Andrew Powell appeared as arranger of orchestra ( and often choirs ) on all albums except Vulture Culture, when he was composing the score of Richard Donner's film Ladyhawke.

After the re-shoots were completed, Joseph LoDuca, who composed the music for The Evil Dead and Evil Dead II, returned to score the the film.

On Metacritic, the film holds a score of 57 out of 100, indicating " mixed or average reviews ".

Benny Andersson also wrote the film score for the 2012 documentary Palme about Swedish prime minister Olof Palme.

Review aggregator Rotten Tomatoes gave the film a score of 80 % with an average score of 7 / 10.

One advantage Chaplin found in sound technology was the ability to record a musical score for the film ; he also took the opportunity to mock the talkies, opening City Lights with a squeaky, unintelligible speech that " burlesqued the metallic tones of early talky voices ".

According to film historian Jeffrey Vance, " although he relied upon associates to arrange varied and complex instrumentation, the musical imperative is his, and not a note in a Chaplin musical score was placed there without his assent.

* List of film score composers

Danny Elfman composed his first score for the film and played the role of Satan.

In 1985, Tim Burton and Paul Reubens invited Elfman to write the score for their first feature film, Pee-wee's Big Adventure.

Elfman cited his first time noticing film music being when he heard Bernard Hermann's score to The Day the Earth Stood Still as an eleven-year-old and being a fan of film music since then.

Category: Russian film score composers

Category: Soviet film score composers

Backwoods Barbie produced four additional singles, including the title track, which was written as part of her score for 9 to 5: The Musical, an adaptation of her feature film Nine to Five.

Hopkins later directed a film version of the stage play, to which he also wrote the musical score.

) She was offered the chance to compose the score for James Cameron's 1997 feature film Titanic, but she declined.

* List of film score composers

This film used leading actors from the Comédie-Française, and had a special accompanying score written by Camille Saint-Saëns.

: The Composer is responsible for writing the musical score for a film.

The film was positively received by critics as review aggregator Rotten Tomatoes evaluates that 86 % of critics have given the film a positive review, based on 28 reviews, with an average score of 7. 7 / 10.

Complex and filled with psychological symbolism, the film is set to a jaunty score by Nino Rota.

Cues from these scores were used to almost completely replace the original Japanese score by Akira Ifukube and give the film a more Western sound.

Danny Elfman, who composed the score for Darkman, wrote the " March of the Dead " theme for Army of Darkness.

He thereafter composed the score for all of his films, and from the late 1950s to his death, he re-scored all of his silent features and some of his short films.

The score was composed by Tan Dun, originally performed by Shanghai Symphony Orchestra, Shanghai National Orchestra, and Shanghai Percussion Ensemble.

Galuppi composed the score for more than twenty of Goldoni's librettos.

We can distinguish two groups of computer-generated music: music in which a computer generated the score, which could be performed by humans, and music which is both composed and performed by computers.

The original score was composed by British classical composer Richard Rodney Bennett.

However, Rossini composed the rest of the score in 1841.

Mark Johnson and Charles Newirth produced the film for DreamWorks, and David Newman composed the music score.

A new musical score for the film was composed in 2010 by Michael Penny.

The score was composed by Kevin Schilder.

The score was composed by Kevin Schilder.

The original orchestral score was composed by Michael Kamen, but the soundtrack includes several songs by Queen, like " Princes of the Universe ", which was also used in the Highlander television series title sequence.

The film's electronic score was composed and performed by David Newman and a soundtrack CD was subsequently released.

Elaborate cadenzas were composed by Tchaikovsky for his ballets The Nutcracker and The Sleeping Beauty ; as well as Alexander Glazunov for his score for the ballet Raymonda.

Ludwig Minkus was celebrated for his harp cadenzas, most notably the Variation de la Reine du jour from his ballet La Nuit et le Jour ( 1881 ), the elaborate entr ' acte composed for Albert Zabel from his ballet Roxana ( 1878 ), and numerous passages found in his score for the ballet La Bayadère, which in some passages were used to represent a veena which was used on stage as a prop.

In 1692, he composed The Fairy-Queen ( an adaptation of Shakespeare's A Midsummer Night's Dream ), the score of which ( his longest for theatre ) was rediscovered in 1901 and published by the Purcell Society.

The film was shot in black and white by Robby Müller, and features a score composed and performed by Neil Young, for whom Jarmusch subsequently filmed the tour documentary Year of the Horse, released to tepid reviews in 1997.

Thomas Arne composed a highly successful score to the same libretto in 1742.

( 2008 ) directed by John Crowley and starring Michael Caine, score composed by Joby Talbot ; It's a Boy Girl Thing ( 2006 ) directed by Nick Hurran, score composed by Christian Henson and has featured on TV soundtrack and themes tunes, most recently for Psychoville, composed by Joby Talbot and episodes of Wallander, composed by Ruth Barrett.