to be revived in non-exhibition games.

In 2011 the play was revived in a production directed by Sir Trevor Nunn, opening at Chichester Festival Theatre before transferring to the Theatre Royal Haymarket in London's West End ( June-August 2011 ).

Following the performance mentioned by Forman, the play was revived at court for Charles I and Henrietta Maria in 1634.

In 1980, David Jones revived the play for the RSC ; the production was in general a disappointment, although Judi Dench as Imogen received reviews that rivalled Ashcroft's.

Sir Walter Cope, asked by Robert Cecil to select a play for the Queen during her brother Duke Ulric of Holstein's visit, wrote, " Burbage is come and says there is no new play the Queen has not seen but they have revived an old one called Love's Labour's Lost which for wit and mirth he says will please her exceedingly.

After the theatres re-opened at the start of the Restoration era, the play was revived by Thomas Killigrew's King's Company in 1672.

* 1994: Arvind Gaur directed this play in India with Jaimini Kumar as Brutus and Deepak Ochani as Caesar ( 24 shows ); later on he revived it with Manu Rishi as Caesar and Vishnu Prasad as Brutus for the Shakespeare Drama Festival, Assam in 1998.

The play was successfully revived by English director Stephen Daldry for the National Theatre's Lyttelton Theatre on 11 September 1992 and later transferred to the Aldwych Theatre on 25 August 1993 and then to the Garrick Theatre on 24 October 1995.

" The play was a huge success and was revived in 1686, and published the following year.

The play was revived again in 1718 and 1719 ( with John Bickerstaff as Aaron ) and 1721 ( with Thomas Walker in the role ).

The play was revived in March 1999, starring Laurence Fishburne as Henry and Stockard Channing as Eleanor, directed by Michael Mayer.

The play was revived in November 2011 at the Theatre Royal Haymarket, London, starring Robert Lindsay as Henry, and Joanna Lumley as Eleanor, directed by Trevor Nunn.

When the two plays were revived together in 1633, Fletcher's play proved more popular than Shakespeare's.

In the UK, the play was seen on tour in the early 1990s and was revived most recently at the Finborough Theatre, London, in 2004.

In 2010, the play was revived at the Old Vic theatre in London starring Lesley Manville as Ouisa.

The play was revived on Broadway in 1995, starring Cherry Jones as Catherine and featuring Philip Bosco, Patricia Conolly, Frances Sternhagen, and Jon Tenney

The play was revived on Broadway in 1989.

The play was revived in a new translation by Frederic Raphael and Stephen Raphael in October 1991 at the Haymarket Theatre with Derek Jacobi as Becket and Robert Lindsay as the King and again in October 2004 with Dougray Scott and Jasper Britton.

Nevertheless, the play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation called Florizel and Perdita ( first performed in 1754 and published in 1756.

The play has been revived at Clwyd Theatr Cymru in both 1976 and 2005, and received its first London revival in sixty years at London's Finborough Theatre in 2009.

His play was later to be successfully revived on Broadway in 1962, with Dame Wendy Hiller and Maurice Evans, while the 1984 London revival featured his daughter, Vanessa Redgrave, along with Christopher Reeve and Hiller, this time in the role of Miss Bordereau.