These works create a sense of harmonies by using arpeggiated chords and implied basslines.

These chords could be selected arbitrarily or with specific purpose to reflect the tone of the emotion being conveyed.

These chords repeat throughout the whole song, while the soloists play new, improvised themes over the repeated chord progression.

These double and triple ocarinas can also play chords.

These were used to construct Ptolemy's table of chords, which was applied to astronomical problems.

These chords lead back to Diabelli's C-major for Variation 33, a closing minuet.

These songs are propelled by Keith Moon's aggressive drumming and Pete Townshend's distinctive power chords, and have strong melodies and euphonic harmonies.

These pieces, as well as others from Italian sources from the beginning of the century, are simple, brief sequences of chords outlining a cadential formula.

These need not actually be played together: arpeggios and broken chords may for many practical and theoretical purposes be understood as chords.

These are chords between adjacent exterior vertices, and form the perimeter of the polygon.

These included the ability to create custom chords for Smart Instruments, support for 3 / 4 and 6 / 8 time signatures, and exporting in AAC or AIFF format.

These same diminished chords intentionally found their way onto the row of major chords.

These songs used to be performed either in groups or alone, and in parallel chords or unison.

In a purported sonata allegro scheme, the B < sup > 1 </ sup > section would inaugurate the development, given its more active texture and return to the main key of C. The A theme is developed next, with canonic imitations in E-flat major, after which surface the mysterious B-major chords of section D. These two sections ( D and X ) shatter the proposed sonata scheme, and in place of a recapitulation, the movement closes with another reprise of the lyrical A theme.

These include Enjoy Mode ( beginner and Easy notes ), 5-line Mode ( for 5 buttons ) and Normal mode ( on-beat notes and simple chords ).

These chords — tonic, dominant seventh, subdominant — have in Cape Verde the popular names of “ primeira ”, “ segunda ” and “ terceira ” ( first, second and third ) respectively of the tonality in question.

These instruments have a full-size body and a powerful acoustic tone suitable both for chords and for melody work.

These cycles use dominant chords with added tones to give it a darker, more chromatic sound, much like Reich's previous piece, The Desert Music.

These are just another couple of characters to roll.

These men are not callous.

These things are important to almost all Persians and perhaps most important to the most ordinary.

These are traversed by another line of vaults, and thus rooms, arched on all four sides, are formed.

These songs ( practically all Persian music, for that matter ) are limited to a range of two octaves.

These are not, however, differences in federal structure.

These my grandmother left in their places ( they are still there, more persistent and longer-lived than the generations of man ) and planted others like them, that flourished without careful tending.

These are like the initial ways in which the world forces itself upon the self and thrusts the self into decision and choice.

These are suggestive of Selma Lagerlof.

These assumptions lead to an organization with one man at the top, six directly under him, six under each of these, and so on until there are six levels of personnel.

These ways are absolutely irreconcilable because they offer two different recipes for man's redemption from chaos.

These responses are explicable in terms of characteristics inherent in the crisis.

These discoveries are of present interest chiefly to the scientific community ; ;

These are personality factors ; ;

These are, if the research is done with subtlety and skill, researchable topics, but the research is missing.

These moments are historical events in the lives of individual authors with which the student of comparative literature must be frequently concerned.

These lives are in themselves outside of the moral order and are unburdened with moral responsibility.

These conceptions and the manner in which they were transposed into poetry or engendered by poetic form are intrinsic to western life from the time of Aeschylus to that of Shakespeare.

These biographical analogies are obvious, and far too much time has been spent speculating on their possible implications.

These women whose organization grew out of the old suffrage movement are dedicated to Thomas Jefferson's dictum that one must cherish the people's spirit but `` Keep alive their attention ''.

These are, of course, the same people whose support he has only now rejected to seek the independent vote.

These are New York, Pennsylvania, Michigan, Maryland, Missouri, New Jersey, Illinois and Minnesota.

These men are spenders.